Results
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£34.95The Southern Cross (Brass Band - Score and Parts) - Bowen, Brian
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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£17.50
The Southern Cross (Brass Band - Score only) - Bowen, Brian
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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£44.95
Excerpts from Finale from Symphony No.4 (Brass Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Gordon, William
Peter Ilyich Tchaikovsky wrote his fourth symphony in 1877 and 1878. It was first performed in the latter year conducted by Nikolai Rubenstein. Despite initial critical reaction, the symphony has become a staple of the orchestral repertoire and is one of the most frequently performed late 19th century symphonies. In the exciting finale, Tchaikovsky incorporates a famous Russian folk song, 'In the field stood a birch tree' as one of its themes.
Estimated dispatch 7-14 working days
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£22.50
Excerpts from Finale From Symphony No.4 (Brass Band - Score only) - Tchaikovsky, Peter Ilyich - Gordon, William
Peter Ilyich Tchaikovsky wrote his fourth symphony in 1877 and 1878. It was first performed in the latter year conducted by Nikolai Rubenstein. Despite initial critical reaction, the symphony has become a staple of the orchestral repertoire and is one of the most frequently performed late 19th century symphonies. In the exciting finale, Tchaikovsky incorporates a famous Russian folk song, 'In the field stood a birch tree' as one of its themes.
Estimated dispatch 7-14 working days
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£94.95An Age of Kings (Mezzo-Soprano Solo with Brass Band and optional choir - Score and Parts) - Gregson, Edward
The origins of this work date back to 1988, when I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for the throne, and they portray one of the most turbulent periods in the history of the British monarchy.Much of the music used in these productions was adapted into two large symphonic suites for wind band - The Sword and the Crown (1991) and The Kings Go Forth (1996). An Age of Kings is a new version for brass band incorporating music from both the symphonic suites for wind band. It was specially composed for a recording made by the Black Dyke Band, conducted by Nicholas Childs, in 2004.An Age of Kings is music on a large-scale canvas, scored for augmented brass band, with the addition of harp, piano, mezzo-soprano solo, male chorus, as well as two off-stage trumpets. The music is also organized on a large-scale structure, in three movements, which play without a break - "Church and State", "At the Welsh Court", and "Battle Music and Hymn of Thanksgiving".The first movement, "Church and State", opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but with the English army music returning in counterpoint. A brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed). However, the mood changes dramatically once again, with the horrors of war being portrayed in the darkly-drawn Dies Irae and Dance of Death, leading to the final section of the first movement, a funeral march for Henry VI.The second movement, "At the Welsh Court", takes music from the Welsh Court in Henry IV part 1 with a simple Welsh folk tune sung by mezzo-soprano to the inevitable accompaniment of a harp. This love song is interrupted by distant fanfares, forewarning of battles to come. However, the folk song returns with variation in the musical fabric. The movement ends as it began with off-stage horn and gentle percussion.The final movement, "Battle Music and Hymn of Thanksgiving", starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonDuration - 22'00"Optional TTBB available separately.
Estimated dispatch 7-14 working days
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£29.50
How Far I'll Go (from Moana) (Brass Band - Score and Parts) - Miranda, Lin-Manuel - Somerset, Gavin
One of the most popular songs from Disney's Moana, is now available for brass band. How Far I'll Go is the Academy Award nominated song and it became an instant hit upon the film's release. The film tells the story of a young girl, chosen to reunite a mystical relic with a goddess. Upon its release, Moana was met with great critical acclaim and has quickly placed itself up amongst the best of Disney's latest animated works. Loved by audiences of all ages, this release is the perfect choice for a modern concert programme and a song loved worldwide.
Estimated dispatch 7-14 working days
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£49.99Journey to the Past (from Anastasia) (Brass Band - Score and Parts) - Flaherty, Stephen - Bond, Christopher
Step into an enchanting world of nostalgia with the compelling sounds of Journey To The Past, a wonderful little gem by Stephen Flaherty, magically arranged for brass band by Christopher Bond. This song, originally composed for the popular animated film Anastasia, tells a story of hope, discovery and finding one's true self. The warm brass band sounds add a new dimension, infusing each note with emotion and passion.Duration: 3.15
Estimated dispatch 7-14 working days
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£23.95Romance (Brass Band - Score and Parts) - Wiffin, Rob
This simple little romance was written in the style of a Catalan folk song. It is entirely original and undoubtedly influenced by the arrangements of Catalan folk songs for guitar by Miguel Llobet (1878-1938). Typical of the style, the tune is in 6/8 with a gentle lilt and has just one rather refined outburst of passion before retreating back into its shell. The lyrical nature of the music is particularly suited to the brass band.Duration: 3.30
Estimated dispatch 7-14 working days
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£45.99L-O-V-E (Brass Band - Score and Parts) - Gabler & Kaempfert - Bond, Christopher
L-O-V-E was written by Milt Gabler and Bert Kaempfert for the final album of the same name by the American singer and pianist Nat King Cole. This album, released in 1965, is largely regarded as a classic. Over the years, many cover versions have been made, including one by Michael Buble. In 2007, the English soul singer and songwriter Joss Stone recorded the song for the promotion campaign around the Coco Mademoiselle perfume by Chanel. Christopher Bond arranged this catchy music for brass band.
Estimated dispatch 7-14 working days
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£45.00Two Herefordshire Carols (Brass Band - Score and Parts) - Vaughan Williams, Ralph - Hindmarsh, Paul
The two traditional tunes that comprise this straightforward setting were sung to Ralph Vaughan Williams (1872-1958) by Mrs. Esther Smith of Dilwyn, near Hereford, during one of the great composer's folk song collecting tours of England in the early years of the twentieth century. They were included in Twelve Traditional Carols from Herefordshire, edited by E.M. Leather and Vaughan Williams. The words to which Mrs. Smith sung the first tune were probably drawn from eighteenth century evangelical sources. The editors replaced these with six of the 16 verses of a traditional seventeenth century carol text, Joseph and Mary.The second melody, which appears as the centre piece of this arrangement, was sung to a carol that tells of a farmer who ploughed on Christmas Day. It is in fact a translation of a German traditional carol Gelobet seist du Jesu Christ that was published in Goodly Psalmes and Spiritualle Songes (1546) translated by Miles Coverdale. Vaughan Williams used the title Coverdale's Carol.The brass band settings follow the settings made by Vaughan Williams in 1920 for the Oxford Book of Carols. Since his simple harmonic approach is similar in both settings, three verses of his haunting version of Coverdale's Carol have been folded inside four verses of the slightly more animated treatment of Joseph and Mary. The harmonisations of Vaughan Williams have been given some brass band colour, with some verses taken by soloists from the ensemble. The accompaniment figuration that embellishes the second verse of Joseph and Mary has been used to open and close this arrangement and to bind the verses together.- Paul HindmarshDuration: 5.00
Estimated dispatch 7-14 working days
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