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£164.99Diamond Concerto - Philip Sparke
Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMorschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and concert band (AMP 354-010).
Estimated dispatch 5-14 working days
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£60.99
Little Christmas Suite - Robert Finn
This Little Christmas Suite, arranged for concert band by Robert Finn, contains three European Christmas carols of uncertain origin. The three movements Baile de Nadal (from Spain), Still, Still, Still (from Germany) and The First Noel (from England) create a delightful suite for any concert band and can also be performed with a choir.
Estimated dispatch 5-14 working days
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£54.99
Festive - Bertrand Moren
Bertrand Moren originally composed this march for the brass band Concordia of Bagnes in Switzerland, of which he is the conductor. Festive develops a sparkling and playful melodic line over a strong theme in the low brass section. This version for concert band is full of vitality and will bring a touch of liveliness to any concert. Festive is also suitable for an outdoor performance.
Estimated dispatch 5-14 working days
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£74.99Bon Jovi - Rock Mix - Jon Bon Jovi - Wolfgang Wössner
Wolfgang Wssner has created yet another energetic and exciting medley for concert band, following in the footsteps of his previous successful medley, Bryan Adams - The Best of Me.This time Wssner has moulded four hits by the American rock band Bon Jovi into one sensational work. Combining Runaway, It's My Life, Livin' On a Prayer and You Give Love a Bad Name, creates an incredibly fun medley that will rock your next concert!
Estimated dispatch 5-14 working days
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£72.99
The Round Table - Bert Appermont
The Round Table, a project of the concert band "Odyssey" in Belgium, was specially composed to present the various instrumental groups and separate instruments of the orchestra. With this sparkling composition you can familiarise the audience with the wealth of sounds and the strength of your ensemble. As an opening or concert piece.
Estimated dispatch 5-14 working days
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£54.99Psaltrada - Jan de Haan
The title of this piece gives a clue as to how it came about: Jan de Haan took the setting of psalm 149 from the Geneva Psalter of 1562 and created from this simple, beautiful melody a glorious, lively opening work for concert band. So it was that from a psalm and an intrada (prelude) a Psaltrada was born - for you to begin your next concert in splendid fashion.
Estimated dispatch 5-14 working days
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£54.99Can You Feel the Love Tonight - Alan Mencken - Ron Sebregts
The Lion King was a smash-hit box office success all over the world, and is still the highest grossing 2D animated film in the US. Can You Feel The Love Tonight, is a delightful concert band arrangement of the song from this Walt Disney classic, sung and composed by Elton John. A Disney favourite for young and old alike, your musicians will look forward to playing this piece both in rehearsal and in concert!
Estimated dispatch 5-14 working days
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£69.99
European Overture - Bertrand Moren
With its unique structure, European Overture brings out the vast potential of the concert band. The work opens with a magnificent fanfare followed by a lively allegro section. The lento of the middle section gracefully meanders bringing several soloists into the spotlight. Following another pulsating allegro section the work comes to a close with a final restatement of the central melody. A fantastic opener for any concert.
Estimated dispatch 5-14 working days
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£54.99
Candyman - Christina Aguilera - Peter Kleine Schaars
Candyman was the third worldwide hit from Cristina Aguilera?s albumBack to Basics. It's jazzy 1940s feel makes this an extremely catchymelody that works well in this arrangement for concert band. This is areal 'feel good' song and will bring a feeling of joy to any concert.
Estimated dispatch 5-14 working days
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£228.70Fanfare and Chorale - Egil Hovland - Ray Farr
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
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