Results
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£54.20TROMBONOLOGY (Trombone Solo with Brass Band) - Dorsey, Tommy - Fernie, Alan
Grade: Medium/Difficult.
Estimated dispatch 7-14 working days
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£54.20
VARIATIONS ON A LATIN THEME (Euphonium Solo with Brass Band) - Fernie, Alan
Grade: Medium/Difficult.
Estimated dispatch 7-14 working days
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£58.60
VARIATIONS ON A ROCOCO THEME (Euphonium Solo with Brass Band) - Ruedi, Thomas
Grade: Medium/Difficult.
Estimated dispatch 7-14 working days
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£42.95YOU'LL NEVER WALK ALONE (Bb Solo with Brass Band - Score and Parts) - Rodgers, Richard - Ellerby, Martin
more difficult that the Darrol Barry version. Recorded on Polyphonic QPRL229D Ovation!
Estimated dispatch 7-14 working days
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£83.00
ZIGEUNERWEISEN (Euphonium Solo with Brass Band) - De Sarasate, Pablo - Ruedi, Thomas
Gypsy Airs. Grade: Difficult.
Estimated dispatch 7-14 working days
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£44.95Fantasy on Sempre Libera (Euphonium Solo with Brass Band)
During the 19th century the great instrumental virtuosi reined supreme. Pianists Liszt and Thalberg and violinists Paganini and Saraste amazed audiences with their wide-ranging technical and artistic abilities, fuelled by increasingly difficult paraphrases and variations on popular tunes of the day.The Fantasy on Sempre Libera looks back with affection to this period and provides an opportunity for present day euphonium virtuoso David Thornton to demonstrate the skills which mark him out as one of the world's finest players.
Estimated dispatch 7-14 working days
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£40.00
Automne - Chaminade, C - Bell, K
Although female French composer Ccile Chaminade wrote many large orchestral works, she is best remembered for her extensive output of piano salon music. Automne, probably her most endearing, has been arranged by Katie Bell as a euphonium solo. A difficult solo, but well worth the rehearsal.Difficult, 1st section +
In Stock: Estimated dispatch 1-3 working days
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£37.50Carnival Of Venice - J. Arban - Jonathan Bates
One of the most famous pieces of music, arranged by the most famous pioneer of the modern cornet, is now available for band as an Eb solo, allowing either the soprano, solo horn or Eb Bass player to turn their hand to this remarkable piece. Arranged by Jonathan Bates, little more needs to be said about this work as this timeless classic has been entertaining audiences for years. Now its time for the Eb soloists of the banding world to have a chance to play one of the most difficult, virtuoso solo pieces of all time.
In Stock: Estimated dispatch 1-3 working days
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£65.00Second Suite in F - Brass Band Sheet Music Full Score & Parts - LM602 - Gustav Holst
COMPOSER: Gustav HolstTRANSCRIBED : Daniel S. AugustineA brand transcription from Holst's manuscript score for brass band.A very authentic version from the original for Military Band.Can be used as a testpiece in your next own choice contestSuitable for Section 3 bands upwardsSecond Suite in FOp. 28, No. 2 (1922)1. MarchThe "March" of the Second Suite begins with a simple five note motif between the low and high instruments of the band. The first folk tune is heard in the form of a traditional British brass band march using the morris-dance tune "Glorishears". After a brief climax, the second strain begins with a euphonium solo playing the second folk tune in the suite "Swansea Town". The theme is repeated by the full band before the trio. For the trio, Holst modulates to the unconventional subdominant minor of Bb minor and changes the time signature to 6/8, thereby changing the meter. Usually one would modulate to subdominant major in traditional march form. While Sousa, reputably the "king of marches", would sometimes change time signatures for the trio (most notably in "El Capitan"), it was not commonplace. The third theme, called "Claudy Banks",[2] is heard in a low woodwind soli, as is standard march orchestration. Then the first two tunes are repeated da capo.2. Song without Words "I'll Love My Love"Holst places the fourth folk song, "I'll Love My Love" in stark contrast to the first movement. The movement begins with a chord and moves into a solo over a flowing accompaniment. The solo is then repeated, forming an arc of intensity. The climax of the piece is a fermata, followed by a cornet pick-up into the final measures of the piece.3. Song of the BlacksmithAgain, Holst contrasts the slow second movement to the rather upbeat third movement which features the folk song "A Blacksmith Courted Me". There are many time signature changes (4/4 to 3/4) making the movement increasingly difficult because the accompaniment has a pick up on the up-beats of each measure. The band joins in on the melody around the body of the piece and are accompanied with the sound of a blacksmith forging metal with an anvil called for in the score. The final major chord has a glorious, heavenly sound, which opens way to the final movement.This chord works so effectively perhaps because it is unexpected.4. Fantasia on the "Dargason"This movement is not based on any folk songs, but rather has two tunes from Playford's Dancing Master of 1651. The finale of the suite opens with a solo based on the folk tune "Dargason", a 16th-century English dance tune included in the first edition of The Dancing Master. The fantasia continues through several variations encompassing the full capabilities of the band. The final folk tune, "Greensleeves", is cleverly woven into the fantasia by the use of hemiolas, with Dargason being in 6/8 and Greensleeves being in 3/4. At the climax of the movement, the two competing themes are placed in competing sections.As the movement dies down, a duet forms a call back to the beginning of the suite with the competition of low and high registers.The name 'dargason' may perhaps come from an Irish legend that tells of a monster resembling a large bear (although much of the description of the creature has been lost over time), the Dargason tormented the Irish countryside. During the Irish uprising of the late 18th century, the dargason is supposed to have attacked a British camp killing many soldiers. This tale aside, 'dargason' is more likely derived from an Old English word for dwarf or fairy, and the tune has been considered English (or Welsh) since at least the 16th century. It is also known as 'Sedony' (or Sedany) or 'Welsh Sedony'.
In Stock: Estimated dispatch 3-5 working days
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£33.99'Mid all the traffic (Brass Band) Traditional arr. Andy Wareham
This stunning arrangement by British composer Andy Wareham is of the popular hymn 'Mid all the Traffic, which marries the North-American folksong Shenandoah set to lyrics by English journalist, novelist and poet William Arthur Dunkerley (written under the pseudonym of 'John Oxenham'). The hymn is very well-regarded in both the Salvation Army and wider brass band movement thanks to a popular arrangement by renowned Salvationist composer Leonard Ballantine. The arranger writes: 'This setting of 'Mid All The Traffic was originally composed during the Covid-19 pandemic as an octet arrangement for single instrument. My hope was to create an arrangement that offers an alternative view on harmony and could be multi-track recorded; allowing performers to give, and share, a performance whilst in isolation. The music was written in dedication to all of the 'key-workers' in the UK, especially in the NHS, who worked tirelessly throughout difficult conditions during the Covid-19 pandemic.' To view a follow-the-score video of the work please visit https://www.youtube.com/watch?v=naajvdsg9Wo PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Bass Drum Suspended Cymbal
In Stock: Estimated dispatch 1-3 working days
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