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  • £24.95

    Only For You - Paul Lovatt-Cooper

    Written for Paul Duffy and Black Dyke Band, this superb solo showcases both band and soloist to full effect. Beginning in a relaxed, jazz style, the music builds to a grandstand finish guaranteed to bring the house down!

    Estimated delivery 10-12 days
  • £34.50

    Daphnis & Chlo?: (Conductor's Large Format Score Only) - Ravel, M.

    THIS PURCHASE OPTION IS FOR THE CONDUCTOR'S LARGE FORMAT SCORE ONLY AND DOES NOT INCLUDE ANY OF THE PARTS. It is produced especially in A3 large format due to the complexity of some passages of the arrangement. This revised (2012) version of the complete Second Suite from RAVEL's DAPHNIS & CHLOE arranged by Howard Snell, has been chosen as the test piece for the Championship Section of the NATIONAL BRASS BAND CHAMPIONSHIPS OF GREAT BRITAIN of 2012 at the Royal Albert Hall. First performed complete by massed bands at the Gala Concert following the 1986 Finals at the RAH, it very appropriately celebrates the 100th Anniversary of the 1st performance of the complete Ballet in Paris in 1912. The study score to be issued for the Contest, is now in preparation, and will be available only through this site prior to the day of the Contest, October 20th, 2012.

    Estimated delivery 10-14 days
  • £10.00

    Daphnis & Chlo? Suite 2: (Study Score ONLY) - Ravel, M.

    THIS PURCHASE OPTION IS FOR THE STUDY SCORE ONLY, IN A 4 FORMAT. This score is available from September 10th on this website only, until October 20th 2012, when it will be on sale at the British National Brass Band Championships at the Royal Albert Hall

    Estimated delivery 10-14 days
  • £24.95

    The Dark Side Of The Moon - Score Only - Paul Lovatt-Cooper

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premi?re performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated delivery 10-12 days
  • £20.00 £20.00
    Buy from IMAS Music

    Plus Ultra (Score Only) - Andrew Stevenson

    - SCORE ONLY -Plus Ultra was commissioned for the Intermediate section of the 2015 National Youth Championships of Great BritainPlus Ultra is based on the twelve labours of Hercules, in particular the tenth. During the completion of this labour, Hercules had to split a mountain apart and sail into an unknown part of the world. By splitting the mountain, he connected the Atlantic Ocean to the Mediterranean Sea and formed the Straight of Gibraltar. One part of the split mountain is Gibraltar and the other is Monte Hacho. These two mountains taken together have since then been known as the Pillars of Hercules.The Pillars appear as supporters of the coat of arms of Spain. The motto Plus Ultra (Latin for further beyond) is closely associated with the Pillars of Hercules to mark the edge of the then known world. According to mythology, the pillars bore the warning "Non plus ultra" (nothing further beyond) serving as a warning to sailors and navigators to go no further.The music in Plus Ultra depicts the struggle of the tenth labour, the dividing of the mountain, the mystery of what lies beyond the known world and the triumphant return of Hercules after completing the task.

  • £35.00 £35.00
    Buy from IMAS Music

    Plus Ultra (Parts Only) - Andrew Stevenson

    - PARTS ONLY -Plus Ultra was commissioned for the Intermediate section of the 2015 National Youth Championships of Great BritainPlus Ultra is based on the twelve labours of Hercules, in particular the tenth. During the completion of this labour, Hercules had to split a mountain apart and sail into an unknown part of the world. By splitting the mountain, he connected the Atlantic Ocean to the Mediterranean Sea and formed the Straight of Gibraltar. One part of the split mountain is Gibraltar and the other is Monte Hacho. These two mountains taken together have since then been known as the Pillars of Hercules.The Pillars appear as supporters of the coat of arms of Spain. The motto Plus Ultra (Latin for further beyond) is closely associated with the Pillars of Hercules to mark the edge of the then known world. According to mythology, the pillars bore the warning "Non plus ultra" (nothing further beyond) serving as a warning to sailors and navigators to go no further.The music in Plus Ultra depicts the struggle of the tenth labour, the dividing of the mountain, the mystery of what lies beyond the known world and the triumphant return of Hercules after completing the task.

  • £14.95

    Clapp!!! - Score Only - Paul McGhee

    'Clapp!!!!' was originally written in 2006 whilst studying at the Royal Welsh College of Music and Drama and was written for two players at one piano. The music uses rhythmic phasing with each rhythm assigned it's own tone cluster - as each shift in rhythm occurs the harmonic structure is altered too. Melodic passages are created through the shifts in rhythm and harmony, but these only occur within the given rhythmic parameters. The music can very much be viewed as a study in momentum, with its unrelenting pulse driving us through the music.The Brass Band version of 'Clapp!!!!' was written for Manger Musikklag and Torstein Aagaard-Nilsen, receiving its premiere at the 2010 BrassWind Festival in Bergen, Norway. The Whitburn Band featured Clapp!!!! at their 2012 Brass in Concert programme and the piece was featured by the Grimethorpe Colliery Brass Band on their 'Grimethorpe Entertain' CD.

    Estimated delivery 10-12 days
  • £29.95

    Ballet for Band - Score Only - Joseph Horovitz

    Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz’s first work for the medium: his fine “Concerto for Euphonium and Band” is frequently played, and he has also written a cantata entitled “Samson” for choir and band.

    Estimated delivery 10-12 days
  • £25.50

    Huntingtower Ballad for Band - Ottorino Respighi - Alastair Wheeler

    Whilst best known in the Brass Band world for The Pines of Rome, Respighi wrote Huntingtower in 1932 for Concert (wind) Band for a special concert in memory of John Philip Sousa, who had passed away on March 6 of that year. The work was premiered by the US Army Band. With only around 6 weeks to compose the work, his inspiration for the piece came from a visit to Huntingtower Castle in Scotland. A standard in the wind & military band repetoire, the work is available for Brass Band and is a great alternative to some of the traditional Overtures.

    In stock: Estimated delivery 1-2 days

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  • £90.00

    Fantasy for Brassband and Organ - Jan Bosveld

    When I was approached to compose a work for brassband and church organ I already envisioned the concept I would use. It would indeed literally become a work for brassband and organ. Without the traditional solos, the organ would form an addition to the brassband orchestration as would the brassband provide an extra register for the organ. In short a homogeneous entity. The most important reason for doing this is quite simple. Since this work can only be performed in a church and because of the specific acoustics of the church, the brassband would sound in al its tone colour like an organ. By using certain registers of the organ and combining these with the brassband a wonderful sound palette can be created. The use of complementary or contrasting tone quality is also possible. The primary theme of this composition is based on these three methods of "colouring". As far as structure is concerned this work consists of two parts. slow - fast. It is built on a number of motifs in which some behave like a consecutive canon. In the fast movement the primary motif develops into a fugue-like section. The canon and fugato are techniques frequently used in classical and contemporary organ literature. The liberal use of structure and motif has lead to the title. "Fantasy for Brassband and Organ".

    Estimated delivery 10-12 days

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