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  • £44.00

    Veni Immanuel - Philip Sparke

    The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.

    Estimated delivery 10-14 days

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  • £24.95

    O Come, O Come, Emmanuel - 15th Century French Traditional - John Barber

    O Come, O Come, Emmanuel is a Christian Hymn for Christmas and is a translation of the Latin hymn, Veni, Veni, Emmanuel with the origins of the text stretching back as far as at least the 15th Century.In this realisation of the hymn, the melody and scoring is underpinned throughout by a tonic pedal and a relentless ostinato played on the vibraphone. This provides an almost hypnotic and minimalistic quality, only moving away from this rigidity when the two choruses reveal themselves to the listener.

    Estimated delivery 3-5 days
  • £34.95

    Finale from Symphony No. 8 - Gustav Mahler - Christian Jenkins

    This great choral symphony is divided into two unequal parts, the first a setting of the ninth-century Whitsuntide hymn Veni Creator Spiritus, the second of the closing scene of Part II of Goethe's Faust. This skilful arrangement from the talented young Welshman, Christian Jenkins, is of the final chorus, 'Alles Vergangliche', music that comprises roughly the last five minutes of the Symphony. It begins with Mystic Chorus, drawing mankind towards heaven. This builds in intensity to a triumphant instrumental coda, an affirmation of faith in both God and man.

    Estimated delivery 3-5 days