Results
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£25.50Cheer Up Charlie (Cornet Solo)
This fresh new cornet solo comes from one of the greatest loved movies of all time. Featuring alongside musical hits such as Pure Imagination and The Candy Man, Cheer Up, Charlie is probably one of the most underrated musical numbers from the film, Willy Wonka & The Chocolate Factory. In the film, the song is sung by Charlies mother, whilst young Charlie ponders the life he believes lay ahead for him. With a complex chord structure, the band parts remain interesting throughout whilst the lyrical solo line can shine in this beautiful, melodic work. A great slow melody solo item and one that works on both concert and contest stages.
Estimated dispatch 7-14 working days
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£104.99Manhattan (Cornet Solo with Brass Band - Score and Parts)
Cornet or Trumpet Solo with Brass BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Each movement can also be played individually when a shorter solo is required.Duration: 9:30
Estimated dispatch 7-14 working days
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£29.95I Need Thee (Cornet Solo with Brass Band - Score and Parts)
In the late 1980s, Scottish composer Alastair Taylor bought a new setting to words by Annie S. Hawkes entitled I Need Thee. The impact of Taylor's setting was instant, and has since become a popular and much-loved song.Duration: 5.30
Estimated dispatch 7-14 working days
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£29.95Easter Hymn (Trumpet Solo with Brass Band - Score and Parts)
Ray Steadman-Allen sketched this short, festive arrangement in the early 1990s. While labelled by RSA as a Trumpet Solo, a Cornet soloist would also be appropriate. The piece should not prove difficult to prepare except in terms of maintaining balance between the soloist and the band. Some of the harmonies are quite unexpected, even curiously dissonant in the late RSA style. However, such sounds should help the listener hear this traditional hymn in a new and vital manner. The piece would serve well as an Intrada on Easter Sunday, or during any celebratory occasion in Eastertide.
Estimated dispatch 7-14 working days
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£9.99Christmas Collection - Solo and 1st Cornet Bb Part I - Large Print A4
Christmas Collection is a newly revised carol book with original, additional and rearranged carols from New Christmas Praise as well as 10 extended pieces. Parts are now also available in large print A4 size!Titles:A child this day is bornA Christmas lullabyA great and mighty wonderAll I want for Christmas is youAll my heart this night rejoicesAngels, from the realms of Glory (Come and worship)Angels, from the realms of Glory (Iris)Angels we have heard on highA starry nightAs with gladness men of oldAuld lang syneA virgin most pureAway in a manger (The manger scene)Away in a manger (Traditional)A winter's taleBethlehemBrightest and best (Spean)Brightest and best (Traditional)Calypso CarolCarol for the NativityCarol of the bellsCarol of the drumChild of MaryChristians Awake!Christ is born (Il est n)Christ was born on Christmas DayCome and join the celebrationCome, children, come quicklyCoventry CarolDeck the hallDing dong! merrily on highDo you hear what I hear?Frosty the snowmanGabriel's MessageGaudeteGlory in the highestGlory in the highest HeavenGod of God, the uncreatedGod rest you merry, gentlemenGood Christian men, rejoiceGood King WenceslasGo, tell it on the mountain!Happy Christmas (War is over)Hark the glad sound!Hark! the herald angels singHave yourself a merry little ChristmasHere we come a-wassailingHow far is it to Bethlehem?Huron CarolInfant HolyIn the bleak midwinter (Cranham)In the bleak midwinter (Darke)I saw mommy kissing Santa ClausI saw three ships come sailing inIt came upon a midnight clear (Traditional)It came upon a midnight clear (Willis)It's beginning to look a lot like ChristmasIt's the most wonderful time of the yearI wish it could be Christmas everydayI wonder as I wanderJesus, good above all otherJingle BellsJingle bell rockJoy to the world!Last ChristmasLet it snow!Little baby JesusLittle children, wake and listenLittle DonkeyLittle Jesus, sweetly sleepLo! he comes with clouds descendingLong, long agoLove came down at ChristmasMary's boy childMary's ChildMasters in this hallMerry Christmas everyoneMistletoe and wineNoelO Christmas treeO come, all ye faithfulO come, ImmanuelO Heaven-sent KingO holy night!O little town of Bethlehem (Christmas Carol)O little town of Bethlehem (Forest Green)O little town of Bethlehem (St Louis)Once in royal David's cityPast three o'clockPatapanPersonent HodiePraise ye the LordRing the bellsRise up, shepherd!Rockin' around the Christmas treeRudolph, the red-nosed reindeerSans day carolSanta Claus is comin' to townSaviour's DaySee, amid the winter's snowSilent Night!Sleigh RideSoftly the night is sleepingSo here it is, merry ChristmasStars are shiningStill, still, stillStop the cavalrySussex CarolSweet chiming bellsSweet chiming Christmas bellsThe candle songThe cherry tree carolThe Christmas songThe first NowellThe