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  • £20.00

    SALT OF THE EARTH, GOSPEL (Euphonium Solo with Brass Band Parts) - Scott, Andy

    Brass Band parts only, solo part not included - available separately. 'Salt of the Earth Gospel' is a new arrangment for Solo Euphonium and Brass Band of the second movement of the Concerto for Tuba 'Salt of the Earth'. It is a seven-bar melody that is passed around different soloists whilst the solo euphonium weaves in and out of the melody in an almost improvisatory way. Tension is created by a gradual dynamic build with an ensemble release before the soloist gently brings the piece to rest. Dur: 4:30

    Estimated delivery 12-14 days

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  • £14.00

    SALT OF THE EARTH, GOSPEL (Euphonium Solo with Brass Band Score) - Scott, Andy

    Brass Band score only. 'Salt of the Earth Gospel' is a new arrangment for Solo Euphonium and Brass Band of the second movement of the Concerto for Tuba 'Salt of the Earth'. It is a seven-bar melody that is passed around different soloists whilst the solo euphonium weaves in and out of the melody in an almost improvisatory way. Tension is created by a gradual dynamic build with an ensemble release before the soloist gently brings the piece to rest. Dur: 4:30

    Estimated delivery 12-14 days

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  • £21.50

    O Isis Und Osiris - W.A. Mozart - Andi Cook

    The Magic Flute (Die Zauberfl?te) is one of Mozart's most successful operas, premiered only 2 months before the composer's early death. Skilfully arranged now as an Eb Tuba solo (with an Euphonium solo part as an alternative option), this is a chance for your band's tuba player to show the instruments in a new light, not often seen on the concert stage. The Aria O Isis Und Osiris is performed at the start of the second act of the opera and allows the soloist to show off the more lyrical and operatic side of the instrument.

    In stock: Estimated delivery 1-2 days

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  • £30.00 £30.00
    Buy from Superbrass

    Festive Fanfare

    Music for Brass Band Duration: 3:00 MinutesPercussion: 3 PlayersDrum Set, Glockenspiel, Triangle, Tubular Bells, Sleigh Bells.All Rights ReservedProgramme NotesFestive Fanfare is an ideal opening number for a Christmas programme, capturing the glow, the bustle and the excitement of the season in a medley of familiar traditional melodies. You will hear snatches of the well-known 'Deck the Halls' and 'Good King Wenceslas' woven around the main theme of 'Joy to the World' in an arrangement guaranteed to get your celebrations off to sparkling start.Tony SwainsonTony Swainson is Senior Low Brass Tutor at The Royal Conservatoire of Scotland (RCS) in Glasgow. He made his professional debut with the Halle Orchestra under John Barbirolli before joining the BBC Scottish Symphony Orchestra as Principal Tuba, where he remained for 27 years. He relinquished his position at the BBC in order to concentrate on teaching, conducting, arranging and composing. Tony has conducted all of Scotland’s leading brass bands with success. He now enjoys conducting the Junior Symphony Orchestra at the RCS. Two of his recent pieces for brass band have been recorded, the euphonium solo 'The Auld Noost' by Steven Mead and the cornet solo 'On Eagle's Wings' by Jim Hayes. Tony particularly enjoys composing and arranging for the various brass groups at the RCS and away from brass for schools symphony orchestras for which original music includes 'St.Ninian's Mass' and 'Pie Pelicane '.

  • £40.00 £40.00
    Buy from Superbrass

    On Eagle's Wings'

    Music for Brass Band Duration: 6:00 MinutesPercussion: 3 PlayersTimpani, Glockenspiel, Triangle, Suspended Cymbal.All Rights ReservedProgramme Notes I first came across this beautiful hymn a few years ago at a friend’s wedding. The powerful words of the refrain particularly struck with me along with its lovely melody, which form the basis for the cornet solo. I intend for the music to radiate the warmth and comfort of the Eagle's wings before taking flight. It soars higher and higher (leaving behind burdens and unhappiness) before breaking through into the sunlight - the powerful climax for full band with the soloist soaring majestically over all.And He will raise you up on eagles' wingsBear you on the breath of dawnMake you to shine like the sunAnd hold you in the palm of His hand.'On Eagle's Wings’ was premiered and recorded by Jim Hayes for his 'Angels Will Fall' CD in his 'Jonny Midnight' series, accompanied by the Co-operative Funeralcare Band and conducted by Michael Fowles, in 2016.Tony SwainsonTony Swainson is Senior Low Brass Tutor at The Royal Conservatoire of Scotland (RCS) in Glasgow. He made his professional debut with the Halle Orchestra under John Barbirolli before joining the BBC Scottish Symphony Orchestra as Principal Tuba, where he remained for 27 years. He relinquished his position at the BBC in order to concentrate on teaching, conducting, arranging and composing. Tony has conducted all of Scotland’s leading brass bands with success. He now enjoys conducting the Junior Symphony Orchestra at the RCS. Two of his recent pieces for brass band have been recorded, the euphonium solo 'The Auld Noost' by Steven Mead and the cornet solo 'On Eagle's Wings' by Jim Hayes. Tony particularly enjoys composing and arranging for the various brass groups at the RCS and away from brass for schools symphony orchestras for which original music includes 'St.Ninian's Mass' and 'Pie Pelicane '.

  • £48.00

    Fantasie Concertante (Score only) - Philip Wilby

    This exciting new concerto is a welcome addition to the repertoire of french and tenor horn players alike. Like the 18th-Century Serenade form there are five movements, arranged symmetrically around a slow movement - Soliloquy - which separates movements entitled Burlesque (two) and Valse Caprice (three) respectively. The first and last movements share common material of a more symphonic stature, and the concerto ends with a brisk fugato. The solo horn is (in the band version) accompanied by a quintet of solo players (two cornets, euphonium, trombone, and tuba) who provide the lion's share of the counterpoint and contrast with the main body of musicians who provide musical punctuation in the more sonorous tutti sections. The first movement, Don Quixote's Dream, contains references to Cervantes' famous hero, the Spanish nature of his stories, and the ambling gait of his horseback adventures.

    Estimated delivery 7-10 days
  • £60.00

    Fantasie Concertante (Parts only) - Philip Wilby

    This exciting new concerto is a welcome addition to the repertoire of french and tenor horn players alike. Like the 18th-Century Serenade form there are five movements, arranged symmetrically around a slow movement - Soliloquy - which separates movements entitled Burlesque (two) and Valse Caprice (three) respectively. The first and last movements share common material of a more symphonic stature, and the concerto ends with a brisk fugato. The solo horn is (in the band version) accompanied by a quintet of solo players (two cornets, euphonium, trombone, and tuba) who provide the lion's share of the counterpoint and contrast with the main body of musicians who provide musical punctuation in the more sonorous tutti sections. The first movement, Don Quixote's Dream, contains references to Cervantes' famous hero, the Spanish nature of his stories, and the ambling gait of his horseback adventures.

    Estimated delivery 7-10 days
  • £75.00

    Dances and Arias - Edward Gregson

    This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance – Aria I – Dance (scherzo) – Aria II – Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.

    Estimated delivery 12-14 days