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  • £60.99

    From A Distance - Julie Gold - Georges Moreau

    This splendid ballad made pop history thanks to the gleaming performance of Julie Gold. A successful arrangement by our house arranger, Georges Moreau, that can be played by every orchestra.

    Estimated dispatch 5-14 working days

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  • £59.99

    Go the Distance (Euphonium Solo with Brass Band - Score and Parts) - Menken, Alan - Stowell, David

    from Disney's Hercules.Baritone/Euphonium Solo & Brass Band.Duration: 3:00

    Estimated dispatch 7-14 working days
  • £59.99

    Go the Distance (Tenor Horn Solo with Brass Band - Score and Parts) - Menken, Alan - Stowell, David

    from Disney's HerculesDuration: 3:00

    Estimated dispatch 7-14 working days
  • £183.20

    Folklore - Kjetil Djønne

    "Folklore" is a work for brass band and percussion loosely based on the story of the Norwegian woman accused of witchcraft, Anne Pedersdotter. She was sentenced to be burned at the stake in Bergen in the spring of 1590 and has since been frequently highlighted as Norway's most famous and talked-about witch.The work begins with the movement "Lyderhorn," depicting the mountain outside Bergen where witches gathered to plan magical actions against the city. Here, we hear the quietness of nature and the wind blowing through the trees before a new theme appears, which will come to life in the next movement. In the distance, the witches have started their ceremony.In the next movement, "Walpurgis Night," the witches perform their rituals to afflict the city with fire, disease, and natural disasters. The ceremony becomes more and more chaotic, violent, and compelling until the darkness of the night envelops us, concluding the section.The third movement describes the women's inner struggle against the harassment they faced when the people of Bergen suspected them of being witches. Rumors often turned into formal accusations from the legal system, and many were sentenced to death after undergoing trial. "From life to death through the fire."The fourth and final movement, "The Pyre," depicts the actual death sentence. You can hear the pyre being ignited and the flames growing and intensifying. It all culminates in a chorale as a memorial to the lives that were taken.

    Estimated dispatch 5-14 working days
  • £127.30

    Bogoroditse Devo - Sergei Rachmaninov - John Philip Hannevik

    The All Night Vigil is an a-cappella composition that Sergei Rachmaninov composed in January/ February 1915. It was one of Rachmaninoff's favorite among his own compositions, and it has also been called "the greatest musical achievement of the Russian Orthodox Church". "Bogoroditse Devo" is movement number 6, and the lyrics are: Hail Mary, full of grace, the Lord is with thee, blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus. Performance suggestion: Solo Clarinet, 1st Altosax, 1st Horn amd Solo Euphonium stand, preferably some distance away from the band. The remaining players of the band can sing from the "choir" sheet. At letter A, 1st Hornand Solo Euphonium return to their seats while Solo Clarinet and 1st Altosax remains standing until letter C

    Estimated dispatch 5-14 working days

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  • £102.60

    Cherubic Hymn of Ukraine - Yakiv Yatsynevych - John Philip Hannevik

    Ukraine was invaded on February 24, 2022, and the world again became spectators to a conflict between unequal opponents. Once again we saw lies, injustice and brutality up close.I must admit that a feeling of powerlessness arose when experiencing this, an empty feeling of not being able to do anything useful.One early Monday morning, a few weeks into the conflict, I sat down to listen to Ukrainian music.I hardly knew any Ukrainian music, but I was familiar with the composer Mykola Leontovych, the man who composed "Carol of the Bells". He was a member of the Ukrainian liberation movement, and he was assassinated by a Soviet agent in 1921.One of his contemporary colleagues was the composer, teacher and conductor Yakiv Yatsynevych (1869-1945). He wrote church music and choral music, and I became very taken by his Hymn to the Cherubim, a part of the Orthodox Mass.I could not find any sheet music for this. But I have listened to numerous choral recordings, and I have tried to notate the music as I believe the composer himself has done originally.I chose to do the arrangement for a solo group of 4 players. These players can be placed at a distance from the ensemble, maybe on a gallery or at the back of your concert hall.The arrangement was made for Brottum Brass for their participation in the Oslo Brass Festival in April 2022.The performance in the church this particular night was met with a long-lasting silence after the last note. The warm respect, the moving response and love we felt from the audience is a memory I will carry with me for a long time.In the lyrics to this psalm, one finds the phrase:Let us now lay aside all earthly cares- John Philip Hannevik -

    Estimated dispatch 5-14 working days

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  • £48.18

    Allegro Marcato from Symphony No.5 (Brass Band) Prokofiev arr. Fendall Hill

    The premiere of Prokofiev's 5th Symphony took place on January 13, 1945, with Prokofiev himself conducting the USSR State Symphony Orchestra. During the performance, artillery fire could be heard in the distance, celebrating the Red Army's victory over German forces and providing a stark reminder of the ongoing conflict. Prokofiev's Symphony No. 5 emerged as a symbol of hope and human resilience. The 2nd movement is the Allegro marcato, a lively scherzo. The piece is energetic, full of contrasts and dynamic melodies, and embodies a spirit of defiance. It is one of the arranger's favourite pieces, and translates brilliantly to brass band for an orchestral transcription. To view a rolling score video of the work please visit www.youtube.com/watch?v=kM642RBFO2E PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: 8.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £79.95

    Neverland - Christopher Bond

    "All children, except one, grow up" wrote J.M. Barrie about Peter Pan in 1911; the first line and an expression of beautiful melancholy and fantasy, coming to represent one of the best-loved children's stories of the twentieth century. 'Peter & Wendy', as the book was first released, has subsequently been transformed into adaptations for film and stage, with subsequent books based on this iconic tale. In writing this new work for brass band, the composer has taken three of the main themes from J. M. Barrie's book, and used these themes to create new musical material, forming a work in three contrasting sections. I. Journey to Neverland The opening of the work, mysterious in its style, reflects the opening chapters of the story - a leafy London street, still in the dead of night - with the music transforming quickly as it builds in texture and momentum - a Journey to Neverland through the night sky; Second Star to the Right and straight on 'til morning. "Then Peter knew that there was not a moment to lose. 'Come,' he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy. Mr & Mrs Darling and Nana rushed into the nursery too late. The birds were flown." II. The Windows that Closed The central section of the work takes its inspiration from the sense of longing throughout the book, mainly by Peter Pan, the Darling Children & The Lost Boys. Distant memories of life before Neverland, memories of the Lost Boys' mothers, and regret at what the children have missed. Peter says "Long ago, I thought like you that my mother would always keep the window open for me; so I stayed away for moons and moons and moons, and then flew back; but the window was barred, for mother had forgotten all about me, and there was another little boy sleeping in my bed." III. Aboard the Pirate Ship The final section of the work takes its inspiration from the Pirate Ship, and Peter Pan's ultimate battle with its infamous Captain Hook. "In person, he was cadaverous and blackavized, and his hair was dressed in long curls, which at a distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly."

    Estimated dispatch 10-14 working days