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  • £50.90

    ZULU (Brass Band) - Barry, John - Jenkins, Christian

    Grade: Medium/Easy Duration: 2:30

    Estimated dispatch 7-14 working days

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  • £39.95

    Harlequin (Score and Parts) - Bruce Broughton

    Harlequin is the most popular of the comic servant characters from the Italian commedia dell'arte who, although a slow thinker, was acrobatic and nimble - he would never perform a simple action when the addition of a cartwheel or backflip would spice up the movement! These characteristics are aptly portrayed musically in Bruce Broughton's mini concert overture. Originally published for brass band in 1984, this popular work coveys all the hustle, bustle, and agility of the character in a finely crafted musical structure. Ideal as a concert opener or encore it is sure to delight audiences and provide players with an exciting new addition to their repertory. Duration: 2:30

    Estimated dispatch 7-9 working days
  • £39.95

    A Requiem Chorus (Score and Parts) - Giuseppe Verdi

    An excerpt of the 'Agnus Dei' from Verdi's Requiem - makes a lovely moment of clam in concerts or church use. Duration: c.2:30 Full score and parts provided

    Estimated dispatch 7-9 working days
  • £35.00

    Calon Lan - Hughes, J - Harper, P

    Calon Ln is among the most popular of traditional Welsh melodies. This arrangement is simple but beautiful, beginning with a lone trombone voice, expanding to a trio, before the tenor horn is featured. After a heartfelt but brief climax, the trombone regains the spotlight and the music ends in peace and tranquility.4th section +Duration 2.30 minsListen to Cory BandCourtesy of World of Brass

    In Stock: Estimated dispatch 1-3 working days

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  • £37.50

    Polish Adventures - Gavin Somerset

    Composed for the All Saints Wind Band, Sheffield after their trip to Poland in the summer of 2003. This work reflects the different parts of the tour in four continuous movements... PROGRAM NOTES AS THEY APPREAR ON SCORE COVER I don't wish to ramble on with the program notes, do I do believe that if you know the story behind a piece of music, it just puts that extra something into the players performance. In 2002, the All Saints Wind Band, Sheffield, embarked on a 10 day tour of Poland. The group spent 28hrs on a couch packed with instruments, only to arrive finding Poland experiencing its worst summer in 70 years. In 2003, they decided to go back for another go! This time, luxury all the way, no 28hr coach journey, just a 1 1/2hr flight. This piece tells the story of the 2nd tour of Poland in four continuous movements... First the introduction. Early one morning, prepared for the drive to the airport, everyone tired, but excited. A day prior to this, some parents of the children set off in a van driving the instruments to the hotel, some 300 miles away. Bar 13 introduces the "Van" theme. Once arriving at the airport, the movements begin... 1. MORNING FLIGHT A very self explanatory part of the piece, and impressionist in its writing. Flying high over England and the channel, giving a sense of speed we were travelling at (compared to the poor lads in the van somewhere below us!) The Largo before F tells of the short coach journey to the hotel, and settling into what was our new home for 10 days. 2. IN THE STORM The weather was definitely an improvement on last year. So much so, that it became a regular event of the day to go and play rounders in a nearby field. This particular day however, with everyone concentrating hard on the game, it escaped everyone's attention that there was a very large storm creeping over the high mountain range near us. As the title of the movement suggests, the scene involved 25 of us running as fast as we could back to the hotel. Unfortunately, the heavy rain ran faster than us. 3. LAST MEMORIES As most of the people in the band were 18 this year, it was apparent that this would be their last event with the band. Many of the group had grown up together for the last 7 years and so, as the tour came to a close, there was a sense of sadness in the air, but everyone would always have the memories. 4. FINALE & HOME The van and the brave volunteers that went with it, set off the day before the rest of us flew home. This last movement reflect the whole tour, bringing back all the main themes from the different movements before arriving back at the school, just in time to see the van pull up. The "Van" theme makes its presence heard again towards the end. This piece was performed by the Wind Band at the leaving concert of many of the players in the band. I dedicate this piece to the band which is still functioning with new players, and to all those who took part on this tour.

