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£37.50Symphony No.1 (2nd Mov.) - Tchaikovsky - Julian M Blakestone
"Land of Desolation, Land of Mists" is the title given to the second movement of Tchaikovsky's First Symphony with carries the sub-title Winter Dreams, a theme carried onward by its first two movements. However, those seeking the "misty desolation" of a winter on the steppes will not find it here, for of all Tchaikovsky's symphonies, this one bears the aura of optimism.
In stock: Estimated dispatch 1-3 days
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£44.50Les Miserables (Concert Suite) - Alain Boublil and Claude-Michel Schonberg - Gavin Somerset
Based on the book by Victor Hugo, Les Misrables has been entertaining audiences around the world since its first performance in London in 1985. Whilst the initial critical reviews were not favourable, the paying public disagreed and the success of the West End musical led to a Broadway production. The show had a big revival in 2012 with the release of the hit film. In this new specially arranged Concert Suite, which features a built in encore - the Epilogue to the show (should you wish to use it) and an optional cut omitting the more difficult sections (making the work accessible to lower section bands), this work gives your band the chance to bring a touch of Broadway to your audience. The Suite features the Prologue, On My Own, Bring Him Home, Master of the House, One Day More & Can You Hear The People Sing? A great audience pleaser and grand concert or contest work that belongs in every bands library.
In stock: Estimated dispatch 1-3 days
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£24.50Nimrod 'From Enigma Variations' - Elgar - Gavin Somerset
The 'Enigma Variations' by Elgar are musical portraits of his friends and family. The best of these 14 variations is by far, number 9 entitled 'Nimrod'. The variation has become a piece in its own right and is common at funerals and other solemn occasions. Remembrance Day in particular would not be complete without hearing the work and is always performed at the Cenotaph in London on this day. Now, this arrangement by Gavin Somerset remains faithful to the original and with careful scoring throughout, it allows bands of most standards to play this gorgeous piece and still obtain those hair raising moments the audiences have come to expect. A must for every bands library.
In stock: Estimated dispatch 1-3 days
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£29.50Sing - Andrew Lloyd Webber & Gary Barlow - Dave Houghton
When it was announced that prolific composer Sir Andrew Lloyd Webber and hit song writer Gary Barlow were to collaborate on a project to commemorate the Diamond Jubilee of Queen Elizabeth II, the public were left in little doubt that the music would be an instant hit. We were not disappointed! Gary Barlow travelled across the Commonwealth searching for instruments and voices to perform on the single and the 'Military Wives Choir' were also included in the final edition. Now available for the first time for brass band in an arrangement by Dave Houghton, this moving work projects the 'feel good' factor to your audience and is a perfect addition to a programme on both the bandstand and concert hall. A must for every bands library.
In stock: Estimated dispatch 1-3 days
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£29.50Ye Morning Stars of Light - Andi Cook
This composition takes the well-known hymn tune Diadem and turns it into an epic concert work that all bandsmen will enjoy getting their teeth stuck into. Big organ like chords fill the opening stanza's before the work sets off full of life with fragments of the familiar tune hinted at throughout. There is a great energy to this piece and makes a great way to begin or finish a concert. Certainly one not to be missed.
In stock: Estimated dispatch 1-3 days
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£64.95Dance Spirit (Brass Band - Score and Parts) - Wiffin, Rob
Dance Spirit is a three movement suite of dances comprising Stomping Dance, Waltz Interlude and Duende linked by solo dancer cadenzas. It started life as the wind band piece Spirit of the Dance. In it I attempted to capture some of the elements of this most fundamental of human activities, the urge to move our bodies to the rhythm of the music. In re-working it for brass band I extended the duration of the Waltz Interlude and increased the technical level in some areas with the intention of making it a suitable test piece.Stomping Dance - The suite starts with perhaps the most basic dance feeling, the desire to stomp our feet to the music, unrefined, no knowledge of steps needed. The heavy stomp is not always present in the music here, and sometimes you can sense the dancers trying something a little more refined, but it is always lurking in the background, ready to draw us back to the elemental rhythm of the beat.Waltz Interlude - Of course, dance does not always have to have heat, it can be elegant and restrained, emphasising fluidity of line and movement. In the waltz it is occasionally suspended by the held poses before the motion starts again. Unlike the outer movements, the Waltz Interlude is cool, danced in moonlight rather than under the sun. The two dancers sometimes move as one and at other times the man provides a frame for the more intricate arabesques of his partner.Duende - During my time living in Spain I went to watch some flamenco dancing. I was expecting the normal tourist cliches but the dancers were serious students of Flamenco Nuevo y Viejo (new and old). They performed with passion to some pounding asymmetric rhythms and their performance was the inspiration for Duende. Duende as a term is hard to define. It is a spirit of performance - that moment when you are right in the middle of the creative spirit of the music. It is about soul and a heightened state of emotion. Federico Garcia Lorca wrote: I have heard an old maestro of the guitar say, The duende is not in the throat; the duende climbs up inside you, from the soles of the feet. Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation.- Rob WiffinDuration: 13.45
Estimated dispatch 7-14 working days
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£26.95Do You Recall? (Trombone Solo with Brass Band - Score and Parts)
A slow, bluesy solo for trombone with band accompanimentLike many people, I took the opportunity offered by the COVID lockdown in Spring of 2020 to sort through old paperwork. I discovered a lot of songs that had not seen the light of day for many years and were mostly written with just the melody and chord symbols. Some offered the potential of becoming instrumental solos with a combination of heart-on-the-sleeve melodies the like of which I would not write now, together with maybe a greater sophistication in the instrumental writing. I had the notion in the back of my mind that Do you recall?; would work as a trombone solo but it seemed to fight me all the way. However, once finished it has proved to appeal to trombonists and has already been recorded by Brett Baker. It is not intrinsically difficult but needs a sense of the appropriate slow swing style and good control throughout the range.- Rob WiffinDuration: 4.15
Estimated dispatch 7-14 working days
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£104.99
Theme Park Fun! - Wilco Moerman
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set, on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challengedto visit a house full of ghosts, creepy figures and other ominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park, but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions,it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train, the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops, corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end. This day in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to theexit. Just one look over the shoulder, the amusement park figures are waving at us. Hopefully we will come back again soon!
Estimated dispatch 5-14 working days
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£78.20The Rocketeer - James Horner
Before Titanic,James Horner was not above composing scores for cartoonish family films, and many of those that brought him on their production board owe him greatly. The Rocketeer entails the story of a young pilot during World War II who happens upon a rocket pack that allows him to fly. The film is based on the tradition of old film serials that left theater-goers hanging with "To be continued," and aside from modern production, it is old fashioned and innocent fun. Horner's score begins and ends with the brilliant "Main Title," which is so moving it was used in previews for later films that did not yet have finished scores. Most of th Rocketeersoundtrack elicits the adventure and lifting spirit of the film and reveals how Horner incorporates rich instrumentals in the tiniest crevices. Even when the film involves danger, as in "Jenny's Rescue," the composer takes care when it is hardly even required. Instead of some "duh-duh-duhs," he brings on a full, stunning orchestra and when he overdoes it, it is in a jolly way -- he never exhausts his medium. That is what separates him from inferior composers, and what makes a nice film like The Rocketeer extra nice. It is a soundtrack worth listening to.
Estimated dispatch 5-14 working days
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£40.00Symphony No.1, Finale from (Brass Band - Score and Parts) - Rachmaninoff, Sergei - Littlemore, Phillip
Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer's death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured young talent. Duration: 5:40
Estimated dispatch 7-14 working days
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