Results
-
£45.00
Wake Me Up Before You Go Go - Michael, G - Harper, P
The first number one hit by Wham! in 1984 this is an energetic pop piece that took all the best elements of Fifties and Sixties records and combined them with a more uptempo and youthful attitude. A huge hit that is still popular today. Listen here - Courtesy of Cory Band
In Stock: Estimated dispatch 1-3 working days
-
£32.00
Slaidburn - Rimmer, W
Composed by William Rimmer for the Slaidburn Band. This is another Rimmer marchthat has been played by most bands. Continuesto be a number one seller year in andyear out. Freshly engraved andprinted and now with a full conductor'sscore. As with Ravenswood this marchhas been played and played at Whit Fridayas a road march.4th section +
In Stock: Estimated dispatch 1-3 working days
-
£32.00
Where E'er You Walk - Various
Where E'er You Walk -- Handel (trombone solo)We Bow Our Heads -- J. S. Bach(double number)
In Stock: Estimated dispatch 1-3 working days
-
£40.00
On the Inside - Caswell, A - Broadbent, D
The theme song from the Australian soap opera 'Prisoner: Cell Block H'.This was a huge hit in the late 80s when millions would tune in to watcht he late night show. The theme song written by Allan Caswell and performed by Lynne Hamilton reached number three on the UK singles chart in 1989.
In Stock: Estimated dispatch 1-3 working days
-
£40.00
Ticket to Ride - Lennon & McCartney - Barry, D
The Beatles 7th consecutive number one hit in the UK is still as popular today as it was in 1965.
In Stock: Estimated dispatch 1-3 working days
-
£32.95Finale from Leading Edge (Brass Band - Score and Parts) - Wiffin, Rob
This finale from the suite Leading Edge is particularly well-suited to brass band. The drums lead into the energetic, dance-like theme that announces the Finale. Although the use of minor keys persists in this movement, the atmosphere is energetic and vivacious. A number of themes are considered before the flugelhorn introduces the theme that will go through a number of guises before emerging later in triumphant form in the whole band. The foregoing tension is banished and the music ends in a spirit of positive affirmation.Duration: 4.15
Estimated dispatch 7-14 working days
-
£95.00Variations on a Theme of Michael Tippett (Brass Band - Score and Parts) - Hindmarsh, Paul
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days
-
£40.00
Variations on a Theme of Michael Tippett (Brass Band - Score only) - Hindmarsh, Paul
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days
-
£59.99MacArthur Park (Brass Band - Score and Parts) - Webb, Jimmy - Sparke, Philip
Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn't We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris' seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellent arrangement for brass band, which is sure to become a regular feature on your concert programme.Duration: 07:30
Estimated dispatch 7-14 working days
-
£35.00Blaenwern (Love Divine, All Loves Excelling) (Brass Band - Score and Parts) - Rowlands, William - McKnight, Iain
A talented church musician, Rowlands reputedly composed a large number of hymn tunes and anthems yet it is just this tune alone, Blaenwern, written in the early part of the 1900s that he is known for today.?Commonly used as a setting for the hymn 'Love Divine, All Loves Excelling', it is one of the most popular choices for hymns selected for weddings and featured at number 5 in the BBC Songs of Praise 'Top 10 Hymns of All Time'; indeed it was chosen for the wedding of HRH Prince William and Catherine Middleton in 2011. Duration: 4:20
Estimated dispatch 7-14 working days
View Music