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  • £46.20

    CELTIC CREST (Brass Band) - Walter, Christoph - Smith, Sandy

    Entertainment. Grade: Easy.

    Estimated dispatch 7-14 working days

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  • £49.20

    CELTIC FEVER (Brass Band) - Barry, Darrol

    Medium

    Estimated dispatch 7-14 working days

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  • £53.20

    CELTIC KNOTS (Brass Band) - Richards, Goff

    Medium

    Estimated dispatch 7-14 working days

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  • £42.95

    CELTIC SPIRIT (Brass Band) - Richards, Goff

    Estimated dispatch 7-14 working days
  • £74.95

    CELTIC SUITE (Brass Band - Score and Parts) - Sparke, Philip

    2012 Belgian National Championships - 2nd Section. Duration 12.45 Includes: Fanfare and Dawns Werin (Folk Dance); Suo-Gan (Lullaby); Men of Harlech) Recorded on Polyphonic QPRL089D Harmony Music

    Estimated dispatch 7-14 working days
  • £37.95

    CELTIC SUITE (Brass Band - Score only) - Sparke, Philip

    2012 Belgian National Championships - 2nd Section. Duration 12.45 Includes: Fanfare and Dawns Werin (Folk Dance); Suo-Gan (Lullaby); Men of Harlech) Recorded on Polyphonic QPRL089D Harmony Music

    Estimated dispatch 7-14 working days
  • £45.00

    Triumph Series Band Journal November 2013 Numbers 1243-1246

    No. 1243 March - Life Savers (Andrew Mackareth)This march was written for the band weekend at Belfast Citadel and incorporates the tune Jesus Saves (T.B. 703)No. 1244 Affirmation (Kenneth Downie)The title comes from the affirming tone of the chorus on which the music is built, He is the Lord, which itself is inspired by Phillippians, chapter 2. The chorus does not appear in its entirety at any point, but is obvious to a greater or lesser extent, in the texture of the music.No. 1245 A Celtic Blessing (arr. Erik Silfverberg)This is a simple arrangement of c Celtic traditional tune used to the lyrics of the familiar blessing:May the road rise to meet you,May the wind be always at your back,May the sun shine warm upon your face,The rain fall soft upon your fields,Until we meet again,May God hold you in the palm of his hand.No. 1246 Michael, Row! (David Catherwood)This arrangement of the traditional chous, 'Michael, row the boat ashore' (T.B. 285), is in a light swing style and also incorporates the tunes, 'Love lifted me' (T.B. 725) and 'Will uour anchor hold?' (T.B. 60).

    Estimated dispatch 7-14 working days
  • £40.00

    A Celtic Promise - Harper, P

    Listen to Owen Farr (Tenor Horn) with Cory BandCourtesy of World of Brass

    In stock: Estimated dispatch 1-3 days

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  • £29.95

    Island Whirl

    Island Whirl was commissioned by Margaret Milligan who wanted a brand new piece of music composed as a present for Ian, her husband for his 70th birthday. Ian Milligan is a keen and dedicated musician and he is the musical director of Callendar Brass, based in Callendar near Stirling in Scotland.Margaret contacted me about the possibility of composing a short lively piece which had a Scottish theme that would be ideal for Callendar Brass Band and any other ensemble to get their teeth into. This piece takes its inspiration from the traditional Scottish folk song 'An Eriskay Love Lilt' which is a particular favourite of both Margaret and Ian.With thunderous Celtic drums the piece opens in a whirlwind of sound with fanfare brass and an off-stage soloist that can perform using either the cornet or trumpet. After the exciting opening, the brass and drums die away to allow the off-stage soloist to air the traditional tune 'An Eriskay Love Lilt'.The beautiful haunting melody, keeping its originality throughout undergoes a series of changes in the accompanying harmonic material before dying away to allow the Celtic drums to return. The percussion whip the band into a frenzy as the piece gets faster and faster. Just prior to the final notes the band diminuendo to allow one last closing statement from the Eriskay Love Lilt lead by the off-stage soloist before the ensemble charge to a dramatic close.When performing this piece I would recommend the off-stage soloist taking a position somewhere in the audience, so they can almost feel part of the performance. In addition, with the two tom-tom parts that represent the Celtic drums, bands should make the most of showcasing them by getting the two drummers out to the front of the band to perform. The ideal stage position would be with the players set up in stereo with one player in front of the soprano cornet and the other in front of the solo trombone.With the various choreographed movements from both the off-stage soloist and the percussionists. This piece is a great addition to any concert repertoire and is an ideal showcase for bands who want to try something a little different.I wish Ian at 70 years young, all the very best with his music making in the many years to come and I hope this piece, composed especially for him and Callender Brass brings them many years of musical enjoyment.Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days