The Rock - Hans Zimmer

The Rocketeer - James Horner - Michal Worek

The Rocketeer - James Horner - Roland Smeets

Before Titanic,James Horner was not above composing scores for cartoonish family films, and many of those that brought him on their production board owe him greatly. The Rocketeer entails the story of a young pilot during World War II who happens upon a rocket pack that allows him to fly. The film is based on the tradition of old film serials that left theater-goers hanging with "To be continued," and aside from modern production, it is old fashioned and innocent fun. Horner's score begins and ends with the brilliant "Main Title," which is so moving it was used in previews for later films that did not yet have finished scores. Most of th Rocketeersoundtrack elicits the adventure and lifting spirit of the film and reveals how Horner incorporates rich instrumentals in the tiniest crevices. Even when the film involves danger, as in "Jenny's Rescue," the composer takes care when it is hardly even required. Instead of some "duh-duh-duhs," he brings on a full, stunning orchestra and when he overdoes it, it is in a jolly way -- he never exhausts his medium. That is what separates him from inferior composers, and what makes a nice film like The Rocketeer extra nice. It is a soundtrack worth listening to.

The Rose - A. McBroom - Juri Briat

Everybody knows this beautiful song by Amanda McBroom. Juri Briat has made an arrangement of The Rose in his own natural style.

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The Rose - Amanda McBroom - Darrol Barry

The Rose - Bette Midler - Frank Bernaerts

The Rose Of Tralee - Gordon Macduff

The Rothea Rag - Scott Joplin - Roger Nicholls

A cheerful dance tune, which features all sections of the band, and which ends with a Dixieland free-for-all. Not to be taken seriously.

The Round Table - Bert Appermont

The Round Table, a project of the concert band "Odyssey" in Belgium, was specially composed to present the various instrumental groups and separate instruments of the orchestra. With this sparkling composition you can familiarise the audience with the wealth of sounds and the strength of your ensemble. As an opening or concert piece.

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The Rovers Return - March - Edrich Siebert