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£72.99A Tribute to Elvis - Thijs Oud
Richard Strauss's Also Sprach Zarathustra is used in this great medley to introduce the King of Rock and Roll. Just imagine him walking onto the Las Vegas stage and then put your whole heart into performing three of his best known hits. An extra touch of entertainment can be added with members of your band singing the chorus to CC Rider. Everyone will love this tribute to the legendary performer.
Estimated dispatch 5-14 working days
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£45.00Triumph Series Band Journal July 2013 Numbers 1239 - 1242
No. 1239 March - Moving Onward (Nicholas Samuel)This march, written by Lieutenant Nicholas Samuel includes the melody from the song The Challenge of the Future written for the 125th Corps Anniversary at Upper Norwood. Other songs included are There's power in the blood of the Lamb , Here is the place and Wonder-working power.No. 1240 Selerction - O for a heart whiter than snow (Noel Jones)Eliza Edmunds Hewitt's song 'O for a heart that is whiter than snow', forms the basis for this selection written by retired Bandmaster Noel Jones. Brief references are also made to the choruses 'Grace ther is my every debt to pay' and 'Take up thy cross and follow me.No. 1241(1) Cornet Solo - In the bleak mid-winter (Trevor Worthington)A setting for cornet and band of the tune 'Cranham', written by Gustav Holst, with which we associate the words of the well-loved popular Christmas Carol.No. 1241(2) Invocation for thanksgiving (David Rowsell)Invocation, by definition, means ' a call to worship'. This music will serve this purpose for any Harvest or Thanksgiving service, using the tune, 'Come, ye thankful people, come'.No. 1242 High and lifted up (Steven Ponsford)This is music of an exciting yet relaxed nature, and it is intended that this piece be used to inspire and to 'lift up' listeners and players alike. Based on Michael W Smith's contemporary worship song, 'Open the eyes of my heart', this also contains the song 'Holy, holy, holy', to the tune of Nicea.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1383 - 1386, March 2026
1383: Festival March - Lead On! (Andrew Wainwright)A dynamic march, commissioned by Majors Paul and Dawn McFarland during their appointment as Area Commanders of The Salvation Army's Dallas-Fort Worth Area, premiered at the 2023 Thanksgiving service at the Dallas Adult Rehabilitation Centre. Featuring the classic hymns Storm the forts of darkness (S.A.S.B. 980) and Lead on, O King eternal (S.A.S.B. 964), the piece captures the drive, hope, and mission at the heart of The Salvation Army's work in North Texas.1384: Confession (Kenneth Downie)This arrangement is based on the tune Lord of all (T.B. 440), one of the welcome additions to the 2015 Salvation Army tune book. Introduced to the arranger by Andrew Blyth, whose appreciation for the melody highlighted its gentle charm, the piece is dedicated to Andrew and the Peterborough Citadel Band, where he served as Bandmaster and continues to play.The music pairs the tune with the reflective words of We have not known thee as we ought (S.A.S.B. 630), a hymn often used in worship as a moment of confession and heart-searching before God. Its inclusion encourages both performers and listeners to approach worship with humility and sincerity.Although labelled simply as "German traditional," the tune's graceful simplicity is immediately evident. This arrangement preserves that character while introducing subtle harmonic colour and developing the tune's rising fourth motif as a unifying musical thread. The gentle nature of the melody remains central throughout, with a slightly heightened energy in the fifth phrase carefully drawn out without disrupting the overall serenity. The sharing of thematic material between Cornets and Horns calls for smooth, unobtrusive ensemble playing, allowing the tune's beauty to speak naturally.1385: God in good (Stephen Hull) This arrangement brings together two much'loved melodies: Goodness of God, a favourite from the final years of the arranger's service as Divisional Music Director in the Wisconsin/Upper Michigan Division, and the simple, enduring chorus God is so good. Heard often at summer camps, the song's message stayed with him, eventually inspiring this thoughtful musical pairing that highlights God's unwavering goodness throughout our lives.1386: A march in time (Martin Cordner)Written to celebrate the 130th anniversary of Thetford Corps (UKI Territory), this lively march pays tribute to a legacy of faithful witness, joyful service, and a community moving forward in God's light. Premiered by Cambridge Citadel Band during the anniversary weekend, the piece weaves together three cherished songs: Marching on in the light of God (S.A.S.B. 968), Jesus, precious Saviour (S.A.S.B. 501), and Light up the sunshine in your heart.
Estimated dispatch 7-14 working days
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£45.00Triumph Series Band Journal November 2011 Numbers 1219-1222
No.1219 March Medley - Heavenward (William Gordon)A variety of songs are used in this up-tempo march medley which potrays the celebration of a life looking forward to an eternity in Heaven. The tunes used are 'When we all get to Heaven', 'When the roll is called up yonder' and 'We shall win'.No.1220 Garden of my heart (Terry Camsey)The publication of this music is, in a small part, a fitting tribute to Major Terry Camsey who was Promoted to Glory in June 2011. The title is taken from the refrain from a much-loved Sidney Cox song; 'Jesus, Jesus, Lily of the valley, Bloom in all thy beauty in the garden of my heart'.No.1221 My life, my all (Andrew Mackereth)This selection attempts to emphasise the personal nature of Christian commitment hence the emphasis given to the words 'my' and 'I' in the songs chosen. The tunes 'Rockingham', 'All I have I am bringing to thee' and 'At thy feet I bow adoring' are included.No.1222 Tenor Horn Solo - You love me (Brian Willetts arr. Paul Sharman)This arrangement was made at the request of David Lynch, Solo Horn player in The International Staff Band. Originally published in April 1993, the song speaks of the fact that, despite the wonder and vastness of God's creation, he still loves each one of us individually.
