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£119.50Me and Mrs. Jones - Kenneth Gamble - David Hveem
Me and Mrs. Jones was written by Kenny Gamble, Leon Huff and Cary Gilbert in 1972, and was first recorded by Billy Paul on the album 360 Degrees of Billy Paul. The song is about a man who has an affair with Mrs. Jones, and how the two secretly meet every day in the same cafe, even though they may know it's not quite right: "We got a thing going on/we both know that it's wrong/but it's much too strong/to let it go now." Paul has stated that he was sure the song was going to be a hit even before it was released, as "it's a song everyone can relate to", but already from the start the lyrics were considered somewhat controversial and the song were banned from several radio stations. Nevertheless, it became one of the best-selling singles of 1972 and Paul received a Grammy for Best Male R&B Vocal Performance.Well known is also Michael Buble's version of the song, released on the album Call Me Irresponsible in 2007. It is his version that has been the inspiration for this arrangement, which brings out even more of the jazz elements Buble has found in the song. The arrangement is quite demanding for the ensemble, and requires great rhythmic precision in particular.
Estimated dispatch 5-14 working days
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£69.99The Green Hills of Tyrol - Philip Sparke
The Green Hills of Tyrol was commissioned by Jrena and Beat Knusel for their son, Swiss euphonium player Joel Knusel, to celebrate his 20th birthday in 2019. The request was for a piece suitable for use in a solo competition, possibly using a Scottish or Irish melody, and composer Philip Sparke suggested an 'old-fashioned' air varie might be a suitable idea. The piece follows the well-established formula of a theme followed by four variations. The history of the original melody is fascinating and, although it is now well-known as a bagpipe tune, its background is Austrian or Italian, rather than Scottish. The tune appears as a chorus of Swiss soldiers in Rossini's 1829 opera William Tell but was possibly an existing Tyrolean folk tune. In 1854, during the Crimean War, Pipe Major John MacLeod of the 93rd Highlanders heard a band of the Sardinian contingent playing selections from the opera in camp before the Siege of Sebastopol. He was struck by the melody and arranged it for his pipers, calling it The Green Hills of Tyrol, referring to Tell's visit to that corner of Austria in the opera. It has since become universally popular among pipe bands who usually refer to it as A Scottish Soldier, following the addition of new lyrics in a 1961 hit by Andy Stewart.
Estimated dispatch 5-14 working days
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£54.99
God rest ye merry Gentlemen - Andrew R. Mackereth
'God rest ye merry, Gentlemen' is an ancient English carol. It was first published in 1833, but it can be traced as far back as the 15th century, which makes it one of the oldest carols known. 'God rest ye merry' is a Middle English salutation. In this manner, people wished one another greatness and might. In modern English, the first line of this carol would read 'May God keep you mighty, gentlemen'. Andrew R. Mackereth has not kept to the original words in his up-tempo arrangement of the carol. It is still clearly recognizable, but the arranger has taken a good many liberties. Sometimes a particular note is held longer, at times motifs follow oneanother in various parts. If you listen carefully, you may even be able to detect a motif from another well-known song.
Estimated dispatch 5-14 working days
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£54.99Strong Coffee - Ron Gilmore
It is true that tastes differ. Coffee has known a long history : it has been drunk since the 17th century. On one hand people drink coffee for relaxation, on the other hand it is drunk to ward off tiredness or sleepiness. 'Strong Coffee' composed by Ron Gilmore works both ways. There will be people who will be able to relax during 'Strong Coffee', whereas others will experience it as a real boost. Is it a bit too strong after all, such a funky Soul Beat? Then adding a little milk might help. As said before, tastes differ!
Estimated dispatch 5-14 working days
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£115.60S.O.S. - Björn Ulvaeus - Bjørn Morten Kjærnes
When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for Wind Band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available to Wind Band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of Bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Bjorn Morten Kjaernes
Estimated dispatch 5-14 working days
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£228.70Abstractions - Torstein Aagaard-Nilsen
1. Aurora Borealis (Lento espressivo) The first movement is inspired by the northern lights. It constantly changes in colour and shape. 2. Rocks (Moderato ben ritmico) The title of the second movement is a play with the word "rock" is a well-known word describing a musical genre. But it is also a giant stone or a part of a mountain. 3. Seascape (Allegro) The third movement is inspired by different aspects of the sea. It also sums up different ideas that occurs in the two previous movements to round off the whole piece. Third Edition - 2015
Estimated dispatch 5-14 working days
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£52.50Broadheath - Philip Sparke
Broadheath was commissioned by the Elgar International Brass Band Summer School for their 2024 course. The premiere took place in the Routh Hall at Bromsgrove School on Friday 26 July.It is in conventional march form, opening with a brief fanfare before the horns take up the main theme. This is then repeated by the full band before euphoniums and baritone announce the second subject. This builds to a stirring tutti passage utilising elements of the opening theme, which brings the opening section to a close.In honour of the summer school's tribute to Sir Edward Elgar (it is held in 'Elgar country'), the trio uses the opening melody of his 1st symphony as its main theme, decorating it with filigree work from the cornets. This is repeated on the full band and leads to a varied recapitulation of the opening material to bring the march full circle.
Estimated dispatch 5-14 working days
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£115.60Valdresmarsj - Johannes Hanssen - John Philip Hannevik
Valdres is a mountain region that lies between Oslo and Bergen. Johannes Hanssen (1874-1967) composed the march for the Valdres Battalion between 1901 and 1904, using the Battalions horn-signal combined with a traditional style folk-tune. The march has been named "one of the greatest marches in the world" on many occasions, and it is a firm favourite with it's national flavor and unusual style. This version is similar to Johannes Hanssens revised version for Wind Band from 1954. However, it is interesting to notice that in Hanssens very first version of the march half a century earlier, the first theme was played by the Eb-Cornet, just like in this arrangement for brassband.
Estimated dispatch 5-14 working days
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£127.30Graceful Ghost - William Bolcom
I came to know of this piece when hearing famous Norwegian ragtime pianist Morten Gunnar Larsen playing it at a concert with the Norwegian Navy Band Bergen. I was struck by its melancholic beauty and wanted to arrange it for band.Ragtimes are rarely in a minor key (which this one is) and when you first hear it, you might think it was written around the time when Scott Joplin was the main ragtime composer. But, if you listen more carefully, you notice that some of theharmonies are more advanced than one might expect in traditional ragtime, giving the piece a slightly more contemporary feel. The composer William Bolcom wrote Graceful Ghost in 1970 to honour the memory of his father and it is one of hismost popular pieces.
Estimated dispatch 5-14 working days
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£54.99Circus Delight - Dagmar Kildevann
'Circus Delight' is a five-part suite which is set, how could it be otherwise, in a big circus tent. The suite starts with a part called 'Entrance'. The orchestra, positioned above the entrance of the ring asks for the attention of the audience and then the ring announcer enters. The show can begin! The elephants play a central role in the first act. These colossal grey animals are rather slow and perform their tricks in a moderate tempo. ('Elephant Blues') How different are 'The Acrobats'. At high speed they run, jump and fly through the ring, until ....... It gets very exciting. Fortunately, all's well that ends well and they take their leave of the audienceat a trot. Everyone knows, and yet it is mostly not spoken about, that when a clown has taken off his red nose and rubbed off his make-up, his face off-stage is not always a happy one. ('Tears of the Clown') The piece ends on a cheerful note with 'The Parade', in which all the artists make their entrance in the ring once again to gratefully acknowledge the audience's overwhelming applause.
Estimated dispatch 5-14 working days
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