Results
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£30.00Stuck In The Middle With You - Egan/Rafferty
Arranged by Lucy Pankhurst, this is a refreshing remake of the original 70's hit song for Stealers Wheel, that combines nostalgia with some showy and innovative solo work.The melody travels around the band and the overall feel of the melody, rhythms and beat are brilliantly scored to recapture the original song, with the added benefit of soloists being to shine in riff spotlight moments. This classy makeover ensures thepiece can't help but get those toes tapping with its funky beat.A great concert feature which is bound to bring back fond memories for the audience and band members alike!
In Stock: Estimated dispatch 3-5 working days
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£35.00The Water of Tyne - Traditional
A delightful setting of a traditional North East melody, arranged in a hauntingly pastorale style with all the skill we have come to expect from Philip Harper. Featuring the euphonium and principal cornet with the melody at first, the piece then builds to a passionate full band rendition which eases back to a tranquil, effective close.A great piece to offer every level of band the opportunity to add some stylish peace to their programme.Also available for Concert Band.
In Stock: Estimated dispatch 3-5 working days
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£39.95A Little Prayer (Score and Parts) - Evelyn Glennie
Composer Evelyn Glennie writes... "When I wrote the chorale for marimba, A Little Prayer, it expressed my spiritual feelings and displayed a pleasantly relaxed dimension of the instrument. Over the years my exposure to brass bands has filled me with wonder; their musical diversity is considerable. From performing a simple melody to the most complex of test-pieces, they bring brilliance to the music. I had no hesitation in giving A Little Prayer to Robert Childs to bring this little melody to life through brass." A perfect reflective interlude for concert or devotional use by bands of all abilities. This is the only version of this arrangement available for sale to the public.
Estimated dispatch 7-9 working days
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Sursum Corda - Edward Elgar - Matt Kingston
An epic Elgar melody - noble, dignified and very, very British. Playable by most standards of bands, although a great detail of control and sustain is needed to pull it off effectively.
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£29.99Fantasia On A Scottish Theme By Frankie Ayers
This is a fantasia based around numerous famous Scottish style themes and Scottish themes. It is ideal as a feature piece for concerts and bandstand gigs alike. It starts in 6/8 time with a jaunty original Scottish style melody. It finishes with a quote of Auld Lang Syne.
Estimated dispatch 5-9 working days
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£32.99Christmas Day - Gustav Holst arr. J Knight
This Gustav Holst piece contains three Carols: Good Christian Men, Rejoice, God Rest ye Merry Gentlemen and Come, ye lofty, come, ye lowly, (Old Breton Melody) with a little The First Nowell thrown in for good measure. It has been arranged here for the full brass band and has had light percussion parts added to complement. It starts with the band in full chord and then pairs down to solo instruments playing Good Christian Men monophonically. This piece has all of the essential elements of Holst's harmony and tension while retaining the joy of Christmas. It ends quietly and reflectively and works very well in large acoustics such as a Church building or large town hall.
Estimated dispatch 5-9 working days
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£22.99Who Is He In Yonder Stall - Bb Cornet Solo
This is an fabulous little Christmas cornet solo, that will mad an excellent addition to any programme. It starts very simply with the soloist and a quartet of horns, baritone and euphonium. It then builds for a fast verse and then modulates into the minor, with the horns taking the "Who is He" melody and the cornet moving to a minor version of "Silent Night". The piece then shifts back to the tonic key with the cornet finishing the final verse while the whole band then slowly re-enters.
Estimated dispatch 5-9 working days
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£28.99She's Like The Swallow - Flugelhorn Solo arr. Joseph Knight
This is a fantastic slow melody that has been arranged for flugelhorn, but it could also be played on Bb cornet. This is the Canadian folk song which has been arranged for other ensembles. It is a fantastic show piece for any decent soloist.
Estimated dispatch 5-9 working days
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£33.65Hope (Brass Band) Nathanael Watchorn
Hope is a deeply reflective and uplifting work for brass band, shaped by themes of serenity, renewal, and spiritual hope. Composer Nathanael Watchorn revisits a melody and harmonic framework originally conceived for an unrealised project - material that, even at its inception, carried the gentle strength and stillness of a benedictory chorus. Sensing its innate sense of calm and assurance, Watchorn sought to give the music new life through words that would illuminate its emotional core. Those words came from his father, Major Julian Watchorn, whose poetic text - titled Benediction: The Hope of Christ - speaks of grace, love, joy, and the sustaining power found in Christ. The verses provide a clear spiritual lens through which conductors, performers, and listeners alike can experience the music. Whether heard as a musical benediction or a stand-alone concert work, Hope provides a meaningful and deeply moving moment of stillness amid the noise of modern life. To view a video of Regent Hall Band performing the work please visit www.youtube.com/watch?v=489X1cwPYi0&list=RD489X1cwPYi0&start_radio=1 Duration: approx. 3.00 minutes Difficulty Level: 3rd Section + This PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£33.65Les Chasseresses from 'Sylvia' (Brass Band) Delibes arr. Rob Bushnell
Clement Philibert Leo Delibes was a French composer, best known for his ballets and operas, including works such as Lakme (with its famous "Flower Duet"), Coppelia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Cheret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: "... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs - Delibes was an admirer of Wagner - and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros's arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original. A recording of the original composition can be found here https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3 Duration: Approx. 3.10 minutes Difficulty Level: 1st Section + This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum
In Stock: Estimated dispatch 1-3 working days
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