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  • £27.50

    CLOWN DANCE (score & parts) - French Traditional

    score shows Bb, Bb, Eb, bass clef and percussion, but set contains transcribe d parts for brass band brass and orchestral brass.

    In stock: Estimated dispatch 1-3 days
  • £8.50

    TIDZA MORRIS DANCE (score) - Traditional

    Parts included for Brass Band Brass, Orchestral Brass, Percussion & Flute.

    In stock: Estimated dispatch 1-3 days
  • £8.50

    LANCASHIRE CLOG DANCE (score) - Wyld, Simon

    Parts included for Brass Band Brass, Orchestral Brass, Percussion & Flute

    In stock: Estimated dispatch 1-3 days
  • £27.50

    TIDZA MORRIS DANCE (score & parts) - Traditional

    Parts included for Brass Band Brass, Orchestral Brass, Percussion & Flute.

    In stock: Estimated dispatch 1-3 days
  • £27.50

    LANCASHIRE CLOG DANCE (score & parts) - Wyld, Simon

    Parts included for Brass Band Brass, Orchestral Brass, Percussion & Flute

    In stock: Estimated dispatch 1-3 days
  • £11.50

    COSSACK SHASKA DANCE (score) - McKenzie, Jock

    Oldham Music Centre Brass Band play this on the you tube link starting 7 minutes 11 seconds from the beginning.

    In stock: Estimated dispatch 1-3 days
  • £37.50

    COSSACK SHASKA DANCE (score & parts) - McKenzie, Jock

    Oldham Music Centre Brass Band play this on the you tube link starting 7 minutes 11 seconds from the beginning.

    In stock: Estimated dispatch 1-3 days
  • £37.95

    Lord of the Dance (Score and Parts) - Philip Wilby

    This arrangement of the famous shaker melody made popular in Martin Shaw's hymn of Jesus' life and history first appeared as the second movement of Philip Wilby's Partita for Band (Postcards from Home) and has proved a very popular addition to concerts and services.

    Estimated dispatch 5-7 working days
  • £64.95

    Dance Spirit (Brass Band - Score and Parts) - Wiffin, Rob

    Dance Spirit is a three movement suite of dances comprising Stomping Dance, Waltz Interlude and Duende linked by solo dancer cadenzas. It started life as the wind band piece Spirit of the Dance. In it I attempted to capture some of the elements of this most fundamental of human activities, the urge to move our bodies to the rhythm of the music. In re-working it for brass band I extended the duration of the Waltz Interlude and increased the technical level in some areas with the intention of making it a suitable test piece.Stomping Dance - The suite starts with perhaps the most basic dance feeling, the desire to stomp our feet to the music, unrefined, no knowledge of steps needed. The heavy stomp is not always present in the music here, and sometimes you can sense the dancers trying something a little more refined, but it is always lurking in the background, ready to draw us back to the elemental rhythm of the beat.Waltz Interlude - Of course, dance does not always have to have heat, it can be elegant and restrained, emphasising fluidity of line and movement. In the waltz it is occasionally suspended by the held poses before the motion starts again. Unlike the outer movements, the Waltz Interlude is cool, danced in moonlight rather than under the sun. The two dancers sometimes move as one and at other times the man provides a frame for the more intricate arabesques of his partner.Duende - During my time living in Spain I went to watch some flamenco dancing. I was expecting the normal tourist cliches but the dancers were serious students of Flamenco Nuevo y Viejo (new and old). They performed with passion to some pounding asymmetric rhythms and their performance was the inspiration for Duende. Duende as a term is hard to define. It is a spirit of performance - that moment when you are right in the middle of the creative spirit of the music. It is about soul and a heightened state of emotion. Federico Garcia Lorca wrote: I have heard an old maestro of the guitar say, The duende is not in the throat; the duende climbs up inside you, from the soles of the feet. Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation.- Rob WiffinDuration: 13.45

    Estimated dispatch 7-14 working days

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  • £94.95

    Dances and Arias (Brass Band - Score and Parts)

    This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance - Aria I - Dance (scherzo) - Aria II - Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.

    Estimated dispatch 7-14 working days