Results
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£26.16Away in a Manger (Bb Soloists with Flexible Ensemble or Piano) arr. Downie
The Christmas season provides an ideal opportunity for beginner brass students to demonstrate their progress with this setting by Kenneth Downie of the favourite carol Away in a Manger. Scored for two or more soloists and accompanying ensemble or piano and percussion, the flexible scoring means various combinations of instruments can accompany the soloists. In addition, high quality MP3 brass and orchestral backing tracks are included, along with click tracks for practice purposes. The general harmonic format of the Young Artists Series is in five parts. However, this piece will work equally well with larger groups, including full brass bands and wind bands. To view a demonstration video please visit www.youtube.com/watch?v=tuAJ7DAeMNk Duration: approx. 2.00 minutes This download includes PDF parts and full score, along with MP3 brass backing track and orchestral backing track, with and without click. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) The parts are allocated as follows and can be used in virtually any combination: Soloist(s) 1 & 2 Bb - Cornet/Trumpet Bb, Clarinet Bb, Flugel, Soprano Saxophone Part 1 Bb - Cornet/Trumpet Bb, Clarinet Bb, Flugel, Soprano Saxophone Part 2 Bb - Cornet/Trumpet, Clarinet Bb, Flugel Part 2 - Eb Tenor Horn, Alto Saxophone, Alto Clarinet Eb Part 2 - F Horn, Cor Anglais Part 3 - Bb Baritone, Trombone, Euphonium, Tenor Saxophone Part 3 C (Bass clef) - Baritone, Trombone, Euphonium Part 3 Eb - Tenor Horn, Alto Saxophone, Alto Clarinet Eb Part 3 - F Horn, Cor Anglais Part 4 - Bb Euphonium, Baritone, Tenor Saxophone Part 4 - C (Bass clef) Euphonium, Baritone, Bassoon Part 5 Eb - Bass Eb, Baritone Saxophone Part 5 Bb - Bass Bb, Bass Clarinet Part 5 C (Bass clef) - Tuba, Bass Trombone, Bassoon, String Bass Percussion 1 & 2 Various Piano
In Stock: Estimated dispatch 1-3 working days
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£14.94Elevation (Brass Quintet) Louise Farrenc arr. Rob Bushnell
A beautiful piece of music by French composer Louise Farrenc, Elevation (sometimes called Elevation pour l'offre divin) was adapted as a piece for organ based on Etude in F-sharp major (No.19) from 20 Etudes de moyenne Difficulte pour Piano, Op. 42 (20 Etudes for piano of average difficulty). The two pieces are almost identical, except for the key and the tempo markings. It is worth noting that, although this arrangement is set at the original tempo, Farrenc, herself, is known to have said that 'sometimes the French play the Andante and the Adagio too fast'.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original can be found on at www.youtube.com/watch?v=YchZr-UYe5U Duration: approx. 2 minutes Instrumentation: 1st Cornet/Trumpet in Bb 2nd Cornet/Trumpet in Bb Horn in Fb Tenor Horn in Eb* Trombone/Euphonium (B.C.) Trombone/Euphonium in Bb (T.C.)* Tuba (B.C.) Eb Bass/Tuba (T.C.)* Bb Bass/Tuba (T.C.)*
In Stock: Estimated dispatch 1-3 working days
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£29.95Island Whirl
Island Whirl was commissioned by Margaret Milligan who wanted a brand new piece of music composed as a present for Ian, her husband for his 70th birthday. Ian Milligan is a keen and dedicated musician and he is the musical director of Callendar Brass, based in Callendar near Stirling in Scotland.Margaret contacted me about the possibility of composing a short lively piece which had a Scottish theme that would be ideal for Callendar Brass Band and any other ensemble to get their teeth into. This piece takes its inspiration from the traditional Scottish folk song 'An Eriskay Love Lilt' which is a particular favourite of both Margaret and Ian.With thunderous Celtic drums the piece opens in a whirlwind of sound with fanfare brass and an off-stage soloist that can perform using either the cornet or trumpet. After the exciting opening, the brass and drums die away to allow the off-stage soloist to air the traditional tune 'An Eriskay Love Lilt'.The beautiful haunting melody, keeping its originality throughout undergoes a series of changes in the accompanying harmonic material before dying away to allow the Celtic drums to return. The percussion whip the band into a frenzy as the piece gets faster and faster. Just prior to the final notes the band diminuendo to allow one last closing statement from the Eriskay Love Lilt lead by the off-stage soloist before the ensemble charge to a dramatic close.When performing this piece I would recommend the off-stage soloist taking a position somewhere in the audience, so they can almost feel part of the performance. In addition, with the two tom-tom parts that represent the Celtic drums, bands should make the most of showcasing them by getting the two drummers out to the front of the band to perform. The ideal stage position would be with the players set up in stereo with one player in front of the soprano cornet and the other in front of the solo trombone.With the various choreographed movements from both the off-stage soloist and the percussionists. This piece is a great addition to any concert repertoire and is an ideal showcase for bands who want to try something a little different.I wish Ian at 70 years young, all the very best with his music making in the many years to come and I hope this piece, composed especially for him and Callender Brass brings them many years of musical enjoyment.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£14.94Intermezzo from 'Cavalleria Rusticana' (Brass Quintet) Mascagni arr. Girardi
