Results
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£15.00The World Rejoicing (Brass Band - Study Score)
In searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well-known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Crger. A number of composers have incorporated this chorale into their music, most famously J.S.Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonization of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows: Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work is also partly autobiographical - in the manner say of Strauss's Ein Heldenleben - in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.The World Rejoicing is dedicated 'in loving memory of my brother', Bramwell Logan Gregson, who sadly passed away in the Autumn of 2018.Edward Gregson
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1379 - 1382, November 2025
1379: March - True to the colours (Noel Jones)This march is a reminder of the symbolism of The Salvation Army flag - blue representing God's purity, red for the blood of Christ and yellow for the fire of the Holy Spirit. I love the dear old Army flag, I'll be true and Yellow star and red and blue are three songs featured where writers have been equally inspired and have made declaration of their allegiance to God by service in The Salvation Army.1380: In all its fullness (Alan Williams)This music was written for the East of England Youth Summer School in 2024, where the delegates explored the theme 'Living life in full colour with Jesus' and as such this work is a joyous and fun-filled celebration of all the good things God has provided.1381: Eternal Spring (Nick Simmons-Smith) This simple hymn tune arrangement is based on the tune Martyrdom which is associated with the words 'As pants the heart for cooling streams'. It is a Scottish tune written around 1800 by Hugh Wilson.1382: March Medley - Emblems of service (Stephen Bulla)This march celebrates the occasion of the Coorparoo Corps' reunion (now Carindale Corps, Australia) in 2022. The music itself features a spirited medley: Joy! joy! joy! there is joy in The Salvation Army, What a friend we have in Jesus and Steadily forward march!
Estimated dispatch 7-14 working days
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£15.00Harrison's Dream (Brass Band - Study Score)
At 8.00pm on the 22nd of October 1707, the Association, flagship of the Royal Navy, struck rocks off the Scilly Isles with the loss of the entire crew. Throughout the rest of the evening the remaining three ships in the fleet suffered the same fate. Only 26 of the original 1,647 crew members survived. This disaster was a direct result of an inability to calculate longitude, the most pressing scientific problem of the time. It pushed the longitude question to the forefront of the national consciousness and precipitated the Longitude Act. Parliament funded a prize of �20,000 to anyone whose method or device would solve the dilemma. For carpenter and self-taught clockmaker John Harrison, this was the beginning of a 40 year obsession. To calculate longitude it is necessary to know the time aboard ship and at the home port or place of known longitude, at precisely the same moment. Harrison's dream was to build a clock so accurate that this calculation could be made, an audacious feat of engineering. This work reflects on aspects of this epic tale, brilliantly brought to life in Dava Sobel's book Longitude. Much of the music is mechanistic in tone and is constructed along precise mathematical and metrical lines. The heart of the work however is human - the attraction of the �20,000 prize is often cited as Harrison's motivation. However, the realisation that countless lives depended on a solution was one which haunted Harrison. The emotional core of the music reflects on this, and in particular the evening of 22ndOctober 1707. Peter GrahamCheshireJuly 2000
Estimated dispatch 7-14 working days
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£27.95Three Fanfares (Brass Ensemble - Score and Parts)
This set includes three fanfares by Edward Gregson for symphonic brass and percussion ensemble:Fanfare for a New EraFanfare for the NorthFanfare for EuropeFanfare for a New Era: This fanfare was commissioned by Lady Sheila Stoller to celebrate the opening of the Stoller Hall at Chetham's School of Music in Manchester (UK). It is dedicated to Sir Norman Stoller, who generously donated the funding for the new concert hall. It was first performed by students of Chetham's School of Music, conducted by Stephen Threlfall, at the Royal Opening of the Stoller Hall on 24 April 2017. Ideally, the fanfare should be performed using as much spatial arrangement as possible, so that the antiphonal effects are heard to their best advantage. Whatever the chosen lay-out, the 1st Trumpet should be positioned off-stage in a suitable position. This could be a rear balcony if the venue is not too large, or in a side balcony in a larger concert hall. Duration: 3.00Fanfare for the North: This fanfare was commissioned by the Gateshead Garden Festival of 1990 and was first performed by London Brass Virtuosi, directed by David Honeyball, at the Royal Opening by HM The Queen. Its four-note motif (G, A, E, D), which is heard throughout the fanfare, is derived from the letters of 'Gateshead'. Duration: 1.15Fanfare for Europe: This fanfare was specially commissioned for two concerts celebrating the UK's entry into Europe (or the European Economic Community as it was then known) in 1973. The first performances were given at York Minister and the Royal Albert Hall, London, in January 1973. The fanfare was also featured as the opening music for the first episode of a series of short documentary programmes made for BBC Radio 4 in 2018 by Mark Mardell entitled Brexit: A Love Story? Duration: 1.15Duration: 5.30
