Results
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£87.40Blood Diamond - James Newton Howard - Jirka Kadlec
Estimated dispatch 5-14 working days
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£124.20The Perfect Storm - James Horner - Jirka Kadlec
Estimated dispatch 5-14 working days
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£124.20The Karate Kid - James Horner - Chudy
Estimated dispatch 5-14 working days
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£105.80Legends Of The Fall - James Horner - Jirka Kadlec
Estimated dispatch 5-14 working days
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£87.40The Village - James Newton Howard - Jirka Kadlec
Estimated dispatch 5-14 working days
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£105.80I Feel Good - James Brown - Jirka Kadlec
Estimated dispatch 5-14 working days
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£19.95Bandkraft 2
The second of three superb sets of new music and arrangements for brass ensemble.Jazz Intermezzo - Peter Sievewright: Very close harmonies produce thick luscious tone colours, beneath an intriguing jazz theme.Bossa Nova - John Golland: A memorable tune, enjoyable and relaxed as a Bossa Nova should be, with much fun to be had in mastering the Bossa Nova rhythm.Ballade - Grieg, Arr. Ifor James: A simple enough melody, but a marvellous test for the phrasing and intonation of the horn section of the band.Bollin Hill Suite (Hoe Down, Passacaglia and March) - Phillip Malbon: A classic suite for brass band, concise yet complete.
Estimated dispatch 5-14 working days
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£19.95Bandkraft 3
The third of three superb sets of new music and arrangements for brass ensembles.March Commodore - Ifor James: A striking piece well suited for performance in concert or on the march.The Aristocrat - Roy Newsome: A not too difficult trombone solo, providing animated, musical fun for band and audience alike, and which gives the trombonist ample opportunity to play the fool.Waltz of the Clouds - Alfred Ashpole: A Viennese style waltz by a composer with unparalleled experience of writing for bands.Pink Panther - Mancini, arr. John Golland: The original Mancini Pink Panther translated for brass band. Watch out for his sneaky rhythms, which need proper dance band treatment.
Estimated dispatch 5-14 working days
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£60.99
Cowboy Suite - Alan Laken
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West, the domain of cowboys, indians, trappers and other fortune hunters. Around 1890 the west coast of America was reached, which in effect meant the end of the Wild West. Its stories, however, survived and have been a source of inspiration for many books, films, and, of course, music. Some characters, such as Jesse James, Billy the Kid, and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools, among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars, fiddles, and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part, the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up, i.e. driven together, spectacular things happen.
Estimated dispatch 5-14 working days
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£30.00Russian Rag - George L Cobb, Sandy Coffin
Interpolating the world famous"Prelude" by RachmaninoffCommissioned by John Wallace, this arrangement of Russian Rag has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe. Note the cheeky virtuosity and rubato!Look and Listen (courtesy of Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days