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  • £70.40

    Bacchanale - Camille Saint-Saens - Sandy Smith

    Estimated dispatch 7-14 working days

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  • £37.95

    Titania's Aria - Ambrose Thomas

    Although Ambrose Thomas' opera Mignon is rarely performed these days this coloratura aria is still popular with sopranos and, now, trumpet and cornet players (including Philip Smith of the New York Philharmonic).

    Estimated dispatch 7-9 working days
  • £45.00

    No. 3 Dance Number - Various

    Includes a full band set (no score)Featuring:Fairy Dell by Gerald FraserSweet Repose by George A. FrostSongs of Love by Frank J. Smith

    In Stock: Estimated dispatch 1-3 working days

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  • £45.00

    Songs of Love - Smith, F

    In Stock: Estimated dispatch 1-3 working days
  • £40.00

    Frosty the Snowman - Nelson & Rollins - Smith, S

    This joyful Christmas song tells the story of a snowman brought to life by a magical hat. Frosty the Snowman has inspired countless recordings, animated specials, and generations of festive cheer around the world.Frosty the Snowman is a solo for either Bass Trombone or E Bass2nd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    Capriccio Brillante - Bellstedt, H - Smith, S

    In Stock: Estimated dispatch 1-3 working days

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  • £45.00

    Two Herefordshire Carols (Brass Band - Score and Parts) - Vaughan Williams, Ralph - Hindmarsh, Paul

    The two traditional tunes that comprise this straightforward setting were sung to Ralph Vaughan Williams (1872-1958) by Mrs. Esther Smith of Dilwyn, near Hereford, during one of the great composer's folk song collecting tours of England in the early years of the twentieth century. They were included in Twelve Traditional Carols from Herefordshire, edited by E.M. Leather and Vaughan Williams. The words to which Mrs. Smith sung the first tune were probably drawn from eighteenth century evangelical sources. The editors replaced these with six of the 16 verses of a traditional seventeenth century carol text, Joseph and Mary.The second melody, which appears as the centre piece of this arrangement, was sung to a carol that tells of a farmer who ploughed on Christmas Day. It is in fact a translation of a German traditional carol Gelobet seist du Jesu Christ that was published in Goodly Psalmes and Spiritualle Songes (1546) translated by Miles Coverdale. Vaughan Williams used the title Coverdale's Carol.The brass band settings follow the settings made by Vaughan Williams in 1920 for the Oxford Book of Carols. Since his simple harmonic approach is similar in both settings, three verses of his haunting version of Coverdale's Carol have been folded inside four verses of the slightly more animated treatment of Joseph and Mary. The harmonisations of Vaughan Williams have been given some brass band colour, with some verses taken by soloists from the ensemble. The accompaniment figuration that embellishes the second verse of Joseph and Mary has been used to open and close this arrangement and to bind the verses together.- Paul HindmarshDuration: 5.00

    Estimated dispatch 7-14 working days

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  • £64.99

    Skin and Bones (Trombone Trio and Drum Kit Feature with Brass Band - Score and Parts) - Sparke, Philip

    Skin and Bones was commissioned by Brett Baker in memory of trombonist Julian Smith and to mark Garry Reed's 20 years as a member of Black Dyke Band, who gave the premiere in June 2023. After an introduction from the band, the trombones enter with the piece's main theme. A short bridge passage follows and the band then takes up this theme, with the soloists adding a countermelody. A change of key heralds a legato trio tune by the band, which is repeated by the trombones. After this, the drum kit takes centre stage to accompany the soloists in a virtuoso cadenza-like passage with interpolations from the band. This leads to a floridly decorated repeat of the opening theme which brings the work to a close.Duration: 4.15

    Estimated dispatch 7-14 working days

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  • £23.95

    The Red Kite (Euphonium Solo with Brass Band - Score and Parts) - Wiffin, Rob

    At one time the Red Kite was close to national extinction in the UK but now it is possible to admire this distinctive bird of prey with its red colouring and forked tail. I love watching it soaring so gracefully through the sky. I attempted to catch that feeling in this solo composed for Martin Smith. In writing it I had in mind making the euphonium glide solitary and effortlessly, occasionally swooping down then reclaiming its high altitude.To create the desired atmosphere, I avoided too many root position chords and enhanced the feeling of floating by adding notes to a lot of the harmony, giving it subtle colour. The harmonic rhythm is slow but the movement switches in the way that the Red Kite can make slight changes of direction by minor adjustments of its tail. On top of this accompaniment the soloist is left to sing with a sense of grace and freedom.- Rob WiffinDuration: 3.45

    Estimated dispatch 7-14 working days

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