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  • £119.99

    Thyellene - Kevin Houben

    Thyellene depicts of a battle that took place on the 'Tielenheide' - a stretch of moorland near the Belgian village of Tielen in 1597. In that memorable battle Prince Maurice of Nassau, commander of the Dutch army, defeated Count Varax, a general of the Spanish army - with a considerably smaller troop than the enemy. This great heroic subject has been transformed into this equally great work for brass band, which won the third prize at the 2009 European Composers Competition.

    Estimated dispatch 5-14 working days

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  • £115.60

    Voluntary Artillery & Rifle Corps March - Endeerby Jackson - Ray Farr

    The march was written by Enderby Jackson and performed during a series of brass band events which took place at the Crystal Palace, London 1860 - 1863. Enderby Jackson was the organiser of these historically important events, and also conducted the massed band concerts. The Volunteer Force was a part-time, citizen army created in May 1859 by the British government as a result of increasing tensions between Britain and France. By 1862 more than 200,000 men had enlisted and were paid when on duty however, each member of the corps had to provide his own weapon and equipment.Some of the volunteer corps had bands which normally numbered between six and twelve players plus percussion1 and these bands became an important stimulant to the development of brass band.2 The corps were heavily subsidised by the government and considerable funding was spent on the bands3 which were often local brass bands. These bands were often provided with rehearsal rooms, instruments and uniforms,4 furthermore, the volunteer movement created and saved many brass bands.5Most of the musicians performing at the Crystal Palace Contests were affiliated to the Volunteer Force.

    Estimated dispatch 5-14 working days

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  • £116.40

    The Phoenix - Paul Hertel

    This nice composition, commissioned by the Swiss Army Brass Band was arranged for symphonic band at Johann Mosenbichler's request. The legendary bird called 'Phoenix' rises from its ashes as a symbol of optimism and vitality. From a choral with Southeastern European characteristics develops an impressive middle part resulting in a stretto with a compelling finale. Because of its splendid brilliant sounds, this composition is appreciated by musicians of all ages.

    Estimated dispatch 5-14 working days

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  • £65.40

    Interlude - Andrew Pearce

    As a young man, Andrew Pearce had fond memories of playing Cornet in the local Youth Brass Band, where he first experienced the power and beauty of brass music. After completing 'Maestro' concertino for Philip Cobb, he decided to write a more gentle and lyrical piece for him, which paid homage to his musical roots in the Salvation Army. 'Interlude' is ideal for a proficient solo cornet player in any brass band: tuneful, reflective and elegiac with lots of expression.

    Estimated dispatch 5-14 working days

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  • £69.99

    Brass Machine - Mark Taylor - Philip Sparke

    Mark Taylor wrote the trumpet feature Scream Machine for a vinyl album by the Army Blues Jazz Ensemble in 1985. It was later published in a slightly simpler version called Brass Machine.This brass band arrangement by Philip Sparke has been arranged directly from the published jazz ensemble score and features soprano cornet and four solo cornets.

    Estimated dispatch 5-14 working days

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  • £105.80

    Scherzo - Andrew Pearce

    Commissioned by Philip Cobb & The New York Staff Band of the Salvation Army. A classic trumpet solo full of exciting tempo changes and technical feats. A challenge for every modern trumpet player!

    Estimated dispatch 5-14 working days

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  • £30.00

    Finale from Tosca, Act 1 (Te Deum)

    DescriptionPuccini's opera Tosca, one of his most successful and popular works is set in 1800 in Rome, as Napoleon's invading army is approaching. There are rebels in Rome who see Napoleon as a liberator from Neapolitan rule and are plotting secretly. One of those is the young firebrand artist Cavaradossi. He and his lover, the beautiful and tempestuous Tosca, are being pursued by the evil chief of the secret police, Scarpia. At the end of Act 1, Scarpia is revelling in his plot to capture Cavaradossi and trick Tosca into sleeping with him to buy her lover's freedom, all inside a church in Rome while a Te Deum service is being sung; in the background the bells are tolling and we hear distant cannonfire from the approaching army.In this arrangement the part of Scarpia is played mostly by the solo trombone. There is an optional organ part, although all of the organ part is covered in the band parts.This arrangement was first performed by the Harrogate Band conducted by Andrew Baker in 2022. Watch a video preview of the score below!

    Estimated dispatch 7-14 working days
  • £30.00

    Russian Rag - George L Cobb, Sandy Coffin

    Interpolating the world famous"Prelude" by RachmaninoffCommissioned by John Wallace, this arrangement of Russian Rag has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe. Note the cheeky virtuosity and rubato!Look and Listen (courtesy of Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    That Moaning Trombone - Carl D Bethel, Sandy Coffin

    Comic March One-StepCommissioned by John Wallace, this arrangement of That Moaning Trombone has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the the reckless abandon with which glissando, at that time a novel effect, is used!Look and Listen (courtesy of the Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    The St Louis Blues - Sandy Coffin, W C Handy

    Two-Step MarchCommissioned by John Wallace, this arrangement of The St Louis Blues has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the flutter-tonguing and use of muting, the counter-melody in soprano cornet, and the wilder and yet wilder nature of each repetition of the Chorus.Look and Listen:Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days