Results
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£59.70Elsa's Procession To The Cathedral - Richard Wagner - Howard Lorriman
Estimated dispatch 7-14 working days
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£24.95PROCESSION TO THE COVENANT (Brass Band) - Himes, William
Recorded on Polyphonic QPRL220D Master Brass (Volume Sixteen).
Estimated dispatch 7-14 working days
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£47.50Procession to the Minister (Brass Band - Score and Parts) - Wagner, Richard - Snell, Howard
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Estimated dispatch 7-14 working days
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£54.20PROCESSION TO THE NOBLES (Brass Band) - Rimsky-Korsakov, Nikolai - Lorriman, Howard
Medium
Estimated dispatch 7-14 working days
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£36.78The Vow (Brass Band) Andrew Wainwright
VIEW SCORE PDF A majestic processional in the spirit of Elsa's Procession to the Cathedral, this powerful work blends the heartfelt beauty of William Himes' worship song All That I Am with an original theme by Andrew Wainwright. The piece was originally written for the composer's wedding. The piece features expressive interplay between solo lines and rich accompaniment, offering performers a dynamic canvas to shape and build the music. Gradually expanding in depth and intensity, it culminates in a stirring and triumphant conclusion - ideal for sacred ceremonies, concert halls, or moments of solemn celebration. PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com To view a video of the Southern Territorial Band performing the work please visit: www.youtube.com/watch?v=h2VUSKHMbho Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£50.00Solemn Procession (Brass Band - Score and Parts) - Strauss, Richard - Hindmarsh, Paul
Richard Strauss (1864 - 1949) was a famous conductor and composer when he wrote Feierlicher Einzug der Ritter des Johanniter-Ordens (Solemn Entrance of the Knights of the Order of Saint John) in 1909. One of only a handful of his works written exclusively for winds, Strauss composed Feierlicher Einzug for the investiture ceremonies of the Order of St. John, a Christian military order that was founded in Jerusalem in 1023 to care for poor, sick, or injured pilgrims journeying to the Holy Land.Strauss scored Feierlicher Einzug (TrV 224) for a large ensemble of fifteen trumpets, four horns, four trombones, two tubas and timpani. He saw enough potential in its stately character and majestic conclusion to produce a version for symphony orchestra with organ and it has been arranged for a variety of brass ensembles with or without organ since then.This version for British style brass band was adapted from the original in 1990 by Paul Hindmarsh for the exclusive use of Besses o' th' Barn Band, of which he was then the musical director. Now that the music of Richard Strauss published in his lifetime is in the public domain, Solemn Procession, as it has been rendered in English, can be enjoyed by all brass bands and their audiences.- Paul HindmarshDuration: 6.00
Estimated dispatch 7-14 working days
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£59.95
The Long Cloud of Witnesses (Brass Band - Score and Parts) - Downie, Kenneth
This music was written for the Amsterdam Staff Band's 50th Anniversary. The idea for using this theme in appreciation of the pioneers of the band who had gone before came to me during the thanksgiving service for my own mother's life. She was a life-long Salvationist, and the large crowd that gathered for her thanksgiving in Winchester gave such an inspiring rendition of this hymn at the end of the service that it moved me to write the music. In the closing pages of the score I have tried to suggest that final parade when those who loved the Lord join the 'long cloud of witnesses' in procession to their eternal home. - Kenneth Downie
Estimated dispatch 7-14 working days
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£29.95
The Long Cloud of Witnesses (Brass Band - Score only) - Downie, Kenneth
This music was written for the Amsterdam Staff Band's 50th Anniversary. The idea for using this theme in appreciation of the pioneers of the band who had gone before came to me during the thanksgiving service for my own mother's life. She was a life-long Salvationist, and the large crowd that gathered for her thanksgiving in Winchester gave such an inspiring rendition of this hymn at the end of the service that it moved me to write the music. In the closing pages of the score I have tried to suggest that final parade when those who loved the Lord join the 'long cloud of witnesses' in procession to their eternal home. - Kenneth Downie
Estimated dispatch 7-14 working days
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£119.95
Call of the Cossacks (Brass Band - Score and Parts) - Graham, Peter
Call of the Cossacks is part of the series of 'travelogue' features by Peter Graham, following in the footsteps of Cry of the Celts and Windows of the World. The Cossacks were a nomadic people whose ethnic makeup included Ukrainians, Tartars, Poles and Jews. A similarly wide range of Eastern European folk music features in this work, from Gypsy to Klezmer. Includes: Procession of the Tartars; Gypsy Dream; Cossack Fire Dance; Doyle's Lament; Cossack Weddig Dance. Each movement can be programmed separately. Recorded on Polyphonic QPRL235D Master Brass Vol.23. Duration: 10:00
Estimated dispatch 7-14 working days
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£68.90Three Pictures for Band - Oliver Waespi
This composition consists of three sound pictures. Numerous associations mutually link those parts as far as motifs and harmony are concerned. The motif of the ascending and descending fourth plays an important role in many a theme. There are many fourth chords by means of which I try to put a harmonic and unifying stamp on the composition as a whole. Moreover there are similar or identical, though varied, motifs in the successive parts. The first part 'Cortege' (Procession) describes the dignified majestic procession by means of simple, precise rhythms. At first, the music is scarcely audible, as if coming from a distance; it gradually comes nearer until it reaches its climax in large chords, before fading away again. At each quarter note one could imagine a step. The second part 'Dialogue' consists in broad outlines of dialogues between the different orchestral groups. Some instruments are asking questions, others are giving answers. After a rather sad passage, the music turns into a climax followed by a second passage that brings comfort and leads to a quiet ending. In the third part, there is a sudden movement coming up in the shape of 'Waves'. The principle of the wave, successively swelling and decreasing, dominates the entire musical structure of this part, even in the separate motifs.Oliver Waespi
Estimated dispatch 5-14 working days
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