Estimated dispatch 7-14 working days
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£34.95Island Whirl (Brass Band - Score and Parts)
Island Whirl was commissioned by Margaret Milligan who wanted a brand new piece of music composed as a present for Ian, her husband for his 70th birthday. Ian Milligan is a keen and dedicated musician and he is the musical director of Callendar Brass, based in Callendar near Stirling in Scotland.Margaret contacted me about the possibility of composing a short lively piece which had a Scottish theme that would be ideal for Callendar Brass Band and any other ensemble to get their teeth into. This piece takes its inspiration from the traditional Scottish folk song 'An Eriskay Love Lilt' which is a particular favourite of both Margaret and Ian.With thunderous Celtic drums the piece opens in a whirlwind of sound with fanfare brass and an off-stage soloist that can perform using either the cornet or trumpet. After the exciting opening, the brass and drums die away to allow the off-stage soloist to air the traditional tune 'An Eriskay Love Lilt'.The beautiful haunting melody, keeping its originality throughout undergoes a series of changes in the accompanying harmonic material before dying away to allow the Celtic drums to return. The percussion whip the band into a frenzy as the piece gets faster and faster. Just prior to the final notes the band diminuendo to allow one last closing statement from the Eriskay Love Lilt lead by the off-stage soloist before the ensemble charge to a dramatic close.When performing this piece I would recommend the off-stage soloist taking a position somewhere in the audience, so they can almost feel part of the performance. In addition, with the two tom-tom parts that represent the Celtic drums, bands should make the most of showcasing them by getting the two drummers out to the front of the band to perform. The ideal stage position would be with the players set up in stereo with one player in front of the soprano cornet and the other in front of the solo trombone.With the various choreographed movements from both the off-stage soloist and the percussionists. This piece is a great addition to any concert repertoire and is an ideal showcase for bands who want to try something a little different.I wish Ian at 70 years young, all the very best with his music making in the many years to come and I hope this piece, composed especially for him and Callender Brass brings them many years of musical enjoyment.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£119.95Harrison's Dream (Brass Band - Score and Parts)
At 8.00pm on the 22nd of October 1707, the Association, flagship of the Royal Navy, struck rocks off the Scilly Isles with the loss of the entire crew. Throughout the rest of the evening the remaining three ships in the fleet suffered the same fate. Only 26 of the original 1,647 crew members survived. This disaster was a direct result of an inability to calculate longitude, the most pressing scientific problem of the time. It pushed the longitude question to the forefront of the national consciousness and precipitated the Longitude Act. Parliament funded a prize of �20,000 to anyone whose method or device would solve the dilemma. For carpenter and self-taught clockmaker John Harrison, this was the beginning of a 40 year obsession. To calculate longitude it is necessary to know the time aboard ship and at the home port or place of known longitude, at precisely the same moment. Harrison's dream was to build a clock so accurate that this calculation could be made, an audacious feat of engineering. This work reflects on aspects of this epic tale, brilliantly brought to life in Dava Sobel's book Longitude. Much of the music is mechanistic in tone and is constructed along precise mathematical and metrical lines. The heart of the work however is human - the attraction of the �20,000 prize is often cited as Harrison's motivation. However, the realisation that countless lives depended on a solution was one which haunted Harrison. The emotional core of the music reflects on this, and in particular the evening of 22ndOctober 1707. Peter GrahamCheshireJuly 2000
Estimated dispatch 7-14 working days
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£37.95
Harrison's Dream (Brass Band - Score only)
At 8.00pm on the 22nd of October 1707, the Association, flagship of the Royal Navy, struck rocks off the Scilly Isles with the loss of the entire crew. Throughout the rest of the evening the remaining three ships in the fleet suffered the same fate. Only 26 of the original 1,647 crew members survived. This disaster was a direct result of an inability to calculate longitude, the most pressing scientific problem of the time. It pushed the longitude question to the forefront of the national consciousness and precipitated the Longitude Act. Parliament funded a prize of �20,000 to anyone whose method or device would solve the dilemma. For carpenter and self-taught clockmaker John Harrison, this was the beginning of a 40 year obsession. To calculate longitude it is necessary to know the time aboard ship and at the home port or place of known longitude, at precisely the same moment. Harrison's dream was to build a clock so accurate that this calculation could be made, an audacious feat of engineering. This work reflects on aspects of this epic tale, brilliantly brought to life in Dava Sobel's book Longitude. Much of the music is mechanistic in tone and is constructed along precise mathematical and metrical lines. The heart of the work however is human - the attraction of the �20,000 prize is often cited as Harrison's motivation. However, the realisation that countless lives depended on a solution was one which haunted Harrison. The emotional core of the music reflects on this, and in particular the evening of 22ndOctober 1707. Peter GrahamCheshireJuly 2000