holly and the ivyThe infant KingThe light has comeThe shepherds' farewellThe stable doorThe star in the eastThe twelve days of ChristmasThe virgin Mary had a baby boyThey all were looking for a kingThou didst leave thy throneThree kings' marchUnto us a boy is bornWalking in the airWe gather round the manger-bedWe three kings of Orient areWe wish you a merry ChristmasWhat child is this?When a child is bornWhen Santa got stuck up the chimneyWhence is that goodly fragrance flowing?When wise men came seekingWhile shepherds watched (Cranbrook)While shepherds watched (Handel)While shepherds watched (Winchester Old)White ChristmasWho is he?Winter WonderlandWorldwide Christmas messageZither CarolA starry nightChristmas JoyChristmas PraiseCoventry CarolInfant HolyMid-winterRudolph, the red-nosed reindeerThe everlasting lightTo celebrate his birthYuletide Rag
Estimated dispatch 7-14 working days
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£7.99
Christmas Collection - Solo and 1st Cornet Bb Part I - March Card Size
Christmas Collection is a newly revised carol book with original, additional and rearranged carols from New Christmas Praise as well as 10 extended pieces. Parts are now also available in large print A4 size!Titles:A child this day is bornA Christmas lullabyA great and mighty wonderAll I want for Christmas is youAll my heart this night rejoicesAngels, from the realms of Glory (Come and worship)Angels, from the realms of Glory (Iris)Angels we have heard on highA starry nightAs with gladness men of oldAuld lang syneA virgin most pureAway in a manger (The manger scene)Away in a manger (Traditional)A winter's taleBethlehemBrightest and best (Spean)Brightest and best (Traditional)Calypso CarolCarol for the NativityCarol of the bellsCarol of the drumChild of MaryChristians Awake!Christ is born (Il est n)Christ was born on Christmas DayCome and join the celebrationCome, children, come quicklyCoventry CarolDeck the hallDing dong! merrily on highDo you hear what I hear?Frosty the snowmanGabriel's MessageGaudeteGlory in the highestGlory in the highest HeavenGod of God, the uncreatedGod rest you merry, gentlemenGood Christian men, rejoiceGood King WenceslasGo, tell it on the mountain!Happy Christmas (War is over)Hark the glad sound!Hark! the herald angels singHave yourself a merry little ChristmasHere we come a-wassailingHow far is it to Bethlehem?Huron CarolInfant HolyIn the bleak midwinter (Cranham)In the bleak midwinter (Darke)I saw mommy kissing Santa ClausI saw three ships come sailing inIt came upon a midnight clear (Traditional)It came upon a midnight clear (Willis)It's beginning to look a lot like ChristmasIt's the most wonderful time of the yearI wish it could be Christmas everydayI wonder as I wanderJesus, good above all otherJingle BellsJingle bell rockJoy to the world!Last ChristmasLet it snow!Little baby JesusLittle children, wake and listenLittle DonkeyLittle Jesus, sweetly sleepLo! he comes with clouds descendingLong, long agoLove came down at ChristmasMary's boy childMary's ChildMasters in this hallMerry Christmas everyoneMistletoe and wineNoelO Christmas treeO come, all ye faithfulO come, ImmanuelO Heaven-sent KingO holy night!O little town of Bethlehem (Christmas Carol)O little town of Bethlehem (Forest Green)O little town of Bethlehem (St Louis)Once in royal David's cityPast three o'clockPatapanPersonent HodiePraise ye the LordRing the bellsRise up, shepherd!Rockin' around the Christmas treeRudolph, the red-nosed reindeerSans day carolSanta Claus is comin' to townSaviour's DaySee, amid the winter's snowSilent Night!Sleigh RideSoftly the night is sleepingSo here it is, merry ChristmasStars are shiningStill, still, stillStop the cavalrySussex CarolSweet chiming bellsSweet chiming Christmas bellsThe candle songThe cherry tree carolThe Christmas songThe first NowellThe holly and the ivyThe infant KingThe light has comeThe shepherds' farewellThe stable doorThe star in the eastThe twelve days of ChristmasThe virgin Mary had a baby boyThey all were looking for a kingThou didst leave thy throneThree kings' marchUnto us a boy is bornWalking in the airWe gather round the manger-bedWe three kings of Orient areWe wish you a merry ChristmasWhat child is this?When a child is bornWhen Santa got stuck up the chimneyWhence is that goodly fragrance flowing?When wise men came seekingWhile shepherds watched (Cranbrook)While shepherds watched (Handel)While shepherds watched (Winchester Old)White ChristmasWho is he?Winter WonderlandWorldwide Christmas messageZither CarolA starry nightChristmas JoyChristmas PraiseCoventry CarolInfant HolyMid-winterRudolph, the red-nosed reindeerThe everlasting lightTo celebrate his birthYuletide Rag
Estimated dispatch 7-14 working days
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£89.95Partita (Score and Parts)
Partita was written in 1989 to a commission from Eikanger/Bjrsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.
Estimated dispatch 7-14 working days
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£44.95Partita (Score Only)
Partita was written in 1989 to a commission from Eikanger/Bjrsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.
