Results
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£29.50How Far I'll Go - Lin-Manuel Miranda - Gavin Somerset
One of the most popular songs from Disney's 'Moana', is now available for brass band. How Far I'll Go is the Academy Award nominated song and it became an instant hit upon the film's release. The film tells the story of a young girl, chosen to reunite a mystical relic with a goddess. Upon its release, 'Moana' was met with great critical acclaim and has quickly placed itself up amongst the best of Disney's latest animated works. Loved by audiences of all ages, this release is the perfect choice for a modern concert programme and a song loved worldwide.
In Stock: Estimated dispatch 1-3 working days
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£102.60Cherubic Hymn of Ukraine - Yakiv Yatsynevych - John Philip Hannevik
Ukraine was invaded on February 24, 2022, and the world again became spectators to a conflict between unequal opponents. Once again we saw lies, injustice and brutality up close.I must admit that a feeling of powerlessness arose when experiencing this, an empty feeling of not being able to do anything useful.One early Monday morning, a few weeks into the conflict, I sat down to listen to Ukrainian music.I hardly knew any Ukrainian music, but I was familiar with the composer Mykola Leontovych, the man who composed "Carol of the Bells". He was a member of the Ukrainian liberation movement, and he was assassinated by a Soviet agent in 1921.One of his contemporary colleagues was the composer, teacher and conductor Yakiv Yatsynevych (1869-1945). He wrote church music and choral music, and I became very taken by his Hymn to the Cherubim, a part of the Orthodox Mass.I could not find any sheet music for this. But I have listened to numerous choral recordings, and I have tried to notate the music as I believe the composer himself has done originally.I chose to do the arrangement for a solo group of 4 players. These players can be placed at a distance from the ensemble, maybe on a gallery or at the back of your concert hall.The arrangement was made for Brottum Brass for their participation in the Oslo Brass Festival in April 2022.The performance in the church this particular night was met with a long-lasting silence after the last note. The warm respect, the moving response and love we felt from the audience is a memory I will carry with me for a long time.In the lyrics to this psalm, one finds the phrase:Let us now lay aside all earthly cares- John Philip Hannevik -
Estimated dispatch 5-14 working days
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£53.50Romance for Horn - Joseph Turrin
Several years ago, I attended an Imperial Brass concert in the United States, which featured soloist Sheona White on tenor horn. I was so impressed with her playing that I asked if I could write something for her. The result of the conversation is this piece, Romance for Horn. I thought I'd compose something melodically flowing with grace and tenderness that was very carefully crafted to match Sheona's beautiful sound on the tenor horn. As for the overall structure of the work, it basically consists of flowing melodic lines in the solo part supported by a pulsing harmonic current that runs throughout. A piano reduction of this fine Romance is also available.Joseph Turrin
Estimated dispatch 5-14 working days
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£115.60Dream of the Return - Pat Metheny - Ray Farr
Dream of the Return is one of the tracks on Pat Metheny's album of 1989 "Letter from Home".The CD recording is remarkable for its variety, imagination and musical artistry, and the combining of Latin American rhythms with jazz harmonyproduces magical results especially with Pat Metheny's guitar playing.While most tracks on the CD are instrumental, this song stands out because of its beautiful lyrics (by Pedro Aznar) which, roughly translated, are:I tossed a poemto the sea that took my questions and my voice.Like a sinking ship it was lost in the waves.I begged it not to return without having seen the open seaAnd in my dreams, show me what it had seen.Even if it did notcomeback I would know that it had journeyed.Floating all the time on calm or stormy seasEven though some safe haven waits.I waited long for its answer and almost gave up hope,And with a yearning voice I cried desperatelyto the heavens.Much later, somehow, it was washed ashore like an answered prayer.Now the rolling sea beats in my veins and sets my heart free
Estimated dispatch 5-14 working days
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£115.60Dance Monkey - Toni Watson - Idar Torskangerpoll
Dance Monkey er en catchy lat av den Australske musikeren Toni Watson ogsa kjent som Tones and I. Tones and I forklarer at sangen handler om forholdet hun hadde med publikum da hun var gatemusikant hjemme i Australia: "Jeg skrev denne sangen da jeg opptradte pa gata, og den handler om presset jeg folte om alltid a underholde folk." Like kjent som selve lata er videoen som er laget til. Pr mars 2020 er videoen vist over 825 mill ganger pa YouTube. Eb-kornett er en optinoal stemme. Den er identisk med Cornet 1-stemmen og ikke med i partituret.
Estimated dispatch 5-14 working days
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£137.70Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson - Svein H. Giske
This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble). B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players. My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed. One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody. However, I also wanted to do the melody line a bit different. The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement. The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.
Estimated dispatch 5-14 working days
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£115.60Vidda - Ole Edvard Antonsen - Ole Edvard Antonsen
I composed the song "Vidda" after I got my ultimate boy's dream fulfilled; To fly one of the Air Force's F-16 fighter jets! We flew out from Norwegian city Bodo on to the Finnmark plateau, where we flew so-called "low level" (at low altitude). It was such a great experience for me that I immediately wrote the song "Vidda" based on my experience of the trip. Here, I try to describe the meeting between the technical perfection of a machine that surpasses most of the various forces in it's escape through the magnificent scenery passing at great speed, and the pilot who is alone with both the adventure and responsibility. The drums which start the song is meant to describes theenergy in the power of the plane, while the lonely and kind of melancholy melody from the trumpet in the beginning describes the feelings of the pilot. As the song develop, we pass both the mountains and big beautiful plateaus with g-forces quivering body. Hopefully you will share some of my experiences through this song. Have a nice flight! Ole Edvard Antonsen
Estimated dispatch 5-14 working days
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£154.60Circius - Torstein Aagaard-Nilsen
The work is important for me because it was my first piece to be performed outside Norway. Black Dyke Band/David King performed it and did a recording of it in 1991. In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material. When he came to the north of Norway (where I come from) he decribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves (?= turn upside down) heaven and earth. (Well, not a good translation Im afraid). The fast sections reflects the mighty winds from the north. In the middle section, I borrowed afolksong-like tune (by C. Elling, a Norwegian composer). The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God.
Estimated dispatch 5-14 working days
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£228.70Fanfare and Chorale - Egil Hovland - Ray Farr
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
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£149.40Viking Saga - Ray Farr
"Viking Saga" was inspired by my conducting engagements in Norway in the 1980s. Among them was a visit to the Flekkefjord Pike Korps who asked me to write a piece for them. I had just written "Adventures in Brass" which was very popular, particularly with younger bands, so I decided to pursue the creative energy. My teacher, at that time, was Professor Edward Gregson who encouraged me to develop my ideas into a full-scale work. The piece received a few performances in this version but neither I, nor my teacher, were satisfied so the manuscripts lay dormant. In the summer of 2002 a band from Switzerland- Cordula Brass Baden and Christoph Moor, who had played the piece under mydirection in the Swiss National Youth Band, commissioned me to finish the work and make the changes that, I felt, were needed. In 2016 the Tonsberg Wind Band, from Norway, commissioned a wind band version for their performance in the Norwegian Championships held in Trondheim 2017.
Estimated dispatch 5-14 working days
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