Results
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£34.95Time Eternal (Brass Band - Score and Parts)
Time Eternal (2011) was written as a showcase for band in the form of a seven-minute journey which demonstrates the ability of the band and its soloists. As the title suggests, the idea of time is important in the work, with bell-like gestures forming the opening and closing sections. Rhythmic material is heard, often juxtaposing more lyrical passages, sometimes with dramatic percussion or semiquaver running accompaniments in the cornets.A slow and expressive middle section hears soloistic contributions from the flugel horn and euphoniums, as well as fuller tutti passages, before a return to the energetic tempo of the opening where material is heard again, often presented in different ways with a real sense of drive through to the close.
Estimated dispatch 7-14 working days
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£29.95First Light (Cornet Solo with Brass Band - Score and Parts)
First Light was written for Kirsty Abbotts and Carlton Main Frickley Colliery Band. A slow lilting melody is presented in the cornet solo and passed between the band and the soloist to create images of the tranquil night before the piece reaches a climactic moment which is meant to represent the beams of light emerging as the sun rises. The theme is then presented in a tutti forte section before arriving at a tranquil finish. First Light is featured on the Kirsty Abbotts and Carlton Main Frickley Colliery Bands CD, A Search for Peace.
Estimated dispatch 7-14 working days
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£64.95He is Starlight (Brass Band - Score and Parts)
He is Starlight was commissioned by Margaret Austin with financial support from UNESCO, for performance by The Woolston Band at the 2015 Festival of Star Light in Twizel, New Zealand. The piece is a commemoration for composer John Ritchie (J.A.R.), my
Estimated dispatch 7-14 working days
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£64.95World Tour (Brass Band - Score and Parts)
This extended work was commissioned in 2006 by Besses o' th' Barn Band to mark the centenary of its 1906 world tour. In four movements of contrasting style we're taken on a journey from Liverpool to Melbourne!
Estimated dispatch 7-14 working days
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£31.95World Tour (Brass Band - Score only)
This extended work was commissioned in 2006 by Besses o' th' Barn Band to mark the centenary of its 1906 world tour. In four movements of contrasting style we're taken on a journey from Liverpool to Melbourne!
Estimated dispatch 7-14 working days
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£29.95Soliloquy II (Euphonium Solo with Brass Band - Score and Parts)
A few years ago, I wrote a Soliloquy based on a Salvation Army song by George Marshall called Soliloquy (In the Stillness), since published in the General Series. This solo follows up the form of that previous work, though it is quite different in emotional content, and was a commission during Covid lockdown from Euphonium player Micah Dominic Parsons.The main inspiration is the tune Cross of Jesus by John Stainer as well as a motif from some older Euphonium Studies from the Royal Military School of Music, Kneller Hall, that Micah had discovered. The tune is used in a chorale form and, after an introduction, the very first section is a reversal of the chorale that appears in the second half of the work. The Euphonium exclamations are all derived from the main tune and the study motif. The work begins in quite a dark reflective manner, representing those aspects of the song, without being too specific. The second half reflects the more positive characteristics and finds a triumphal nature in its conclusion. The soloist lines throughout have a very declamatory style and can have a freedom in performance.There is one new element in the coda, where the triplet motif (bars 87-89) is a direct quotation from Romans 8 - A brass celebration by Ray Steadman-Allen. RSA was a good friend, mentor and encourager to me. The glorious climax of Romans 8 is his presentation of the same tune (Cross of Jesus) used in this work. And so the piece ends with a final and personal reference to RSA!- Howard Evans
Estimated dispatch 7-14 working days
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£29.95Laudate Dominum (Cornet Solo with Brass Band - Score and Parts)
Originally composed by Mozart in 1780 from the Vesperae ples de Confessore, this setting of the shortest of the psalms, Psalm 117, has an ethereal quality. It seems to express something of the beauty of God and of his love in creation. This work has been beautifully transcribed for brass and soloist by Kevin Norbury.Duration: 5.00
Estimated dispatch 7-14 working days
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£29.95Prayer of Childhood (Cornet Solo with Brass Band - Score and Parts)
Leslie Condon made a huge impact on the lives of many he encountered. His compositions ranged from extended brass works to simple choral songs. Prayer of Childhood, originally composed for children to sing, is based on the verses which commence 'Gentle Jesus, meek and mild'. The simplicity of the melodic line is its strength and compliments the text so beautifully.Duration: 2.30
Estimated dispatch 7-14 working days
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£40.00Fanfare for a New Era (Brass Band - Score and Parts)
Fanfare for a New Era is the most substantial of Edward Gregson's fanfares and was the result of a private commission by Lady Sheila Stoller to celebrate the opening in April 2017 of the Stoller Hall at Chetham's School of Music, Manchester. Gregson dedicated it to Sir Norman Stoller, who donated the funding for the new concert hall. The Fanfare was designed to fill the whole space, with separate brass choirs - trumpets, horns, trombones and tuba - playing their own music. A solo trumpeter playing 'on high' announces first the four horns and timpani, who enter with a stately measure. Next the herald trumpeter ushers in trombones, tuba and drums, with a faster dance. Finally, the remaining three trumpets amplify the peeling of bells. All four elements then come together, surrounding the audience with a 'joyful noise' of festive brass and percussion.Duration: 3.00
Estimated dispatch 7-14 working days
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£89.95Orion (Brass Band - Score and Parts)
Orion was named after the giant huntsman in Greek mythology and is a prominent constellation located on the celestial equator and visible throughout the world. It is one of the most conspicuous and recognisable constellations in the night sky. This piece and its inspiration were composed as a tone poem creating a musical picture of this amazing phenomenon.The opening introduces the constellation. Starting mysteriously with the percussion and basses this section develops a series of rhythmic and harmonic interludes from the upper brass. As this introduction develops, the melodic line lead by the Solo Cornet and Euphonium builds as the accompanying instruments increase in their rhythmic complexity. This section climaxes with a short fanfare motif which will be a prominent theme throughout this piece.The fast rhythmic section that follows serves as a technical test for the players. The thematic device introduced by the Solo Cornets is passed around various soloists and sections within the ensemble. This part of the tone poem gives the opportunity for the ensemble to highlight their technical prowess. The fanfare motif returns to conclude this section and takes the piece into the slow middle movement.Motifs heard earlier are mixed with new ideas in this slow section which give an opportunity for a variety of soloists to demonstrate their musical prowess. After the various solo passages and cadenzas, the mood shifts dramatically to a more ominous section that builds in texture and dynamic. Concluding with our returning fanfare motif the piece then builds in momentum towards our finale section.This finale is a technical showcase which will further test the playing ability and stamina of soloists, small groups and the full ensemble. Using prominent musical themes heard throughout this piece the music builds to a glorious conclusion fitting with wonderful constellation.
Estimated dispatch 7-14 working days