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£33.65Pachelbel for Brass (Canon in D) - Brass Band (Pachelbel arr. William Himes)
VIEW SCORE PDF Canon in D is certainly the most popular and enduring work of Johann Pachelbel (1653-1674). With its repetitive and foundational bass line and the lyrical imitative themes that follow, this music has proven to be especially well suited as a wedding processional, with the flexibility to reduce or lengthen the music as needed for the occasion. Here it has been arranged by William Himes for brass band with flexible scoring, meaning it is playable by as few as 12 players but works equally well with a traditional size band. There is an optional cut reducing the total length of the piece by around 1.30 minutes if required. PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb (optional) 1st Cornet Bb (2 players) 2nd Cornet Bb Flugel Horn Bb (optional) 1st Horn Eb 2nd Horn Eb Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb (2nd player optional) Bass Eb Bass Bb Timpani (optional) Percussion (optional)
In Stock: Estimated dispatch 1-3 working days
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£189.95Christmas Collection - Brass Band Set - March Card Size
The brass band set contains 26 march card size parts: Soprano Cornet Eb x1Solo & 1st Cornet Bb x52nd Cornet Bb x4Flugel Horn Bb x1Solo & 1st Horn Eb x22nd Horn Eb x1Baritone Bb x21st Trombone Bb x12nd Trombone Bb x1Bass Trombone x1Euphonium Bb x2Bass Eb x2Bass Bb x2Percussion x1Titles:A child this day is bornA Christmas lullabyA great and mighty wonderAll I want for Christmas is youAll my heart this night rejoicesAngels, from the realms of Glory (Come and worship)Angels, from the realms of Glory (Iris)Angels we have heard on highA starry nightAs with gladness men of oldAuld lang syneA virgin most pureAway in a manger (The manger scene)Away in a manger (Traditional)A winter's taleBethlehemBrightest and best (Spean)Brightest and best (Traditional)Calypso CarolCarol for the NativityCarol of the bellsCarol of the drumChild of MaryChristians Awake!Christ is born (Il est n)Christ was born on Christmas DayCome and join the celebrationCome, children, come quicklyCoventry CarolDeck the hallDing dong! merrily on highDo you hear what I hear?Frosty the snowmanGabriel's MessageGaudeteGlory in the highestGlory in the highest HeavenGod of God, the uncreatedGod rest you merry, gentlemenGood Christian men, rejoiceGood King WenceslasGo, tell it on the mountain!Happy Christmas (War is over)Hark the glad sound!Hark! the herald angels singHave yourself a merry little ChristmasHere we come a-wassailingHow far is it to Bethlehem?Huron CarolInfant HolyIn the bleak midwinter (Cranham)In the bleak midwinter (Darke)I saw mommy kissing Santa ClausI saw three ships come sailing inIt came upon a midnight clear (Traditional)It came upon a midnight clear (Willis)It's beginning to look a lot like ChristmasIt's the most wonderful time of the yearI wish it could be Christmas everydayI wonder as I wanderJesus, good above all otherJingle BellsJingle bell rockJoy to the world!Last ChristmasLet it snow!Little baby JesusLittle children, wake and listenLittle DonkeyLittle Jesus, sweetly sleepLo! he comes with clouds descendingLong, long agoLove came down at ChristmasMary's boy childMary's ChildMasters in this hallMerry Christmas everyoneMistletoe and wineNoelO Christmas treeO come, all ye faithfulO come, ImmanuelO Heaven-sent KingO holy night!O little town of Bethlehem (Christmas Carol)O little town of Bethlehem (Forest Green)O little town of Bethlehem (St Louis)Once in royal David's cityPast three o'clockPatapanPersonent HodiePraise ye the LordRing the bellsRise up, shepherd!Rockin' around the Christmas treeRudolph, the red-nosed reindeerSans day carolSanta Claus is comin' to townSaviour's DaySee, amid the winter's snowSilent Night!Sleigh RideSoftly the night is sleepingSo here it is, merry ChristmasStars are shiningStill, still, stillStop the cavalrySussex CarolSweet chiming bellsSweet chiming Christmas bellsThe candle songThe cherry tree carolThe Christmas songThe first NowellThe holly and the ivyThe infant KingThe light has comeThe shepherds' farewellThe stable doorThe star in the eastThe twelve days of ChristmasThe virgin Mary had a baby boyThey all were looking for a kingThou didst leave thy throneThree kings' marchUnto us a boy is bornWalking in the airWe gather round the manger-bedWe three kings of Orient areWe wish you a merry ChristmasWhat child is this?When a child is bornWhen Santa got stuck up the chimneyWhence is that goodly fragrance flowing?When wise men came seekingWhile shepherds watched (Cranbrook)While shepherds watched (Handel)While shepherds watched (Winchester Old)White ChristmasWho is he?Winter WonderlandWorldwide Christmas messageZither CarolA starry nightChristmas JoyChristmas PraiseCoventry CarolInfant HolyMid-winterRudolph, the red-nosed reindeerThe everlasting lightTo celebrate his birthYuletide Rag
