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  • £74.99

    The Best Of The Beatles

    The Beatles, the most timeless and legendary pop group ever, made history with an endless series of world hits that are still loved today. Filip Sandras has made a fluent arrangement out of "Eleanor Rigby", "We can Work it Out", "Get Back" and "Hey Jude" that can be played by every orchestra.

    Estimated dispatch 5-14 working days

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  • £38.50

    English Carol Fantasy - James Curnow

    Contrasting colors and varied orchestration techniques make this majestic setting of OH LITTLE TOWN OF BETHLEHEM come alive for Christmas. Of the three different tunes that are commonly associated with the original carol text, this arrangement uses the melody that's best known in England. ENGLISH CAROL FANTASY remains entirely accessible to bands at this level and plenty of cueing makes sure it's useful for ensembles of all shapes and sizes. Feature your deserving young cornet section leader on the easy solo, or let the entire first cornet section play it soli. The low brass also get some "well doubled" exposure, so playing this one will be fun for all.Try it!

    Estimated dispatch 5-14 working days
  • £59.99

    Soul Time - Roland Kernen

    Soul Time by Roland Kernen has the two most important elements of any hit pop song - a driving rhythm and an attractive and catchy melody. This work has a three-part structure - a lively and exciting opening, a more peaceful middle section and an exuberant reprise. Get into the groove with this soulful work for brass band.

    Estimated dispatch 5-14 working days

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  • £66.00

    S.O.S. (Brass Band - Score and Parts) - Kjaernes, Bjorn Morten

    When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available for band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Get creative and have fun!- Bjorn Morten KjaernesDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £44.95

    Trombone Concerto (Trombone Solo with Brass Band - Score only)

    My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player. The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo. The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him. The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist. While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin

    Estimated dispatch 7-14 working days

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  • £87.95

    Trombone Concerto (Trombone Solo with Brass Band - Score and Parts)

    My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin

    Estimated dispatch 7-14 working days

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  • £64.00

    Milonga del Angel (Soprano Cornet, Cornet and Trombone Trio with Brass Band - Score and Parts)

    This arrangement was made after hearing Astor Piazzolla s 1986 recording of his own work written in 1965. The original instrumentation of bandoneon, violin and string bass is here arranged for three wind soloists with Concert Band. The Soprano Sax is the main soloist (filling the bandoneon role), while the trombone and clarinet shares the violin part as a kind of flirting undertone to the soprano saxophone. It s not possible to make a 100% correct notation of the solo parts, so it s recommended to listen to the record album Zero Hour from 1986 to get the best impression of the work. Enjoy Milonga Del Angel and imagine a small, dark cafe in Buenos Aires!

    Estimated dispatch 7-14 working days

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  • £149.99

    Redbad (Brass Band - Score and Parts) - De Haan, Jan

    A Musical PortraitRedbad was written for the Championship Section of the Dutch Brass Band Championships, and thus it contains plenty of musical and technical challenges. In this work of seven connected movements we get to know Redbad, who was the King of the Frisians from c. 680 to 719. The composer drew his inspiration from historical information, but also from stories, anecdotes, myths and legends around this figure. The themes within the composition are closely interwoven whereas the music is varied and appealing, from heroic motifs to the melancholy of elegies. Impressive tutti passages alternate with fragments that sound more open and in which various players can take centre stage. To crown it all, the work concludes with a majestic finale.Duration: 17.45

    Estimated dispatch 7-14 working days

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  • £35.00

    We Three Gypsy Kings (Brass Band - Score and Parts) - McKenzie, Jock

    The arranger had a dream..... The three wise men were looking for the baby Jesus to give him their gifts. This was done somewhat in the manner of the scene of Monty Python's 'Life of Brian'. The search was not successful - Sir Alan Sugar ('The 'Apprentice') made an appearance ordering the three wise men to "get off my land". Meanwhile, the baby Jesus slept peacefully on, unaware of the nearby disturbance. Bizarrely, this dream sequence was played out at high speed, as in the closing scene from each episode of 'The Benny Hill Show' of the 1970s. This arrangement attempts to portray this comical caper. Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £124.95

    Dynasty (Brass Band - Score and Parts) - Graham, Peter

    Dynasty takes the form of a Symphonic Poem, a musical form first introduced to a contest audience at the Crystal Palace in 1913 by Percy Fletcher in his work Labour and Love.Using key passages from the autobiography of Harry Mortimer, On Brass, as the source for the narrative, the work opens with a four-note leitmotif (Harry's theme, "as if descending from the heavens"), and the timeline unfolds as follows:Harry - One's destiny decided at birth "I'll make him the best cornet player in England"War - Why do the nations so furiously rage together? Fred volunteers for military serviceTheatre - And suddenly "I dashed to the rescue like a hero in the silent movies I was about to get to know so well"Journey - Comfort Ye A new life and new challengesTogether - Come unto me "A golden age"Farewell - For behold, darkness "Fred's death surely marked the passing of an era"Amen - The Trumpet shall soundListeners familiar with brass band repertoire will recognise a few pertinent quotes within the piece.In my imagination Harry is joined by Fred on cornet and the euphoniums of Alex and Rex for the quartet cadenza from Sovereign Heritage by Jack Beaver in Together.The Amen section from Handel's Messiah provides the basis for a contrapuntal flight of fancy as the work moves towards a conclusion. Other less overt fragments contribute to the story.Dynasty was co-commissioned by the British Open Brass Band Championships for the September 2019 contest, and the Brass Band Committee VLAMO for the Belgian Brass Band Championships 2019.- Peter GrahamDuration: 17.00

    Estimated dispatch 7-14 working days

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