General Series Brass Band Journal, Numbers 2261 - 2264, December 2025

2261: March - Win the world (Paul Sharman)This march was written at the request of Staff Bandmaster Ken Waterworth for the Melbourne Staff Band's visit to South Africa in 2018. It features the tunes We shall win (T.B. 455) and Storm the forts of darkness (T.B. 844) - the latter chosen for its similarity to the Australian national anthem in its opening two bars.2262: Festival March - Alleluia! (Kevin Larsson)Both hymns used in this march, This is my Father's world (S.A.S.B. 66) and All creatures of our God and King (S.A.S.B. 2), bought the composer comfort as he began to grapple with the ramifications of the global pandemic in 2020. Both songs talk about God's sovereignty over nature, revealing himself to us through the beauty and majesty of our world.2263: Prayer gently lifts me (Ty Watson)This is a simple arrangement of the chorus Prayer gently lifts me (S.A.S.B. 783). The piece was written to precede the opening prayer in a band programme.2264: What a Saviour! (Steven Ponsford)This devotional music explores the events of Good Friday, dramatically reminding us of words associated with familiar Easter hymns tunes.

General Series December 2019 Numbers 2198 - 2201

2198 Ambassadors of Holiness - Noel Jones2199 Be Glorified - Craig Woodland2200 Eternally Thine - Olaf Ritman2201 Closer to the Cross - Andreas Holmlund

General Series December 2021 Numbers 2214 - 2217

2214 March - Youthful Praise - Morgan Juel Stavik2215 A God to glorify - Steven Ponsford2216 Speak, Lord - Paul Sharman2217 Celebration Morning! - Harold Burgermayer

Georgia Boy

Gershwin for Brass

Includes: I Got Plenty O' Nuttin'; Love is Here to Stay; A Foggy Day; Love Walked In; Nice Work If You Can Get It.

Get Rhythm/Scarborough Fair

Girl in Satin, The (Brass Band - Score and Parts)

Girl with the Flaxen Hair, The (Brass Band - Score and Parts)

Gl'unviern ei cheu (Score Only)

Gl'unviern ei cheu (Winter has arrived) (from Romansh Pictures)

A delightful melodic flugel solo from the pen of Stephan Hodel.