Cry of the Falcon (Brass Band - Score and Parts) - Houben, Kevin

The Cry of the Falcon refers to the Germanic Goddess Freya, who had a cloak of feathers that gave her the ability to change into a falcon. As a falcon Freya could make her way among people. Weeping and screaming, she searched for her lost husband Odur. Power and justice are the main ideas portrayed by Kevin Houben in this lyrical concert work.Duration: 11:30

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CRY OF THE MOUNTAIN (Brass Band Extra Score) - Lorriman, Howard

2014 National Championships Area Qualitying Contest - 1st Section. Original Work. Grade: Medium.

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CRY OF THE MOUNTAIN (Brass Band Set) - Lorriman, Howard

2014 National Championships Area Qualitying Contest - 1st Section. Original Work. Grade: Medium.

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Crying at the Discoteque (Brass Band - Score and Parts) - Kraeydonck, Jan van

Performed by Alcazar. Duration: 03:30

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CU CHULLAIN (Brass Band) - Jenkins, Karl - Small, Tony

from Adiemus iv - The Eternal Knot. Adiemus is an extended choral-type series of works based on European classical tradition, but where the vocal sound is more akin to 'ethnic' or 'world' music. Karl Jenkins ingeniously invented the language used in the entire Adiemus project. Cu Chullain is a movement from ADIEMS iv - The Eternal Knot. Cu Chullain (pronounced 'Koo Kullan') is the foremost hero of the Ulster Cycle, a collection of prose and verse romances which forms one of the major cycles of Irish literature. The epitome of Celtic valour, Cu Chullain is portrayed as the ideal chieftain and defender of his tribe. Possessing extraoridinary powers which he uses solely for the benefit of his people, he forms a bridge between the world of the gods and that of humas. Duration: 4:20 approx

Cuatro Bosquejos Espanoles (Brass Band - Score and Parts) - Goorhuis, Rob

Duration: 12.15

CUBAN BOY (Brass Band) - Chacksfield, Frank - Smith, Sandy

Duration: 2'14". Grade: medium. Recorded on OBRCD946 The Way we Were (Cory Band).

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Cuban Overture (Brass Band - Score and Parts) - Gershwin, George - Littlemore, Phillip

Originally entitled Rumba, the?Cuban Overture?was a was written some time following a two-week holiday which Gershwin took in Havana in February 1932. The overture is dominated by Caribbean rhythms and Cuban native percussion, with a wide spectrum of instrumental colour and technique. It is a rich and exciting work with complexity and sophistication, illustrating the influence of Cuban music and dance. Although it received it's premi?re under the title Rumba, it was renamed Cuban Overture three months later at a benefit concert conducted by Gershwin at the Metropolitan Opera to avoid giving audience the idea that it was simply a novelty item. The new title provided, as the composer stated, "a more just idea of the character and intent of the music". Duration: 6:20

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CUBAN OVERTURE (Brass Band) - Gershwin, George - Sparke, Philip

A symphonic overture or tone poem for orchestra composed by American composer George Gershwin. It was the result of a two-week holiday in Havan, Cuba in 1932. The overture is dominated by Caribbean rhythms and Cuban native percussion, with a wide spectrum of instrumental colour and technique. It is a rich and exciting work with complexity and sophistication, illustrating the influence of Cuban music and dance. Duration: 10:19 Recorded on Polyphonic QPRL232D Sea Pictures

CULLODEN MOOR (Brass Band Set)