European Brass Band

We've found 146 matches for your search. Order by

Results

£152.99

Where Angels Fly (Brass Band - Score and Parts)

Where Angels Fly was commissioned by VLAMO (Flemish Band Association). Kevin Houben wrote this work for the 2017 European Brass Band Championships in Ostend, Belgium. This is a very technical, powerful and virtuosic work with a rather fragile and soft introduction in which the main motif " derived from the Belgian composer Paul Gilsons (1865-1942) La Priere from Le Retour au Pays " is developed and also includes Houbens own musical signature HBE(N). Where Angels Fly is a challenging, impressive and virtuosic contest piece. Duration: 16.00
Estimated dispatch 7-14 working days
£154.99

A Brussels Requiem (Brass Band - Score and Parts)

The attacks in Brussels on 22 March 2016 created a shockwave throughout Belgium and the rest of the world. Equally, the attacks in Paris and Nice led to great public indignation, fear and disbelief. What has happened to the western world? Have our cultures grown apart to such an extent that we do not understand each other anymore? Bert Appermont's intention was to voice certain emotions that these acts of terror have caused: particularly fear, grief, anger, and helplessness. He uses the French children's song Au Claire de la Lune as a connecting thread throughout the work. This piece is also about hope and faith in another world, and is meant to pay homage to all victims, resulting in a dignified remembrance. The musical development is presented in four through-composed parts, titled Innocence, In Cold Blood, In Memoriam - We Shall Rise Again and A New Day. This work was commissioned by the Brassband Oberosterreich (Brass Band Upper Austria) to be played at the European Brass Band Championships 2017.Duration: 16.30
Estimated dispatch 7-14 working days
£168.50

Music of the Spheres (Brass Band - Score and Parts)

Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004. The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the Big Bang itself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.Duration: 18:00
Estimated dispatch 7-14 working days
£59.99

Four Sketches (Brass Band - Score and Parts)

Simon Dobson wrote his Four Sketches at the request of Peter Bossano, Head of Brass at the Royal College of Music, in recognition of the 25th anniversary of Benjamin Brittens death. It was the winning entry in the European Brass Band Composer Competition in 2002. Suitable for 1st Section Bands and above. Duration: 10.00
Estimated dispatch 7-14 working days
£75.00

Cantata for brass band and percussion. Composed by Andrew Duncan

Cantata was commissioned by The Fodens Band who gave the first performance in 2014. Cantata was used as the test piece for the Scottish Open in 2014 and was played by the Whitburn Band as their own choice piece at the European Brass Band Championships in 2016. Cantata is in three movements and fully explores the textures, technique and musicality of a top section brass band and its soloists. Composer: Andrew Duncan Difficulty: Championship Section Duration: 16 mins Score and parts Publisher: The Music Company Released: 2014
£69.95

PROMISED LAND, The (Brass Band Set) - Kenneth Downie

The Promised Land was commissioned by the Buy As You View Band and first performed by them as their own choice test piece at the European Brass Band Contest 2006 in Belfast. The story of Moses leading the Hebrews out of Egypt to find the Promised Land is one of the most dramatic to be found in the Bible. This music, although continuous, seeks in its seven main sections, to portray something of the drama found in the story.
Estimated dispatch 7-14 working days
£125.00

The World Rejoicing (Brass Band - Score and Parts)

The World Rejoicing was commissioned by the National Brass Band Associations of Belgium, Netherlands, Norway, Switzerland, and the British Open, as the test piece for their competitions in 2020/21. Although the work was completed in 2019, the pandemic of 2020 meant that these competitions were postponed until 2021/22. The premiere took place in September 2021 at Symphony Hall, Birmingham, UK.In searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well- known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Cruger. A number of composers have incorporated this chorale into their music, most famously J.S. Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonisation of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows:Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work, which is around 16 minutes in length, is also partly autobiographical - in the manner say of Strauss's Ein Heldenleben - in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.Duration: 16.00
Estimated dispatch 7-14 working days
£40.00

The World Rejoicing (Brass Band - Score only)

The World Rejoicing was commissioned by the National Brass Band Associations of Belgium, Netherlands, Norway, Switzerland, and the British Open, as the test piece for their competitions in 2020/21. Although the work was completed in 2019, the pandemic of 2020 meant that these competitions were postponed until 2021/22. The premiere took place in September 2021 at Symphony Hall, Birmingham, UK.In searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well- known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Cruger. A number of composers have incorporated this chorale into their music, most famously J.S. Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonisation of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows:Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work, which is around 16 minutes in length, is also partly autobiographical - in the manner say of Strauss's Ein Heldenleben - in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.Duration: 16.00
Estimated dispatch 7-14 working days
£74.95

Helvetia (Brass Band - Score and Parts)

I first went to Switzerland in the early 1970's and regularly played at the Lucerne Festival with the Royal Philharmonic Orchestra. It is a beautiful city, one of my favourite European cities.In writing Helvetia (the Roman name for Switzerland) I wanted to encapsulate the moods that remind me of this wonderful place. The work is in four distinct sections and is on the whole, self-explanatory.It opens with An Alpine Dawn and sunrise, the tubas and euphoniums substituting for the Swiss Alphorns. Next The Clock Shop at Mid-day, a loud ticking, chiming and the sad sound of a cuckoo, builds into the cacophony of the mid-day chimes. The third section is A Walk to Wagner's House. Just along the lake from the centre of town is Tribschen. This walk I have done many times, and it is here that Wagner wrote 'Tristan'. I have quoted the Dresden Amen (written by J.G. Naumann) which is much used in Parsifal. The final section is The Cesta Run, the most famous bob-sleigh run in the world. As we take each corner, the feeling of speed is demonstrated as only a brass band can do!The work is dedicated to the Cory Band and also to the memory of James Watson, a great cornet player, trumpeter and conductor. It was he who got me into writing for brass band and I hope this piece is worthy.- Gareth Wood (Feb. 2011)Duration: 11.00
Estimated dispatch 7-14 working days
£31.95

Helvetia (Brass Band - Score only)

I first went to Switzerland in the early 1970's and regularly played at the Lucerne Festival with the Royal Philharmonic Orchestra. It is a beautiful city, one of my favourite European cities.In writing Helvetia (the Roman name for Switzerland) I wanted to encapsulate the moods that remind me of this wonderful place. The work is in four distinct sections and is on the whole, self-explanatory.It opens with An Alpine Dawn and sunrise, the tubas and euphoniums substituting for the Swiss Alphorns. Next The Clock Shop at Mid-day, a loud ticking, chiming and the sad sound of a cuckoo, builds into the cacophony of the mid-day chimes. The third section is A Walk to Wagner's House. Just along the lake from the centre of town is Tribschen. This walk I have done many times, and it is here that Wagner wrote 'Tristan'. I have quoted the Dresden Amen (written by J.G. Naumann) which is much used in Parsifal. The final section is The Cesta Run, the most famous bob-sleigh run in the world. As we take each corner, the feeling of speed is demonstrated as only a brass band can do!The work is dedicated to the Cory Band and also to the memory of James Watson, a great cornet player, trumpeter and conductor. It was he who got me into writing for brass band and I hope this piece is worthy.- Gareth Wood (Feb. 2011)Duration: 11.00
Estimated dispatch 7-14 working days