Estimated dispatch 7-14 working days
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£59.83We Seven (Brass Band) Derek Jenkins
We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£67.31Dreams of America (Brass Band) Derek Jenkins
Dreams of America was commissioned by the National Youth Brass Band of America. The concept of the 'American Dream' is an indelible part of the American psyche. Over time, notions of success, fame, and fortune have become synonymous with this idea. Some have achieved their personal 'American Dreams', and yet for others they often remain only a dream. Dreams of America takes a look at certain, generalised aspects of the 'American Dream' and pits them against the harsh realities faced by many, both in the past and present. To heighten these dichotomies, each movement is accompanied by a slideshow of historic and modern images related to the issues at hand. Movement 1: Yearning to Breathe Free explores the anger, fear, and subjugation that seems rampant in recent years, but has been present throughout the country's founding. Movement 2: Take my Stand looks at the role that change, protest, and equality has had and continues to have in our society. Movement 3: It Beckons and Beckons examines the beauty of nature and our role in preserving and protecting this country's natural wonders while illustrating the ease of which our environment can be ruined and destroyed. Movement 4: Sweet Land of Liberty reflects onthe composer's interpretation at what truly makes the United States of America a great country - the people who call this place home. The patriotic tune America the Beautiful has been woven throughout, in part for its poetic depiction of the American landscape and its call for "brotherhood from sea to shining sea!" Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) 1 Flugelhorn 3 Tenor Horns (Eb) 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£44.87Boreas: The North Wind (Brass Band) Derek Jenkins
Boreas was an ancient Greek deity personifying the north wind. He was a winged god of ruthless disposition, which was rivaled only by the harsh wintry winds at his command. Boreas fell in love with Orithyia, the King's daughter. Contrary to his genuine nature, he attempted to woo her with sweet words of devotion. His efforts were in vain, and Orithyia failed to yield to his advances. With this rejection, Boreas's temper flared and he, once again, was overcome by his icy and merciless nature. Like Boreas, this work begins with slow, lyrical lines that quickly fade into an unrelenting fury of anger. Moments reminiscent of Boreas's words of affection appear, but they are quickly washed away as the piece escalates. This arrangement was written for Joseph Parisi and the Fountain City Brass Band as a small token of thanks. The original version for wind ensemble was commissioned by and written for Timothy Shade and the Bethel College Wind Ensemble. To view a video of Diamond Brass Band performing the work please visit: www.youtube.com/watch?v=Co4oreV7Hm4 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) 1 Flugelhorn 3 Tenor Horns (Eb) 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£35.73Sen Menvra Suite - Kevin Ackford
Score & Parts Parts included are: 1 x Soprano Cornet, 2 x Cornet 1, 2 x Cornet 2, 2 x Cornet 3, 1 x Eb Horn 1, 1 x Eb Horn 2, 3 x Bari/Euph/Trom 1, 3 x Bari/Euph/Trom 2, 2 x Eb Bass, 2 x Bb Bass, 1 x Drum Kit, 1 x Percussion A Suite in 4 movements written for Junior/Training Band and depicting the area around St. Minver in Cornwall. This piece can either be used as a whole or the individual movements work well as standalone pieces. The movements are: (1) Pityme Parade. (2) St. Menafreda. (3) Lowlands'Dance. (4) Rock Rocks.
