Results
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£25.00Resilience (March) - Brass Band Sheet Music Full Score & Parts - LM940 - Chris Cobon
COMPOSER: Chris CobonA great concert march from the pen of Chris CobonOne to add to your concerts this year and sure to be a crowd pleaser.LM940 - ISMN : 9790570009404
In Stock: Estimated dispatch 3-5 working days
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£30.00Romance (Bruce Jackson) - Brass Band & Baritone Solo Sheet Music Full Score & Parts - LM442
COMPOSER: Bruce JacksonSomething new for your band this concert season from the pen of Bruce JacksonA brand new Baritone solo suitable for 4th section and aboveLM442- ISMN : 9790570004423
In Stock: Estimated dispatch 3-5 working days
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£65.00Second Suite in F - Brass Band Sheet Music Full Score & Parts - LM602 - Gustav Holst
COMPOSER: Gustav HolstTRANSCRIBED : Daniel S. AugustineA brand transcription from Holst's manuscript score for brass band.A very authentic version from the original for Military Band.Can be used as a testpiece in your next own choice contestSuitable for Section 3 bands upwardsSecond Suite in FOp. 28, No. 2 (1922)1. MarchThe "March" of the Second Suite begins with a simple five note motif between the low and high instruments of the band. The first folk tune is heard in the form of a traditional British brass band march using the morris-dance tune "Glorishears". After a brief climax, the second strain begins with a euphonium solo playing the second folk tune in the suite "Swansea Town". The theme is repeated by the full band before the trio. For the trio, Holst modulates to the unconventional subdominant minor of Bb minor and changes the time signature to 6/8, thereby changing the meter. Usually one would modulate to subdominant major in traditional march form. While Sousa, reputably the "king of marches", would sometimes change time signatures for the trio (most notably in "El Capitan"), it was not commonplace. The third theme, called "Claudy Banks",[2] is heard in a low woodwind soli, as is standard march orchestration. Then the first two tunes are repeated da capo.2. Song without Words "I'll Love My Love"Holst places the fourth folk song, "I'll Love My Love" in stark contrast to the first movement. The movement begins with a chord and moves into a solo over a flowing accompaniment. The solo is then repeated, forming an arc of intensity. The climax of the piece is a fermata, followed by a cornet pick-up into the final measures of the piece.3. Song of the BlacksmithAgain, Holst contrasts the slow second movement to the rather upbeat third movement which features the folk song "A Blacksmith Courted Me". There are many time signature changes (4/4 to 3/4) making the movement increasingly difficult because the accompaniment has a pick up on the up-beats of each measure. The band joins in on the melody around the body of the piece and are accompanied with the sound of a blacksmith forging metal with an anvil called for in the score. The final major chord has a glorious, heavenly sound, which opens way to the final movement.This chord works so effectively perhaps because it is unexpected.4. Fantasia on the "Dargason"This movement is not based on any folk songs, but rather has two tunes from Playford's Dancing Master of 1651. The finale of the suite opens with a solo based on the folk tune "Dargason", a 16th-century English dance tune included in the first edition of The Dancing Master. The fantasia continues through several variations encompassing the full capabilities of the band. The final folk tune, "Greensleeves", is cleverly woven into the fantasia by the use of hemiolas, with Dargason being in 6/8 and Greensleeves being in 3/4. At the climax of the movement, the two competing themes are placed in competing sections.As the movement dies down, a duet forms a call back to the beginning of the suite with the competition of low and high registers.The name 'dargason' may perhaps come from an Irish legend that tells of a monster resembling a large bear (although much of the description of the creature has been lost over time), the Dargason tormented the Irish countryside. During the Irish uprising of the late 18th century, the dargason is supposed to have attacked a British camp killing many soldiers. This tale aside, 'dargason' is more likely derived from an Old English word for dwarf or fairy, and the tune has been considered English (or Welsh) since at least the 16th century. It is also known as 'Sedony' (or Sedany) or 'Welsh Sedony'.
In Stock: Estimated dispatch 3-5 working days
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£25.00Silent Night (Bruce Jackson) - Brass Band Full Score and Parts - LM441
COMPOSER: Franz Xaver GruberARRANGER: Bruce JacksonSomething new for your band this Christmas from the pen of Bruce JacksonA lightly scored and different arrangement of this classic Christmas tune.LM441 - ISMN : 9790570004416
In Stock: Estimated dispatch 3-5 working days
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£25.00Silent Night (Davis) - Brass Band Sheet Music Full Score & Parts - LM945
COMPOSER: Franz Xaver GruberARRANGER: John DavisSomething new for your band this Christmas from the pen of John DavisA lightly scored arrangement of this classic Christmas tune.LM945 - ISMN : 9790570009459
In Stock: Estimated dispatch 3-5 working days
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£25.00Silent Night (Kempster) - Brass Band Sheet Music Full Score & Parts - LM930
COMPOSER: Franz Xaver GruberARRANGER: Mike KempsterSomething new for your band this Christmas from the pen of Mike KempsterA lightly scored arrangement of this classic Christmas tune.LM930 - ISMN : 9790570009305
In Stock: Estimated dispatch 3-5 working days
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£55.00Sketches From Biggin Hill - Brass Band Sheet Music Full Score & Parts - LM352
COMPOSER: Paul Pennicotte-HenrieA delightful descriptive original composition from Paul Pennicotte-Henriedepicting life at Biggin HillThree continuous movements in this 8 minute piece although the movements could be played on their own.Chocks AwayAbove The CloudsFly PastHear life at Biggin Hill through this descriptive work by Paul with a great take off up to the clouds with lush harmonies before a tremendous quick concert march flypast to finish the offA great addition to your next concertSuitable Section 4 UpwardsLM352 - ISMN : 9790570003525
In Stock: Estimated dispatch 3-5 working days
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£30.00Smooth Operator - Brass Band Sheet Music Full Score & Parts - LMAM032
COMPOSER: Ray St. John & Helen AduARRANGER: David Beal"Smooth Operator" is a song by English band Sade from their debut studio album, Diamond Life (1984), and was co-written by Sade Adu and Ray St. John. It was released as the album's third single in the United Kingdom as a 7-inch single with "Spirit" as its B-side, and as a 12-inch maxi single with "Smooth Operator" and "Red Eye" on side A and "Spirit" on side B. Released on 28 August 1984, it reached number 19 on the UK Singles Chart.In the United States, "Smooth Operator" was released in February 1985, serving as the album's second US single. The song became Sade's first top-10 entry in the US, peaking at number five on the Billboard Hot 100 for two weeks in May 1985. It spent 13 weeks in the top 40, and also topped the Billboard Adult Contemporary chart for two weeks.Although "Your Love Is King" remains Sade's highest-peaking single in the UK to date, "Smooth Operator" is the band's breakthrough single on the US charts, and their most successful single internationally.Scored here for British Brass Band.Any purchases from this site cannot be made please click on the link above
In Stock: Estimated dispatch 3-5 working days
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£21.50Soul Limbo - Brass Band Full Score & Parts - LM717
COMPOSER: Booker T. Jones, Steve Cropper, Al Jackson & Donald 'Duck' DunnARRANGER: David BealOne of the most familiar TV Themes - "Test Match Cricket"Suitable for most sections of band from Youth through to ChampionshipGreat for your Summer concertScored for Traditional English Brass Band
In Stock: Estimated dispatch 3-5 working days
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£25.00Swingle Bells - Brass Band
COMPOSER: James Lord PierpontARRANGER: John van GulikA great foot tapper for your next Christmas ConcertSwing version of Jingle Bells
In Stock: Estimated dispatch 3-5 working days