Cavalleria Rusticana is Mascagni's most popular opera, the Intermezzo being the instrumental interlude that accompanies villagers leaving an Easter service. This operatic gem brings relief to the tensions of a plot that realistically deals with tragic triangles of love. Rhythmically simple, this piece allows the conductor to focus on the execution of long, lyrical passages, including dynamics, legato line and phrasing. A beautiful treatment by Michele Girardi for brass quintet of an equally beautiful work. PDF download includes score and full set of parts. Instrumentation Part 1 - Cornet/Trumpet Bb Part 2 - Cornet/Trumpet Bb Part 3 - Horn (includes parts in Eb & F) Part 4 - Trombone (includes bass clef and Bb treble clef parts) Part 5 - Tuba (includes bass clef and Eb & Bb treble clef parts) Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com
In Stock: Estimated dispatch 1-3 working days
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£14.94The Tubby Butcher (Brass Quintet/Sextet) Thomas Hulten
The Tubby Butcher is a vibrant and fresh take on a classic brass piece. The composer writes: 'For several years I used to play school concerts around Houston with our brass quintet. We followed a familiar formula; showing the kids how the instruments work and have a feature piece for each one. The tuba player played The Happy Farmer from Robert Schumann's Album fur die Jugend, a very dull arrangement of a dull piece. It bugged me so much I had to come up with something more exciting, hence The Tubby Butcher. Friends of mine have played this and tried to set speed records - I like it a little bit slower with a more 60s vibe, like the video we made with the Gothenburg Opera low brass (featured below). Straight 8s, not swing. Drums are not required but a welcome addition. There is an optional 2nd trombone part if needed.' To view a video of the piece featuring Gothenburg Opera low brass please visit: www.youtube.com/watch?v=H5kf_uWVnxo Difficulty Level: Medium Duration: approx. 2.00 minutes PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Trumpet 1-2 French Horn (additional Eb Tenor Horn part provided) Trombone 1-2 (2nd part optional) (parts provided in bass clef & Bb treble clef) Tuba B.C. (additional parts provided in Eb & Bb treble clef)
In Stock: Estimated dispatch 1-3 working days
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£25.00Ring'd with the Azure World
DescriptionRing'd with the Azure World was commissioned by the Harmonia Brass quintet for their final recital at the University of Huddersfield in 2016.He clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands.The wrinkled sea beneath him crawls; He watches from his mountain walls, And like a thunderbolt he falls.- The Eagle by Alfred, Lord TennysonThe music was inspired by Tennyson's poem reproduced above; it seeks simply to reflect the spirit of the poem. It opens in sparse, lonely mood as the eagle surveys the world beneath. The work quickens in three bursts using metrical modulation to disguise the actual moment of acceleration, reflecting the lazy energy stored in the circling raptor before concluding dramatically in a fall 'like a thunderbolt'. Tennyson's poem, although brief, has inspired much analysis and writing, and is notable for being written in the (then somewhat unfashionable) iambic tetrameter, indicating a foursquare emphasis reflected in the main theme of the music. This is heard first in an octatonic version and later in a purely tonal (if somewhat modal) version. The instrumentation reflects that of Harmonia Brass, a quintet composed of brass band instruments (two B flat cornets, an E flat tenor horn, tenor trombone and E flat tuba). However the music is also available for the more conventional brass quintet of two trumpets, french horn, trombone and tuba.To listen to an audio export preview and follow the music, click play on the video below!Performance Notes1st cornet/trumpet requires a cup mute, ideally with an adjustable cup (the marking "tight" denotes that the cup should be adjusted closer to the bell), and a harmon mute with the tube removed (denoted by "TR" in the score). 2nd cornet/trumpet requires a fibre straight mute and a harmon mute with the tube removed. Tenor horn require a fibre straight mute and a practice mute (any sort) - in the orchestral brass version the french horn requires a stop mute. Trombone requires a cup mute (only). Tuba requires a fibre straight mute and a practice mute (of any sort).Metronome marks should be closely observed - starting either too fast or too slow will have a disproportionate effect on the tempi later in the piece due to the metrically controlled tempo changes.