Estimated dispatch 5-7 working days
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£39.99Amid the Cold Of Winter- The Rose ("Es ist ein Ros entsprungen")
ABOUT THIS PIECE: Introduce a touch of elegance to your Christmas programme with Amid the Cold of Winter - The Rose, a beautiful arrangement of the traditional carol Es ist ein Ros entsprungen (Lo, How a Rose E'er Blooming). This cherished melody dates back to the late 16th century and has been celebrated for its gentle beauty and profound sense of reverence. Its origins in German sacred music have made it a favourite across centuries, embodying the spirit of hope and renewal. This arrangement, crafted for quartet with brass band accompaniment, enhances the carol's delicate charm while providing a fresh, rhythmic and gentle take on the accompaniment and overall feel. Perfect for seasonal concerts, or gentle and reflective moments in your programme, this piece allows a quartet of soloists to shine. ENSEMBLE: Quartet (soprano cornet, repiano cornet, solo tenor horn & solo baritone) with Standard British Brass Band. For information: As only two solo cornets are required, it is suggested that remaining cornet player play additional percussion. Soprano part available in Bb to be played by Bb cornet. Solo Horn part available in Bb to be played by trombone (trombone part available in Eb to be played by tenor horn in this scenario). WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: DURATION: c. 4-minutes EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£25.00The Benediction March - Brass Band - LM322 - John van Gulik
COMPOSER: John van GulikThis march was humorously written using tunes which are commonly sung as a benediction to conclude a Salvation Army meeting. Some have been modified from their original 3/4 time signature so the recognition may take a few bars to happen. The tunes used are "Benediction", "O Father let Thy love remain", and "Shepherd of Israel".This arrangement is based around the Salvation Army Brass Band line up and the scoring is as followsSoprano Cornet -1st Cornet -2nd Cornet -Flugel -1st Horn -2nd Horn -Baritone -1st Trombone -2nd Trombone -Bass Trombone -Euphonium -Eb Bass -Bb Bass -Percussion as requiredAlternative parts for the lower brass includeAll horn parts in FBaritone, Trombone, Euphonium and Basses all with alternative parts in Bass Clef
In Stock: Estimated dispatch 3-5 working days
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£54.95WORLD WITHIN, A (Brass Band Parts) - Scott, Andy
Brass Band parts only. 'A World Within' is a one-movement work that starts with a simple theme stated by the Soprano Cornet before an ostinato figure in 6/8 time emerges (Vibraphone, Horns and muted 2nd and 3rd Cornets) over which firstly Solo Cornet, and then both Solo Cornets (1 & 2), play a sustained melody. A shift between major and minor harmonies characterises the 'B' section, before making way for a virtuosic Flugel solo. When the Flugel leaves centre stage the front line Cornets take over, leading to a full bodied reprise of the 'B' section. The low brass bridge the gap between what is in effect the end of the first main section of the piece and the second section. The constant time shift between 3/4 and 6/8 that has been prevalent through-out 'A World Within', re-emerges towards the end of the 'slow, heavy blues' section, leading into an intricate almost fugue-like passage (Horn and Baritone leading the way). Out of this comes a short transitional bridge section that leads us back to the (transposed) original 6/8 time theme and feel, this time scored with a bold directness that leads to a powerful 2/4 time passage. The climax of 'A World Within' is heralded by one dark and dissonant chord that is repeated three times. A flashback moment occurs where the 'hymn' is stated (muted Cornets) in a bitonal harmonic world. A final statement emerges from the denseness of sound, a re-working of the initial theme (Solo Cornet), with the last work being left to Solo Eb Bass. Dur: 13:00
Estimated dispatch 7-14 working days
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£20.00
WORLD WITHIN, A (Brass Band Score) - Scott, Andy
Brass Band score only. 'A World Within' is a one-movement work that starts with a simple theme stated by the Soprano Cornet before an ostinato figure in 6/8 time emerges (Vibraphone, Horns and muted 2nd and 3rd Cornets) over which firstly Solo Cornet, and then both Solo Cornets (1 & 2), play a sustained melody. A shift between major and minor harmonies characterises the 'B' section, before making way for a virtuosic Flugel solo. When the Flugel leaves centre stage the front line Cornets take over, leading to a full bodied reprise of the 'B' section. The low brass bridge the gap between what is in effect the end of the first main section of the piece and the second section. The constant time shift between 3/4 and 6/8 that has been prevalent through-out 'A World Within', re-emerges towards the end of the 'slow, heavy blues' section, leading into an intricate almost fugue-like passage (Horn and Baritone leading the way). Out of this comes a short transitional bridge section that leads us back to the (transposed) original 6/8 time theme and feel, this time scored with a bold directness that leads to a powerful 2/4 time passage. The climax of 'A World Within' is heralded by one dark and dissonant chord that is repeated three times. A flashback moment occurs where the 'hymn' is stated (muted Cornets) in a bitonal harmonic world. A final statement emerges from the denseness of sound, a re-working of the initial theme (Solo Cornet), with the last work being left to Solo Eb Bass. Dur: 13:00
Estimated dispatch 7-14 working days
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