Results
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£25.00
The Bandsman's Tale (Score only) - Elgar Howarth
Written as a retirement gift for a member of the Salvation Army (and loosley based on the Founder's Hymn), there is the clear influence of Stravinsky in this story of a Bandsman's life. Duration: 6:45
Estimated dispatch 7-9 working days
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£32.00
The Bandsman's Tale (Parts only) - Elgar Howarth
Written as a retirement gift for a member of the Salvation Army (and loosley based on the Founder's Hymn), there is the clear influence of Stravinsky in this story of a Bandsman's life. Duration: 6:45
Estimated dispatch 7-9 working days
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£42.00
Partita for Band (Postcards from Home) (Score only) - Philip Wilby
The sound and culture of brass bands was part of Philip Wilby's childhood, and this short Partita seeks to commemorate his childish memories in the musical terms of today's currency. Although the music makes technical demands on the players the piece is, nevertheless designed to involve rather than impress its audiences. There are four movements: 'Towers and Chimneys' which is both heraldic and mysterious; 'Churches: Lord of the Dance' is an arrangement of the famous shaker melody made popular in Martin Shaw's hymn of Jesus' life and history; 'Pastorale: Sunday Afternoon recalls those long and languorous days before television, and 'Coronation Day Parade' - a community celebration with a brass band at its centre. Duration: 12:00
Estimated dispatch 7-9 working days
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£52.00
Partita for Band (Postcards from Home) (Parts only) - Philip WIlby
The sound and culture of brass bands was part of Philip Wilby's childhood, and this short Partita seeks to commemorate his childish memories in the musical terms of today's currency. Although the music makes technical demands on the players the piece is, nevertheless designed to involve rather than impress its audiences. There are four movements: 'Towers and Chimneys' which is both heraldic and mysterious; 'Churches: Lord of the Dance' is an arrangement of the famous shaker melody made popular in Martin Shaw's hymn of Jesus' life and history; 'Pastorale: Sunday Afternoon recalls those long and langorous days before television, and 'Coronation Day Parade' - a community celebration with a brass band at its centre. Duration: 12:00
Estimated dispatch 7-9 working days
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£36.00
River City Suite (Score only) - James Curnow
Commissioned by the River City Brass Band of Pittsburgh, Pennsylvania, in 1989 and consists of three movements. Though the movements are independent of each other and may even be performed separately, there are some melodic and harmonic relationships between them that serve to give the composion a feeling of unity. The movements are: Intrada, Hymn, and Alleluia.
Estimated dispatch 7-9 working days
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£46.00
River City Suite (Parts only) - James Curnow
Commissioned by the River City Brass Band of Pittsburgh, Pennsylvania, in 1989 and consists of three movements. Though the movements are independent of each other and may even be performed separately, there are some melodic and harmonic relationships between them that serve to give the composion a feeling of unity. The movements are: Intrada, Hymn, and Alleluia.
Estimated dispatch 7-9 working days
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£77.00
General Series Brass Band Journal, Numbers 2254 - 2257, April 2025
2254: Be glorified today (Martin Cordner)Built around Bob Kilpatrick's song In my life, Lord, be glorified today (S.A.S.B. 593), this concert opener was composed for Cambridge Citadel Band (UK and Ireland Territory) at the request of Bandmaster Simon Fisher. The piece pays homage to the city.2255: Driven by mission (Stephen Bulla)Stephen Bulla wrote this piece to commemorate Willis Howell and his wife's retirement from active officership. Bulla references St. Denio (S.A.S.B. 37), Melita (T.B. 442), For your mission and Men of Harlech (T.B. 756), and the assembling of the tunes and all they represent reflects the masterful artistry that always marks Bulla's works.2256: The Lord's my shepherd (Paul Sharman)This arrangement brings together two settings of Psalm 23; the familiar hymn tune Crimond (T.B. 68) and the more recent melody by Stuart Townend (T.B. 863).2257: Cornet Solo - I love you, Lord (Ian Robinson)Laurie Klein's chorus I love you, Lord (S.A.S.B. 369) has been popular for many years with Salvation Army congregations around the world and this work combines unconventional harmonies with sparse scoring to feature the soloist.