Estimated dispatch 7-14 working days
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£15.00Capriccio Italiane - Tchaikovsky
Programme Notes by Andrew Duncan:This arrangement is fairly simple and the strong melodic and rhythmic lines should help introduce inexperienced players to the concept of playing in 3 time. The triplets in the 3rd cornet/trumpet part and the 1st Baritone/Euphonium/Trombone part (and in the tambourine part) are played in unison and will greatly help to move the rhythm forward.The tune is in the 1st cornet/trumpet part up until letter B when it is played by the horns (in unison) and in harmony by the 1st Baritone/Euphonium/Trombone part, so there is plenty for all to play throughout the piece.The Percussion part is written for a Tambourine, and although it is optional, it would add colour to a performance of the arrangement.The Flexi-Collection ApproachFlexible scoring tailored to your needs - A perfect solution for expanding the repertoire of training and junior brass bands. The Flexi-Collection currently offers two series - Popular Classics and World Tour. Based on four-part harmony, these collections provide groups with the advantage of complete flexibility when they may not be balanced. If players or instruments are missing, the show can still go on!The Flexi-Collection - Popular Classics Series, encapsulates all that is great about the wonderful range of musical styles produced by Holst, Elgar, Handel, Verdi, Tchaikovsky, Grieg, Bizet and Parry.The thoughtful scoring and arranging by Andrew Duncan now means that groups of all abilities have access to a truly flexible set of music for their needs. With world parts, rudimentary theory, terminology translations and large format typesetting, The Flexi-Collection ticks all the boxes when it comes to bringing interesting music to the training and junior band/brass group environment.Available individually or as part of the money-saving Flexi-Collection Popular Classics Album. Scored for Brass Band and supplied with additional Easy Bb, Easy Eb and world parts - The Flexi-Collection offers flexibility in every sense of the word.
In Stock: Estimated dispatch 3-5 working days
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£24.95On the Face! (Basic Set)
The Basic Set contains:Score1st B flat Trumpet/Cornet2nd B flat Trumpet/CornetTrombone/Euphonium/Baritone BCTrombone/Euphonium/Baritone TCOn the Face is a complete repertoire (warm-ups and 23 pieces) for beginner brass ensemble. Perfect material for school assemblies and music centres, it includes folk songs, famous classical themes, and exciting new jazz and pop numbers. Each piece is score for a basic trio of two trumpets/cornets and one trombone/euphonium (TC or BC). However, optional independent parts can also be added for horn in E flat or F; high trombone or euphonium (tenor part); tuba; and drum kit. The pieces work equally well either with one player to a part, or in larger group settings. With its appealing variety of musical styles and textures, On the Face is sure to make the young brass player's first experience of group playing both rewarding and fun.
Estimated dispatch 7-14 working days
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£39.95
On the Face! (Value Set)
The Value Set contains the score and one of each part:1st B flat Trumpet/Cornet2nd B flat Trumpet/CornetTrombone/Euphonium/Baritone BCTrombone/Euphonium/Baritone TCHorn in E flatHorn in FHigh Trombone/Euphonium/Baritone TC*High Trombone/Euphonium/Baritone BC*E flat Bass/Tuba TCE flat Bass/Tuba TCPercussion and occasional Aux. Percussion(* for use only when there is a Tuba in the ensemble)Additional scores and parts are available individually.On the Face is a complete repertoire (warm-ups and 23 pieces) for beginner brass ensemble. Perfect material for school assemblies and music centres, it includes folk songs, famous classical themes, and exciting new jazz and pop numbers. Each piece is score for a basic trio of two trumpets/cornets and one trombone/euphonium (TC or BC). However, optional independent parts can also be added for horn in E flat or F; high trombone or euphonium (tenor part); tuba; and drum kit. The pieces work equally well either with one player to a part, or in larger group settings. With its appealing variety of musical styles and textures, On the Face is sure to make the young brass player's first experience of group playing both rewarding and fun.
Estimated dispatch 7-14 working days
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£38.50
Gospel Brass Machine
A funky upbeat piece that will go down a storm with both band and audience alike.Mark Taylor wrote the trumpet feature Scream Machine for a vinyl album of the same name released in 1985 by the Army Blues Jazz Ensemble. Featuring four 'screamer' trumpet parts, it was later published in a slightly simpler version called Brass Machine. This arrangement for brass band includes a middle gospel section.
Estimated dispatch 7-14 working days
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