Guadalajara (Cornet Section Feature with Brass Band - Score and Parts) - Guizar, Pepe - Fernie, Alan

Duration: 2:30

  View Music

Guards of Honour (Brass Band - Score and Parts) - Evers, Harm

De Haske once again presents a excellent march from composer Harm Evers. In Guards of Honour Evers must have consciously envisioned an honour guard as the solemn nature of such a body is clearly audible in this composition.Duration: 3:30

Guid New Year (Brass Band - Score and Parts)

-

Gull Dances (Brass Band - Score and Parts) - Johns, Terry

The composer, who lives and works at the edge of the Forth estuary in Edinburgh has been inspired here by the intriguing "tap" dance that the gulls perform on the grass at certain times to encourage worms to break the surface. The middle movements describe the birds' "dancing" in flight, with a waltz and a slow soaring melody. The piece was written for the COOP Glasgow Brass Band on the occasion of their winning the Scottish brass band championship in 2009 and was broadcast on BBC Scotland's "Classics Unwrapped" in November of that year. Duration: 11.00. Suitable for 1st Bands and above.

Gwendolin (Brass Band - Score and Parts)

-

Gymnopedie No.1 (Brass Band - Score and Parts) - Satie, Erik - Bowen, Brian

This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.

  View Music

Gymnopedie No.1 (Brass Band - Score and Parts) - Satie, Erik - Littlemore, Phillip

Erik Satie's Gymnopedies are a series of three short piano pieces that were first published in 1888. These atmospheric pieces, all written in 3/4 time and sharing a common theme and structure, are recognised the world over and are his most famous compositions. Gymnopedie No.1?is divided into two almost identical parts, with a steady accompanying rhythm of crotchet-minim, crotchet-minim (short-long, short-long) that remains constant throughout - with the exception of the last two bars of each part! This gently lilting background supports an expressive melodic line which creates the occasional dissonance, yet seems impressively tension free. Duration: 8:10

  View Music

Gymnopedie No.1 (Brass Band - Score only) - Satie, Erik - Bowen, Brian

This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.

  View Music

GYMNOPEDIE No.1 (Brass Band) - Satie, Erik - Richards, Goff

Gypsy Dance (Brass Band - Score and Parts) - Wiffin, Rob

Gypsy Dance was composed while the composer was living in Spain. He had been working with some gypsy musicians and was intrigued by the instinct and passion that they brought to their playing. The composer also had the opportunity to watch some modern flamenco dancing and wanted to capture some of the spirited essence of this art form. In writing the piece he used two main melodic ideas and rather than develop them, they are presented in different guises as the dance moves through various episodes and builds towards a fiery climax.

  View Music