Results
-
£60.99Mr. Sandman - Pat Ballard - Klaas van der Woude
Who doesn't remember this international 70's hit for Emmylou Harris with it's special 'barber shop' style harmony. The three parts are given to the cornets as soloists with subtle band accompaniment featuring a great part for your vibraphone player. Everyone will leave your concert humming this great tune.
Estimated dispatch 5-14 working days
-
£50.00
Castell Beaumaris - Wareham, A
Composed in the style of the great Welsh March King, T.J Powell, this brilliant new march, by Andy Wareham, was the winning entry of the Eisteddfod Mn March Composition Competition in 2025 and is dedicated to Seindorf Beaumaris Band. T. J Powell wrote the iconic series of 'Castle' marches -- 'Castell Coch', 'Castell Caerffili' and 'Castell Caerdydd', and Andy's new march is deliberately written in his bravura style.As publishers of the original T.J Powell marches we are delighted to be able to add a new Castell to the series. 2nd Section +Duration 3 mins 30 seconds
In Stock: Estimated dispatch 1-3 working days
-
£25.00
Castell Beaumaris (Score) - Wareham, A
Composed in the style of the great Welsh March King, T.J Powell, this brilliant new march, by Andy Wareham, was the winning entry of the Eisteddfod Mn March Composition Competition in 2025 and is dedicated to Seindorf Beaumaris Band. T. J Powell wrote the iconic series of 'Castle' marches -- 'Castell Coch', 'Castell Caerffili' and 'Castell Caerdydd', and Andy's new march is deliberately written in his bravura style.As publishers of the original T.J Powell marches we are delighted to be able to add a new Castell to the series. 2nd Section +Duration 3 mins 30 seconds
In Stock: Estimated dispatch 1-3 working days
-
£34.95Skylines - Paul Lovatt-Cooper
Skylines is composed in a funk style with a rigid bass line allowing various soloists to shine. It is composed in a style that many brass band traditionalists won't find stereotypical. That doesn't mean it won't challenge the youth bands...
Estimated dispatch 5-7 working days
-
£44.95Princethorpe Variations (Brass Band - Score and Parts) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
-
£22.50
Princethorpe Variations (Brass Band - Score only) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
-
£74.72Mind Dances (Brass Band) Fendall Hill
This highly descriptive and personal work for brass band is autobiographical, and based on a seven-year period of the composer Fendall Hill's life. He comments: "...external events had severe personal consequences, and my previously self assured self woke in the early mornings, way before my body wanted. My mind would fret, regret, and attempt to fix things beyond my control or powers, carving out an anxiety-shaped hole in my soul. This piece is an exploration of the sheer range of thought processes I went through, the mind dances I would perform to either calm myself back to sleep, or somehow come to terms with my situation. So often I would get to the point of mental exhaustion after phases of semi-calm, imagined alternate realities, and sheer panic. Your mind knows there is no benefit to worrying, but that doesn't stop the flow of emotions, the fear, and the anxiety." To view a performance video of the work please visit www.youtube.com/watch?v=pUhy33KKCKY&t=3s PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: First Section + Length: 15.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion Vibraphone Marimba
In Stock: Estimated dispatch 1-3 working days
-
£34.95Salsalvation (Brass Band - Score and Parts) - Mackereth, Andrew
In writing this piece the composer set out to emulate the sound of the Stan Kenton big band and music of that 'golden' era. The piece itself is based around two Salvation Army tunes that are associated with the word, 'salvation'; Steadily forward march! (T.B. 799) and Hark, hark, my soul (T.B.542). The music is intentionally flamboyant and requires a secure grasp of the style and rhythm to be successful. It was featured at the Belfast Temple Music School to great effect.
Estimated dispatch 7-14 working days
-
£17.50
Salsalvation (Brass Band - Score only) - Mackereth, Andrew
In writing this piece the composer set out to emulate the sound of the Stan Kenton big band and music of that 'golden' era. The piece itself is based around two Salvation Army tunes that are associated with the word, 'salvation'; Steadily forward march! (T.B. 799) and Hark, hark, my soul (T.B.542). The music is intentionally flamboyant and requires a secure grasp of the style and rhythm to be successful. It was featured at the Belfast Temple Music School to great effect.
Estimated dispatch 7-14 working days
-
£33.00
Blockbusters! - Welch, E - Broadbent, D
The famous theme from the British television quiz show which ran from 1983 to 1993 before being revived for 4 more series, most recently in 2019.There can't be many who won't recognise this tune. A great way to get your audiences hand jiving along!
In Stock: Estimated dispatch 1-3 working days
View Music