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£150.00Brass Quintet Collection - Various - Lawrence Killian
20 Titles for Brass Quintet with Optional AugmentationFeaturing stylish arrangements using a flexible format for a minimum of five brass players, this set of music for small ensemble covers a wide range of composers and styles. The collection includes music by Purcell, Bach, Verdi, Gounod, Sousa, Joplin, Botsford, Elgar, Gershwin, and others.Using a unique approach to the scoring, the basic setup is for five players: two cornets/ trumpets, one horn, one trombone, and one bass tuba. Two optional "augment" players can be added using the "flugelhorn", and/ or the "Euphonium" parts. Further expansion of the ensemble is possible by adding multiple players to each part.Twelve parts are provided in total: 1st Bb Cornet, 2nd Bb Cornet, Eb Tenor Horn, French Horn in F, Bb Trombone or Baritone in treble clef, C Trombone in bass clef, EEb Bass, BBb Bass, C Tuba in bass clef, Bb Flugelhorn or Cornet (augment part 1), Bb Euphonium or Baritone (augment part 2), C Euphonium or Trombone in bass clef (augment part 2).A Full score is available seperately at a cost of �35.00. Please contact [email protected] to order. NOTE: Individual books are priced at �20.00 each. Please email [email protected] to order individual books. Videos of these works being performed are available below:- Asturias (Leyenda) from Suite Espanola No.1, Isaac AlbenizBerceuse from "Jocelyn", Benjamin Godard TITLES INCLUDED:- 1. Asturias (Leyenda) from Suite Espanola No.1, Isaac Albeniz 2. Bist du bei mir (Be Thou with Me), J. S. Bach3. Chatterbox Rag, George Botsford4. Grizzly Bear Rag, George Botsford5. Jubilee Fantasy on God Save the King, Bernhard Brahmig 6. Chanson de Matin, Sir Edward Elgar 7. Pomp and Circumstance March No. 4, Sir Edward Elgar 8. But Not For Me, George Gershwin 9. By Strauss, George Gershwin10. They All Laughed, George Gershwin11. Berceuse from "Jocelyn", Benjamin Godard12. JUDEX - from "Mors et Vita", Charles Gounod 13. The Entertainer (Rag), Scott Joplin14. Intermezzo No.2, Vasily Sergeyevich Kalinnikov 15. Berliner Luft, Paul Lincke 16. Sound the Trumpet, from "Come Ye Sons of Art", Henry Purcell 17. Gymnopedie No.1, Erik Satie 18. The Liberty Bell March, John Philip Sousa 19. Tritsch-Tratsch Polka, Johann Strauss II 20. Grand March from the opera Aida, Giuseppe Verdi
In Stock: Estimated dispatch 1-3 working days
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£29.95Aria for Philip (Brass Quintet - Score and Parts)
Instrumentation:2 Trumpets in CHorn in FTromboneTubaWritten in memory of Philip Jones, this short work was first performed at his memorial concert held at the Royal Northern College of Music in 2000. Scored for Brass Quintet, it was performed by former members of the Philip Jones Brass Ensemble.My friendship with Philip Jones stretched back to my student days, when my Quintet for Brass was performed during my final year at the Royal Academy of Music. Philip was present at that premiere in 1967, and soon after that his ensemble performed and broadcast the Quintet on a UK Tour, including a performance in the finals of the BBC Young Composer's Competition. I owe him a huge debt of gratitude for promoting a work by a then unknown young composer.I use a brief quote from the opening of my 1967 Brass Quintet in this work, which is generally rather sombre in character, except for the sudden change of mood and tempo in the short final section, when the clouds suddenly lift and the sun shines through.- Edward GregsonDuration: 5.00
Estimated dispatch 7-14 working days
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£33.10Musica Religiosa (Brass Quintet)
The Obrasso Brass Quintet Series includes the following parts:Part 1 in BbPart 2 in BbPart 3 in Eb and FPart 4 in Bb TC and C BCPart 5 in Eb TC and C BC
Estimated dispatch 7-14 working days
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£25.20Bethena (Brass Quintet)
The Obrasso Brass Quintet Series includes the following parts:Part 1 in BbPart 2 in BbPart 3 in Eb and FPart 4 in Bb TC and C BCPart 5 in Eb TC and C BC
Estimated dispatch 7-14 working days
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£25.20A Pencil Full of Lead (Brass Quintet - Score and Parts)
This jazzy number from Paolo Nutini is now available for your brass quintet
Estimated dispatch 7-14 working days
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£33.10Wedding Dreams (Brass Quintet)
The Obrasso Brass Quintet Series includes the following parts:Part 1 in BbPart 2 in BbPart 3 in Eb and FPart 4 in Bb TC and C BCPart 5 in Eb TC and C BC
Estimated dispatch 7-14 working days
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£25.20But Not For Me (Brass Quintet)
The Obrasso Brass Quintet Series includes the following parts:Part 1 in BbPart 2 in BbPart 3 in Eb and FPart 4 in Bb TC and C BCPart 5 in Eb TC and C BC
Estimated dispatch 7-14 working days
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£25.20Thula Baba (Brass Quintet)
The Obrasso Brass Quintet Series includes the following parts:Part 1 in BbPart 2 in BbPart 3 in Eb and FPart 4 in Bb TC and C BCPart 5 in Eb TC and C BC
Estimated dispatch 7-14 working days
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£25.20Jingle Bells (Brass Quintet)
The Obrasso Brass Quintet Series includes the following parts:Part 1 in BbPart 2 in BbPart 3 in Eb and FPart 4 in Bb TC and C BCPart 5 in Eb TC and C BC
Estimated dispatch 7-14 working days
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£94.95Waiting for a Pain Hit!??!!? (Brass Band - Score and Parts)
Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National Brass Band Championships.The piece originates from sketches for a Brass Quintet which was written whilst I was in my second year of studies at the Royal Welsh College of Music and Drama. The piece, now being much more elaborate both musically and structurally than the original, aims to explore the many various textures available to a large brass ensemble. The aims of the piece, from its earliest stages, were mainly exploration of textures as well as dealing with issues of continuity and whilst the piece certainly contains challenging technical elements, they were not a driving force behind its inception and more organically grew from the primary aims of the piece. I was purposefully looking throughout the writing and editing process to create a piece of music with a seamless, ethereal quality to both the structure and the musical content.There are no 'performance directions' throughout the piece, the reasoning for this is explained below. However, I have spent much time and thought over the tempo markings throughout the piece and the tempos throughout the piece are the desired tempi and care should be taken with these. The tempo markings contained throughout the piece form a vital part of the structure and affect the continuity of the piece. Metronome marks contained within a box show the tempo of the new section in relation to the tempo that precedes it by use of metronome modulations. Any alterations to the tempo of the section that precedes it will alter the boxed metronome marks.The title of a piece of music, please forgive my generalisation, is to give an insight into 'what a piece is about'. I suppose that this piece is no different, but with the title being slightly abstract I shall resist the temptation to reveal what it means to me. The title, I feel, needs to be open to interpretation along with the music within. That's the way, with this piece especially, I like my music to be. Freedom to find our own meaning and a way to express it from within the score is vital. It is only then that the piece can take on its own identity and grow in ways that even I might not have imagined, revealing different sides to its personality with each performance.Before the music begins I have included some text. Do these words hold the key to the music?! Can they help??! I DON'T KNOW!!! I just like the rhythms, the pulse and the imagery. Hopefully, all of this can help to create a picture. But let it be your picture...- Paul McGhee, June 2010
Estimated dispatch 7-14 working days