Estimated dispatch 7-14 working days
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£33.62Margaret - Brass Band (Timothy Matthews arr.Kenneth Downie)
VIEW SCORE PDF The arranger, Kenneth Downie writes: 'This music was commissioned by Mike Griffiths, Music Director of Riviera Concert Brass, based in Torquay in Devon, England. It is developed around the hymn tune Margaret, and written in memory of the lady of that name who was a renowned supporter of, and generous donor to the band. The graceful melody was written by Timothy Matthews (1826-1910), and it is usually associated with the words of the hymn, the first verse of which says: Thou didst leave thy throne and thy kingly crown When thou camest to earth for me; But in Bethlehem's home was there found no room For thy holy nativity, O come to my heart, Lord Jesus; There is room in my heart for thee. I feel that there is a strong emotional core to this lovely tune and any performance should seek to bring out this quality, in a musical manner.' PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Glockenspiel Percussion
In Stock: Estimated dispatch 1-3 working days
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£39.95Pound the Streets (Brass Band - Score and Parts)
This piece was commissioned for the National Youth Band of Scotland by the Scottish Brass Band Association for the Tartan Heart Festival 2010.The Tartan Heart Festival is a huge musical festival that took place in the picturesque Belladrum Estate in Inverness-shire. It features many famous pop and rock artists including Feeder, Amy MacDonald, The Levellers, Divine Comedy and Badly Drawn Boy to name but a few.Special guests to open the festival were the National Youth Band of Scotland who performed a programme of music that started with this piece Pound The Streets. As they were playing at a rock festival I wanted to compose a piece that didn't follow the more traditional types of concert openers I have written in the past. So instead I opted for a fast paced piece that has a pounding rock rhythm from the drum kit and relentless riffs and ostinati from the brass ensemble.I had lots of fun composing this piece as it is so different to a lot of music I have composed in the past. It gave me the opportunity to incorporate musical styles that I enjoy listening to when I am away from brass bands and to write in a pop/rock style.So the end product is a brass rock piece that has lots of energy, a feel-good factor and is lots of fun to play and listen to. I hope you enjoy, Pound The Streets.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2230 - 2233, April 2023
2230: Prelude on 'Ascalon' (Geoffrey Nobes)This prelude was written for the Band of the Free Evangelical Church of Geisweid in Germany. The beautiful hymn tune Ascalon is heard in two complete statement, a free-flowing lyrical section followed by a contrasting section using the phrases of the melody to build to a full final working of the hymn.2231: Salt and light (Mark Feltwell)This original work follows the journey of someone who is finding their way through faith. Using inspiration from Shine, Jesus, Shine and Matthew 5:14, the journey ends with a triumphant fanfare.2232: Hymn Tune Arrangement - Esher (Dudley Bright)A two verse setting of the well know benediction, God be in my head.2233: Song Arrangement - The heart of worship (David Mills)The song The heart of worship (S.A.S.B. 635) speaks of the need to worship without any barriers or obstacles.
Estimated dispatch 7-14 working days
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£69.95
TRANSFORMATION (Brass Band Set) - Kenneth Downie
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days
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£36.30My Little Welsh Home - Traditional
A beautiful arrangement by Tim Paton of a Welsh song by W S Gwynne Williams. Created in memory of his mother, Tim has produced a wonderful version for brass band and has also included an optional vocal solo or unison choir line.Comments from the arranger:I have arranged [My Little Welsh Home] in memory of my mother. [She] was born, Doreen Davies, on 27th November 1918, in Haverfordwest, Pembrokeshire, a small town in South West Wales. She had a beautiful voice, and met my father, Bill Paton, during World War II, whilst she was singing in a troop concert at the County Theatre in her home town, and my father was the MC.Throughout her life, my mother and father entertained, and she was singing right up until the final months of her life. She spent many years in Weston-super-Mare, Somerset, a seaside town in South West England, and it was here that she passed away on 20th September 2004. During the last several months of her life, she often referred to the song My Little Welsh Home:Here are the words.I am dreaming of the mountains of my homeOf the mountains where in childhood I would roamI have dwelt 'neath southern skiesWhere the summer never diesBut my heart is in the mountains of my homeI can see the little homestead on the hillI can hear the magic music of the RhyllThere is nothing to compareWith the love that once was thereIn the lonely little homestead on the hillI can see the quiet churchyard down belowWhere the mountain breezes wander to and froAnd when God my soul will keepIt is there I want to sleepWith those dear old folks that loved me long agoLooking at the words, I can see why it meant so much to her. Haverfordwest is at the foot of the Preseli Mountains, and her home and church were at the top of a hill. My mothers' ashes were taken back to her own little Welsh home, and laid to rest in the grounds of the church where she had been Christened, Confirmed and Married.Look and Listen (Score-reading digital sound-sample):
In Stock: Estimated dispatch 3-5 working days
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£69.95Transformation (Brass Band - Score and Parts)
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days
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