Estimated dispatch 7-14 working days
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£45.00strange geometry
Descriptionstrange geometrywas commissioned by Morgan Griffiths and the Hammonds Saltaire Band for their performance at the Brass in Concert Championships of 2015.As a bit of a space/sci-fi geek, as well as a musician, two events during the summer of 2015 had a particular effect on me. The first was the tragic early death in a plane crash of the famous film composer James Horner. Horner's music, particularly in films like 'Star Trek II: The Wrath of Khan', 'Avatar', 'Apollo 13' and even his debut in Roger Corman's 1980 budget film 'Battle Beyond the Stars', defined for a generation the sound of sci-fi at the cinema. Along with John Williams he created the vocabulary for those who wish to express other-worldly wonder in music and his inventive talent will be much missed in an industry where originality has become something of a dirty word in recent years.The second event was the epic flyby of Pluto by the NASA New Horizons spacecraft. There are many reasons to find this mission inspiring - for example, the scientists and engineers behind it created a craft that has travelled at 37,000 mph for nine years and three billion miles to arrive within seventy-two seconds of the predicted time for the flyby. That they achieved this with such accuracy is an outstanding tribute to humanity's ingenuity and insatiable curiosity. However, the most exciting aspect of the mission was the clear, high resolution pictures of this unthinkably remote and inhospitable world beamed back to mission control. The best previous image of Pluto was an indistinct fuzzy blob - suddenly we could see mountains made of ice, glaciers of methane and carbon monoxide and nitrogen fog - features previously unimagined on a world thought to be a slightly dull ball of cold rock. The BBC's venerable astronomy programme 'The Sky at Night' waxed lyrical about these newly discovered features, referring to "the surprising discoveries of mountains and strange geometry on the surface of this cold distant world".I like to think that Horner would have been as inspired as I have been by this real-life science story, and this piece uses some of the vocabulary of the sci-fi movie soundtrack in a tribute to the memory of a great musician and to the inspirational geeks at NASA who have boldly taken us where no-one has gone before.Note: This work comes with a B4 portrait score. Listen to a preview and follow the music below!Performance Notes:The cornet section should play this piece standing up in a roughly semicircular arrangement around the outside of the band facing towards the audience, starting with solo cornets 1&2 to the conductor's left (roughy behind the normal repiano cornet seat) then 2nd cornets, repiano, soprano, 3rd cornets and finishing with solo cornets 3&4 standing roughly behind the normal 2nd trombone seat. If time and logistics permit, the trombones should occupy the first three solo cornet seats, although this is optional. A suggested band layout (with percussion) is given here.Solo cornets 1&2, repiano cornet, 2nd cornets, 3rd cornets, flugel, solo and 1st horn, 1st baritone and euphoniums will require fibre straight mutes - ideally NOT metal ones. Soprano cornet, all solo cornets, 3rd cornets and all trombones will require cup mutes - ideally the cornet mutes should be the adjustable cup type and these should have the cup adjusted quite tight to the bell to give a 'closed' sound. Soprano cornet, solo cornet 3&4 and repiano cornet will require harmon mutes - TE indicates 'Tube Extended', TR indicates 'Tube Removed'. Soprano and repiano cornets will also require metal straight mutes. Vibrato should only be used very sparingly throughout, and never in muted passages.Percussion Requirements:Percussion 1: tubular bells, concert bass drum (not a kit pedal drum), tam tam, clash cymbals, 3 x tom toms, 1 x suspended (clash) cymbal and snare drum.Percussion 2: vibraphone (bowed and with mallets), bass drum and tam tam (shared with perc. 1), additional suspended (clash) cymbal and snare drum.Percussion 3: glockenspiel, 4 x timpani (ideally 23", 25", 28" and 30")Approximate duration 5'50"
Estimated dispatch 7-14 working days
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£59.95Essay (Brass Band - Score and Parts) - Gregson, Edward
This work was specially commissioned as the test piece for a new brass band competition in 1971, held at the Royal Albert Hall, London. It is in three movements, the titles of which all have literary connotations. The first movement, Dialogue takes the form of 'conversations' between the instruments, based on the opening melody announced in unison on cornets and euphoniums. A second theme is introduced on the flugel horn and developed alongside this, creating a sonata form shell.The second movement, Soliloquy is dedicated to the memory of Gilbert Vinter - a composer who did so much in the 1960s to bring the brass band into the modern world. The movement is poignant in mood, which is depicted by a cornet solo announced after a brief introduction. The middle section builds to a powerful climax, at which point the opening theme of the first movement is heard again. Tranquillity returns however, with a solo trombone now playing the original theme with other instruments adding decorative accompanying patterns.The final movement, Epigram, creates strong rhythmic contrasts and exploits the more virtuoso character of the brass band. The middle section, with its changing time patterns and open expansive melody, suggests a 'big-country' style. A rhythmically charged coda concludes the work in exciting fashion.Duration: 12.00
Estimated dispatch 7-14 working days
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