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2265 - 2268, April 2026
2265: Holy God, we praise your name (Micael Dikantsa)This bolero introduces composer Micael Dikantsa of the Amriswil Corps, Switzerland, and is based on the hymn Holy God, We Praise Your Name (Grosser Gott, wir loben dich). Set in the traditional slow, dramatic bolero style, the work builds steadily from a distinctive percussion figure as the melody passes through different instrumental groups. With its growing intensity and rich scoring, this piece offers an engaging and atmospheric addition to concert programmes.2266: Tell the story (Barrie Gott)This work continues the Swing series that began nearly 40 years ago with Light'Walk. After a bold introduction, the melody unfolds through unison and close'harmony writing, leading to a Flugel Horn solo with scope for improvisation. The well'known hymn I Love to Tell the Story is heard in a New Orleans style before a modulation launches an energetic shout chorus and lively coda. Smooth, relaxed swing style is key throughout.2267: The old rugged cross (Erik Leidzn)This arrangement by Erik Leidzn is an early and lesser'known setting of a well'loved hymn, rediscovered during research into his work. Edited from a rare score found in the USA East Music Department archives, it demonstrates Leidzn's economical and effective style, creating a practical and expressive arrangement at a time when concise, serviceable hymn settings were greatly needed.2268: Heaven came down! (Michael Cooper)Inspired by William Booth's famous challenge to use contemporary styles for sacred purpose, this piece blends high'energy jazz'fusion big'band writing with a joyful gospel hymn. Driven by rhythm, syncopation and precision, the music proclaims its message of transformation and spiritual joy with vitality, clarity and infectious swing.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1383 - 1386, March 2026
1383: Festival March - Lead On! (Andrew Wainwright)A dynamic march, commissioned by Majors Paul and Dawn McFarland during their appointment as Area Commanders of The Salvation Army's Dallas-Fort Worth Area, premiered at the 2023 Thanksgiving service at the Dallas Adult Rehabilitation Centre. Featuring the classic hymns Storm the forts of darkness (S.A.S.B. 980) and Lead on, O King eternal (S.A.S.B. 964), the piece captures the drive, hope, and mission at the heart of The Salvation Army's work in North Texas.1384: Confession (Kenneth Downie)This arrangement is based on the tune Lord of all (T.B. 440), one of the welcome additions to the 2015 Salvation Army tune book. Introduced to the arranger by Andrew Blyth, whose appreciation for the melody highlighted its gentle charm, the piece is dedicated to Andrew and the Peterborough Citadel Band, where he served as Bandmaster and continues to play.The music pairs the tune with the reflective words of We have not known thee as we ought (S.A.S.B. 630), a hymn often used in worship as a moment of confession and heart-searching before God. Its inclusion encourages both performers and listeners to approach worship with humility and sincerity.Although labelled simply as "German traditional," the tune's graceful simplicity is immediately evident. This arrangement preserves that character while introducing subtle harmonic colour and developing the tune's rising fourth motif as a unifying musical thread. The gentle nature of the melody remains central throughout, with a slightly heightened energy in the fifth phrase carefully drawn out without disrupting the overall serenity. The sharing of thematic material between Cornets and Horns calls for smooth, unobtrusive ensemble playing, allowing the tune's beauty to speak naturally.1385: God in good (Stephen Hull) This arrangement brings together two much'loved melodies: Goodness of God, a favourite from the final years of the arranger's service as Divisional Music Director in the Wisconsin/Upper Michigan Division, and the simple, enduring chorus God is so good. Heard often at summer camps, the song's message stayed with him, eventually inspiring this thoughtful musical pairing that highlights God's unwavering goodness throughout our lives.1386: A march in time (Martin Cordner)Written to celebrate the 130th anniversary of Thetford Corps (UKI Territory), this lively march pays tribute to a legacy of faithful witness, joyful service, and a community moving forward in God's light. Premiered by Cambridge Citadel Band during the anniversary weekend, the piece weaves together three cherished songs: Marching on in the light of God (S.A.S.B. 968), Jesus, precious Saviour (S.A.S.B. 501), and Light up the sunshine in your heart.
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2226 - 2229, December 2022
2226: March - Joyful Warrior (Steve Kellner)This march was written to celebrate the rededication and renaming of the USA National Capital & Virginia Division's music conservatory building in honour of Bandmaster James B. Anderson. It is based on two songs, Joy! joy! joy! there is joy in The Salvation Army (S.A.S.B. 963) and Joyful, joyful, we adore thee (S.A.S.B. 39).2227: Song and Dance (Ian Clarke)This music is built around two main subjects, the song Jesus put this song into our hearts (S.A.S.B. 875) and an original theme reminiscent of Slavic dance music.2228: Horn Solo - Time and talents (Stephen Bulla)A reverent tenor horn solo inspired by All there is of me, Lord (S.A.S.B. 569)2229: Promises (Sam Creamer)The well-known hymn Standing on the promises (S.A.S.B. 522) is presented in this arrangement in a driving shuffle style.
Estimated dispatch 7-14 working days