Estimated dispatch 7-14 working days
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£77.00
General Series Brass Band Journal, Numbers 2242 - 2245, April 2024
2242: Fanfare Prelude - Faithful in every way (Simon Gash)Lord, I come before your throne of grace (S.A.S.B. 378) has become a popular song for Sunday worship. These words of great assurance are married to a strong tune which, unlike many contemporary worship songs, suits the brass band idiom well. Although this piece will work without Percussion, the Snare Drum part, which underpins a lot of the piece, will help drive the music forward.2243: The wonders of thy grace (Norman Bearcroft)Herbert Booth's song Within my heart, O Lord, fulfil (S.A.S.B. 211) was the inspiration behind Lieut-Colonel Norman Bearcroft's three-verse setting of the hymn tune Wareham, with the title being taken from the lyrics of verse two.2244: Trombone Solo - I will wait (Andrew Mackereth)Major Leonard Ballantine has an astonishing gift for contemporary song writing. This song is a brilliant example of this, taking the idea of Jesus waiting patiently for us to accept the fullness of his offer of love.This arrangement was made at the request of Andrew Justice, former Principal Trombonist of The International Staff Band. For many years, Andrew has used this song with piano accompaniment. In making this arrangement, the composers aim was to capture the transparency you can create in piano playing.2245: The battle cry! (David Edmonds)Inspired by Lorne Barry's Trinity (F.S. 599), this piece would be well suited as a concert opener but would work in many settings as a contribution to worship. Its main feature is the driving rhythmic pattern in the Bass and Percussion sections. The music needs to be played with confidence and purpose. As the title suggests, it is a strong, inspiring battle cry, corralling the troops. This is a setting of the song by Stuart Townend and Keith Getty, O Church, arise (S.A.S.B. 819), which has become popular in recent years, not only within The Salvation Army, but also the wider Christian church.
Estimated dispatch 7-14 working days
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£44.95
Deus Solus (Brass Band - Score and Parts)
Deus Solus (meaning God Alone) was composed for the Melbourne Staff Band's 130th anniversary at the request of Bandmaster Ken Waterworth. It is based on three Christian tunes - the 18th century hymn O God, our help in ages past (S.A.S.B. 47), and the more contemporary songs God and God alone (Phill McHugh) and Chris Bowater's Faithful God (S.A.S.B. 360). The work begins quietly and with a sense of the unknown, with references to O God, our help in ages past, alluding to the formation and early days of the band.
Estimated dispatch 7-14 working days
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£55.00
Triumph Series Brass Band Journal, Numbers 1359 - 1362, March 2024
1359: Festival March - Coastal Celebration (Sam Creamer)Coastal Celebration was commissioned in 2019 by Nambour Salvation Army Band for the Corps' 125th anniversary celebrations. Nambour was the birthplace of The Salvation Army's work on the Beautiful Sunshine Coast in Queensland, Australia. Firring with this theme are subtle tributes to iconic Sunshine Coast landmarks, referenced with small phrases of popular secular melodies intertwined with the main tunes What a faithful God (S.A.S.B. 378) and All through the years (S.A.S.B. 826).1360: He's always been faithful (Craig Woodland)This meditative selection is an arrangement of the song by American singer and record producer Sara, Groves, He's always been faithful. The words express the joy and thankfulness in having a relationship with Jesus and knowing his presence in life. The melody and motifs of the traditional hymn, Great is thy faithfulness (S.A.S.B. 26), are heard throughout.1361: Christ's living water (Dean Jones)Christ's sacrificial love has been beautifully portrayed through the imagery of water in many songs, none more so that the skilfully crafted words we find in the chorus of I know a fount (S.A.S.B. 197), written by Oliver Cooke. To enhance the sentiments expressed, the pure sounds derived from Handel's Water Music fit perfectly in terms of music and imagery.1362: March - Fear Not! (Avelan Ntsiete)The Salvation Army continues to proclaim its music ministry in all corners of the world and, with this item under review, we introduce a new composer, originally from Congo Brazzaville, Central Africa. Avelan Ntsiete is currently a Bandsman at the Lilas Corps in Paris but has previously served in the Congo Brazzaville Territorial Band. This march, in traditional format, was written for an evangelistic campaign in Kindamba, where civil war has brought upheaval to the area and uncertainty for the local Salvationists. The composer was part of a small brass group which travelled for over 24 hours by truck and on foot to reach Kindamba and bring encouragement to the Salvationists within that community.
Estimated dispatch 7-14 working days