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£33.00

Carnaval Dorado

Translated literally, Carnaval Dorado means 'golden carnival'. Whilst composing this piece, I had in mind a marching carnival band that slowly forms out of the morning mist but then quickly starts marching with energy and purpose in the early sunshine. There is a brief siesta halfway through where the 'band' conserves its energy in the mid-day sun but soon the percussion section calls the band
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£42.00

Fanfare for the Future

Fanfare for the Future was commissioned by the organisers of the annual Madhurst Brass Festival 2012 to open the final concert. The title pays homage to the James Watson Memorial Fund, the choice charity of the event, which gives opportunities to young brass players. The piece opens with an epic fanfare featuring the cornets and trombones. The music then shifts gear into an exciting, fast tempo.
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£27.00

Ground Bass

Ground Bass is based on the ostinato from J.S. Bach's 'Passacaglia and Fugue in C Minor (BWV 582)' originally written for Organ solo in the early 18th Century. It has been transcribed and reworked numerous times by a number of composers from different periods in time ever since its composition. This work utilises the ground bass in four different sections each exploring the colours that the brass
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£51.00

Metropolis

Metropolis was composed for James McLeod, Principal Euphonium of the Leyland Band. Inspired by a tour to Dubai in October 2014, the opening of the piece portrays a journey through the city on the main highway surrounded by the impressive skyline. This then moves into a slower passage reflecting the sun setting as the buildings start to illuminate the night sky. The final section encapsulates the
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£30.00

Night on Bald Mountain (Prelude)

Inspired by Russian literary works and legend, Mussorgsky composed St. John's Eve on Bald Mountain on the theme of a Witches' Sabbath occurring on St. John's Eve, which he completed on that very night, 23rd June 1867. In 1886, five years after Mussorgsky's death, Rimsky-Korsakov published an arrangement of the work, Night on Bald Mountain . This adaptation is based on Rimsky-Korsakov's version,
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£33.00

O Holy Night

Composed by Adolphe Adam in 1847 to the French poem Cantique de Noel , O Holy Night has been recorded by a range of artists including Mariah Carey, Cher, Perry Como, Bing Crosby, Whitney Houston, Andy Williams and even Enrico Caruso. Originally arranged for voice and brass as part of the award winning 'Memories of Christmas' album featuring Foden's Band and Matthew Ford, the carol has now been
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£30.00

O Little Town of Bethlehem

Based on an 1868 text written by Phillips Brooks and the hymn Forest Green (a tune collected by Ralph Vaughan Williams and first published in the 1906 English Hymnal) O Little Town of Bethlehem is perhaps one of the most widely recognised of all Christmas Carols. This arrangement resets the music as a beautiful Tenor Horn solo within the framework of a graceful and flowing waltz. Also available to
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£72.00

Plus Ultra

Plus Ultra was commissioned by Brass Bands England for the Intermediate section of the 2015 National Youth Brass Band Championships of Great Britain. Plus Ultra is based on the story of the 'Twelve Labours of Hercules'. The myth tells that during the completion of the Tenth Labour, Hercules had to split a mountain apart in order to sail through into an unknown part of the world. By splitting the
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£36.00

Prelude and Scherzo

Prelude and Scherzo was composed for Jackie Greenstead, Solo Horn of the Thoresby Colliery Band. As the title suggests the piece is in two movements: the first is a lyrical melody, sparse at first that culminates in a radiant full band reprise. The second movement is a jaunty, light-hearted scherzo that shows off the technical ability of the soloist. Also available to purchase in print from
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£36.00

Purple Prelude

Purple Prelude was composed in 2017 by Ian Raisbeck for the Lions Youth Brass - the title, reflecting the colours of the band uniforms. The piece features 3 contrasting themes; the first a fanfare style opening full of pomp and ceremony, the second idea is a lively and rhythmical section giving the percussion players some latin inspired rhythms to fit the driving syncopated accompaniment rhythms.
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