Results
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£29.50Empty Chairs at Empty Tables - Schonberg, Boublil & Kretzmer - Cathryn Rogers
Les Miserables has been entertaining thousands of people the world over since its premiere in Paris in 1980. With a hit soundtrack of memorable songs, Empty Chairs at Empty tables is one of the more reflective works from the musical. As Marius' returns to the caf alone, the solo survivor following the battle (other than Jean Valjean), he regrets and reminisces over the loss of his friends in this moving work that, like many other titles from the musical, works extremely well for Brass Band. A great addition to any concert programme and a sure hit with audiences across the globe.
In Stock: Estimated dispatch 1-3 working days
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£24.00Disco Inferno - Brass Band Sheet Music Full Score & Parts - LMAM026 - - David Beal
COMPOSER:Leroy Green, Tyrone G. KerseyARRANGER: David BealDescriptionDisco Inferno (The Trammps)Arranged for Brass Band"Disco Inferno" is a song by American disco band the Trammps from their 1976 studio album of same name. With two other cuts by the group, it reached No. 1 on the US Billboard Dance Club Songs chart in early 1977, but had limited mainstream success until 1978, after being included on the soundtrack to the 1977 film Saturday Night Fever, when a re-release hit number eleven on the Billboard Hot 100 chart.It was also notably covered in 1993 by American-born singer Tina Turner on What's Love Got to Do with It, and in 1998 by American singer-songwriter Cyndi Lauper on the A Night at the Roxbury soundtrack. Among others who covered this are Damien Lovelock, Hardsonic Bottoms 3, and Vicki Shepard.About Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don't have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
In Stock: Estimated dispatch 3-5 working days
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£24.00Livin' La Vida Loca - Brass Band Sheet Music Full Score & Parts - LMAM015 - Desmond Child & Robi Rosa - David Beal
COMPOSER: Desmond Child & Robi RosaARRANGER: David Beal"Livin' la Vida Loca" (transl. "Livin' the Crazy Life") is a song recorded by Puerto Rican singer Ricky Martin for his fifth studio album and English-language debut, Ricky Martin (1999). The song was written by Draco Rosa and Desmond Child, while the production was handled by the latter. It was released to radio stations by Columbia Records as the lead single from the album on March 27, 1999. A Latin pop and dance song with elements of salsa, surf, and ska, it is about an irresistible, particularly sinister, wild woman who lives on the edge, seducing others into her crazy world. The song received acclaim from music critics, who complimented its lyrics and danceable rhythm. It was ranked as the best 1990s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard.Scored here for British Brass Band.About Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don't have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
In Stock: Estimated dispatch 3-5 working days
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£50.00
I'll Be There For You (Score & Parts) - The Rembrandts
A brass band arrangement by Andrew Duncan of The Rembrandt's I'll Be There For You, the celebrated theme tune for the ever-popular TV Sitcom, Friends. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 4 minutes
In Stock: Estimated dispatch 1-3 working days
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£90.75De Profundis - john wallace, Tony George
An original composition for massed brass bands and brass quintet devised by John Wallace, Tony George and Svend McEwan-Brown. A cross-genre production work, including scene setting, lighting and the spoken word reciting associated poems, De Profundis was given its world premiere at the East Neuk Festival on 1 July 2017 at The Bowhouse, performed by The Wallace Collection, Tullis Russell Mills Band and friends.If you would like to perform this work, The Wallace Collection are able to provide production consultancy and supply the brass quintet elements of the production - if you would like to discuss potential performances, please contact them direct on [email protected] NotesDe Profundis is a large scale brass band performance piece created by John Wallace and Tony George, based upon an original idea by Svend McEwan-Brown. It was developed in sessions with members of the Tullis Russell Mills Band, commissioned and premiered at East Neuk Festival 2017 at The Bowhouse, St Monans, on 1st July 2017.It was supported by Creative Scotland, Fife Council, Toby and Kate Anstruther, Shields and Carol Henderson, Donald and Louise MacDonald.This project remembers and celebrates the lives and music of miners. It is designed to give brass bands a performance piece that uses elements of improvisation and participation, to offer the players a stimulating and inspiring experience beyondthe normal run of brass band repertoire.All the music is drawn from two settings of the psalm 'Out of the Deep" (De Profundis).Look and Listen (courtesy of Tullis Russell Mills Band and The Wallace Collection at 2017 East Neuk Festival):More InformationMore details about the De Profundis project is available on a dedicated web-page on The Wallace Collection website.
In Stock: Estimated dispatch 3-5 working days
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£87.95Masquerade (Score and Parts)
The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi's last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi's music, and some of Shalespeare's plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story: . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe'en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff's arrival (musicologists will, perhaps, note a rare use of 'large bottle in F' being used during this scene of suppressed alcoholic revelry!). Falstaff's companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game 'Blind Man's Buff', he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi's character concludes the opera with a good-humoured fugue on the words.... 'All the World's a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.
Estimated dispatch 7-14 working days
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£44.95Masquerade (Score Only)
The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi's last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi's music, and some of Shalespeare's plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story: . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe'en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff's arrival (musicologists will, perhaps, note a rare use of 'large bottle in F' being used during this scene of suppressed alcoholic revelry!). Falstaff's companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game 'Blind Man's Buff', he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi's character concludes the opera with a good-humoured fugue on the words.... 'All the World's a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.
Estimated dispatch 7-14 working days
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£60.99Best Friends (Cornet or Euphonium Solo with Brass Band - Score and Parts) - Nijs, Johan
With Best Friends, Belgian composer Johan Nijs portrays friendship in a wonderful ballad that can be played on the cornet, euphonium or trombone. A great chance to put one of your players in the spotlight!Duration: 3.45
Estimated dispatch 7-14 working days
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£73.00Robin Hood Suite No.2 (Brass Band - Score and Parts) - Minde Fagerli, Roar
Suite in Five MovementsRobin Hood suite 2 is five movements collected from a play written for a summer course arranged by The Norwegian Band Federation. The Composer is inspired by the story of Robin Hood; He who steals from the rich and gives to the poor.The composer describes different charters and places from the story in his music. In the first movement you will meet the merciless Sheriff of Nottingham. The second movement describes the caring Friar Tuck. In the third movement Robin Hood and Lady Marion sneaks around in the Castle. In the fourth movement Prince John's guards hunts Robin. In the fifth movement Robin Hood and his friends celebrate their victory!Duration: 9.15
Estimated dispatch 7-14 working days
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£76.99Invocation (Brass Band - Score and Parts) - Delft, Marc van
In this work the Dutch composer Marc van Delft attempts to bring together two parties (former friends), after they have grown inexplicably apart. For this reason he calls in the help (Invocation) from the medium of music. At first, Invocation radiates a sense of serene calm, from which the composer gradually creates an atmosphere resembling a conversation. Half-way there is an increase of suspense, ending once again in calm. The listener remains uncertain, however, regarding the finish.Duration: 6:00
Estimated dispatch 7-14 working days
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