Score, page 31

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£37.50

THE BIG WIG WAM (score & parts) - Hazelgrove, Bernard (1945-2004)

score shows Bb, Bb, Eb, bass clef, bass clef, bass clef and percussion, but set contains transcribed parts for brass band brass and orchestral brass.
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£11.50

WORLD BEATS Six Riffs for Brass Band (score) - McKenzie, Jock

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£8.50

O.R.B. for Brass Band (score) - Anderson, Charles (c1880-1946)

First published in 1916, edited and re-published from the composer's original hand-written copies, printed on march card size paper with a full score.
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£27.50

ROCK ME THROUGH THE GOOD TIMES (score & parts) - Hodel, Stephan

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FANFARE from Sinfonietta (score & parts) - Janacek, Leos (1854-1928)

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£30.00

Ave Maria (Caccini arr. by David Beal) - Flugel Horn & Brass Band Sheet Music Full Score & Parts - LM002 - Caccini - David Beal

COMPOSER: CacciniARRANGER: David BealBrass Band Sheet Music Full Score & PartsA delightful arrangement of this timeless classic.The haunting melody arranged here for flugel hornLM002 - ISMN : 9790570000029
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£21.50

Build Me Up Buttercup (The Foundations) - Brass Band Full Score & Parts Sheet Music - LM721

COMPOSER: Michael D'Abo & Tony MacaulayARRANGER: David BealBrass Band Full Score & Parts Sheet MusicUK SALES ONLYOriginally a hit for The Foundations back in 1968 with Colin Young singing lead vocals.But now available as a brass band arrangement ready for your next concert.A definite crowd pleaser and foot-tapper.LM721 - ISMN : 9790570007219
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£30.00

Carrickfergus - Soprano Cornet & Brass Band Sheet Music Full Score & Parts - LM399

COMPOSER: TraditionalARRANGER: Alan BeaumontThe famous Irish tune given a fresh solo approachBrass Band Sheet Music Full Score & Parts"Carrickfergus" is a famous Irish folk song and traditional lament, often interpreted as a heartfelt ballad oflost love, loneliness, and a deep, aching longing for one's home or a past life. Named after the town in County Antrim, Northern Ireland, it features lyrics about a wanderer reflecting on unattainable love, often evoking themes of emigration, old age, and nostalgia.LM399 - ISMN : 9790570003990
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£30.00

Cock Up Your Beaver (McLeod/Burns arr. by David Beal) - Brass Band Full Score and Parts - LM010

COMPOSER: McLeod & BurnsARRANGER: David BealBrass Band Sheet Music - Full Score and PartsA tongue in cheek arrangement and an audience foot-tapper.A tune about taking off your hat based on a poem by Robbie BurnsCock Up Your Beaveris a song and poem byRobert Burns, written in 1792. It is written inScottish dialectand thebeaverrefers to a gentleman's hat in an era when all high quality men's hats were made offeltedbeaverfur.When first my brave Johnnie lad came to this town,He had a blue bonnet that wanted the crown,But now he has gotten a hat and a featherHey, brave Johnnie lad, cock up your beaver!Cock up your beaver, and cock it fu' sprush!We'll over the border and gie them a brush:There's somebody there we'll teach better behaviourHey, brave Johnnie lad, cock up your beaver!ISMN - 9790570000104
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£30.00

Concerto for Two Trumpets & Brass Band - Bb or Eb Duet & Brass Band Sheet Music Full Score & Parts- LM601

COMPOSER: Antonio VivaldiTRANSCRIBED : Daniel S. AugustineThe great duet from Vivaldi is now available for two players with brass band accompanimentThe soloists can be two Eb soprano cornets, 2 Bb Cornets or one of each.A chance to let your soloists shine with authentic backing transcribed from Vivaldi original score.Definitely one for your next concert.Concerto for Two Trumpets in C Major, double concerto for trumpets and strings byAntonio Vivaldi, one of the few solo works of the early 1700s to feature brass instruments. It is the only such piece by Vivaldi.The rarity of Vivaldi'sConcerto for Two Trumpetsstems from the difficulties inherent in the Baroque trumpet. At the time, trumpets were natural, or valveless. The instrument's range was quite restricted, and much depended on the performer's lip control, as with the modern bugle.As with the great majority of Vivaldi's concertos, this one begins with a quick and sparkling movement to catch the attention of the audience and to showcase the bright tones of the solo trumpets. This is followed by a languid and very brief second movement, with fanfare-like passages from the soloists overlaying sustained string tones. For the final movement, Vivaldi returned to brilliant mode with quick energy and intricate passages for the soloists.
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