    In Stock: Estimated dispatch 1-3 working days

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  • £30.00

    Let All Mortal Flesh Keep Silence

    ABOUT THIS PIECE: Let All Mortal Flesh Keep Silence by Edward Bairstow is a setting of the ancient hymn text from the Liturgy of St. James, and embodies a profound sense of reverence and awe. Bairstow, a renowned composer and organist, served as Master of Music at the iconic York Minster, one of the most famous Gothic cathedrals in the world. His tenure at York Minster significantly influenced his compositions, many of which are celebrated for their spiritual depth and grandeur, and that use the incredible acoustic of the cathedral as part of their very structure. This arrangement translates Bairstow's choral masterpiece into a stirring brass setting, maintaining the richness and gravitas that makes it so memorable. Ideal for concerts, services, or ceremonial occasions, the piece provides a powerful and reflective experience for performers and audiences alike. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here to listen to a computer generated version Watch below a quintet version of this piece: DURATION: 3-minutes 20-secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £30.00

    Lullaby

    ABOUT THIS PIECE: Bring the gentle charm of George Gershwin's Lullaby to your brass band performances with this elegant arrangement. Originally written in 1919 as a string quartet, Lullaby is one of Gershwin's earliest compositions, showcasing his ability to blend classical forms with the lyrical, jazz-influenced melodies for which he would later become renowned. This arrangement captures the soothing and contemplative character of the original, making it a perfect choice for moments of reflection or contrast in your programme. The piece's graceful melodies and rich harmonies provide a wonderful showcase for the band's expressive capabilities. ENSEMBLE: Standard British Brass Band (NO PERCUSSION) WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here (rehearsal recording - some playing errors) DURATION: 3-minutes, 20 secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £30.00

    A Titanic Memorial - Brass Band Sheet Music Full Score & Parts - LM393

    COMPOSER: Brian HarperRMSTitanicwas a British passengerliner, operated by theWhite Star Line, thatsank in the North Atlantic Oceanon 15 April 1912 after striking anicebergduring her maiden voyage fromSouthampton, England toNew York City, United States.Of theestimated 2,224 passengers and crewaboard, more than 1,500 died, making itthe deadliest sinking of a single shipup to that time.It remains the deadliest peacetime sinking of anocean linerorcruise ship.The disaster drew public attention, provided foundational material for thedisaster filmgenre, and has inspired many artistic works.LM393 - ISMN : 9790570003938

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Beneath The River Severn (Chris Cobon) - Brass Band Sheet Music Full Score and Parts - LM283

    COMPOSER: Chris CobonBeneath The River SevernProgramme NotesBeneath The River Severn follows on, chronologically,from three pieces about steam engines;LMR600 Gordon, Tornado (LNER Peppercorn Class A160163),The Lady Armaghdale and also 'Moments in Brass' Sets 1+2Living 3 miles from the River Severn, the longest river in Great Britain,I regularly cross it on the way to conduct Highley Colliery Brass Band.Beneath The River Severn aims to capture not only the beauty of the river but also the dangerous undercurrents that lie under the calm surface.The length of the complete piece is 4 minutes 11 secondsMusical Traits:Attempting to avoid stereotype water music,I started with sketches based on quartal harmony but inverted (so 5ths)For example, the first run onEuphonium starts on concert pitch G, Hrns = D, Bari=A, 1st Hrn=E etc."A" represents the undercurrent,which has claimed many lives over the years.An 11-note salute to the greatest river piece,Smetana's Vltava, is worked into this sectionSuitable Section 4 Upwards

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Concerto for Two Trumpets & Brass Band - Bb or Eb Duet & Brass Band Sheet Music Full Score & Parts- LM601

    COMPOSER: Antonio VivaldiTRANSCRIBED : Daniel S. AugustineThe great duet from Vivaldi is now available for two players with brass band accompanimentThe soloists can be two Eb soprano cornets, 2 Bb Cornets or one of each.A chance to let your soloists shine with authentic backing transcribed from Vivaldi original score.Definitely one for your next concert.Concerto for Two Trumpets in C Major, double concerto for trumpets and strings byAntonio Vivaldi, one of the few solo works of the early 1700s to feature brass instruments. It is the only such piece by Vivaldi.The rarity of Vivaldi'sConcerto for Two Trumpetsstems from the difficulties inherent in the Baroque trumpet. At the time, trumpets were natural, or valveless. The instrument's range was quite restricted, and much depended on the performer's lip control, as with the modern bugle.As with the great majority of Vivaldi's concertos, this one begins with a quick and sparkling movement to catch the attention of the audience and to showcase the bright tones of the solo trumpets. This is followed by a languid and very brief second movement, with fanfare-like passages from the soloists overlaying sustained string tones. For the final movement, Vivaldi returned to brilliant mode with quick energy and intricate passages for the soloists.

    In Stock: Estimated dispatch 3-5 working days