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  • £35.00 £35.00
    Buy from PHM Publishing

    Lament by Frank Bridge (arr. for brass band by Paul Hindmarsh)

    English composer Frank Bridge (1879 – 1941) composed Lament on 14 June 1915, in memory of Catherine Crompton, who drowned when the Cunard liner Lusitania was torpedoed by a German submarine on 7 May, 1915 off the coast of Ireland. 1201 men, women and children lost their lives out of the 1962 people aboard. Ninety-four children died, including Catherine, her twin brother Paul and four other siblings. Paul Crompton, Snr. (44), a British businessman working in Philadelphia, his wife Gladys (40) and the family nanny were also drowned. How Bridge’s dedication came about is uncertain. One contemporary source says that Bridge knew the family, but it is also possible that he came across the family photograph which was published in many newspapers in the wake of the sinking. His response to this personal tragedy was characteristically spontaneous and utterly sincere. It is one of his most effective miniatures, poignant yet restrained in its lyrical beauty, with compelling directness and simplicity.This arrangement was made for performance at the 2015 RNCM Festival of Brass where it was beautifully performed by Cory Band under Philip Harper.Duration: 4-5 mins Score and parts ?35, plus postage and packing Score: ?10PHM Catalogue No. PHM010

  • £45.00

    Eloise - Paul Ryan - Philip Sparke

    Paul and Barry Ryan were identical twin sons of 1950's pop singer Marion Ryan and were born on 24th October 1948. They were groomed for stardom and had started singing as a duo before their fifteenth birthday. They were signed by Decca in 1965 and brilliantly marketed as clean-cut fashion icons. Their first single 'Don't Bring Me Your Heartaches' reached the UK top twenty but their success as twin performers lasted only three years. In 1968 Barry embarked on a solo career while Paul concentrated on writing and producing. Eloise with its melodramatic vocal style and heavily orchestrated backing was an early success of this new collaboration and went on to be covered by a variety of artists, including punk legends The Damned

    Estimated delivery 10-12 days

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  • £45.00

    Fanfare La Perie - Paul Dukas - Peter Wain

    In 1911 the Russian impresario Diaghilev commisioned Paul Dukas to compose music for the famous ballet fairy-tale 'La Perie'by Jean Coralli.Fokine was to make a new choreography, so that the Russian ballet company 'Ballet Russes' would be able to perform the piece in Paris that same year. Due to a quarrel between Diaghilev and Dukas about who should dance the title-part, however, the ballet was not performed by the 'Ballet Russes'but by another company in 1912.The ballet 'La Perie' is Dukas' last symphonic work. In 1911 gaf de Russische impresario Diaghilev Paul Dukas opdracht om muziek te componeren voor het beroemde ballet sprookje 'La Perie' van Jean Coralli. Fokine was gevraagd om een nieuwe choreografie te maken, zodat het Russische balletgezelschap 'Ballet Russes' in staat zou zijn om het stuk in Parijs op te voeren in datzelfde jaar. Door een ruzie tussen Diaghilev en Dukas over de vraag wie de hoofdrol mocht dansen, werd het ballet in 1912 echter niet uitgevoerd door het 'Ballet Russes' maar door een ander gezelschap. Het ballet 'La Perie' is het laatste symfonische werk van Dukas.

    Estimated delivery 10-12 days

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  • £34.95

    A Christmas Finale - Paul Lovatt-Cooper

    As the title suggests, A Christmas Finale provides an ideal close to any Christmas concert. Paul Lovatt-Cooper has taken a collection of popular works associated with Christmas and expertly crafted this wonderful piece to provide both the listener and performer with an exciting Christmas musical experience. A note from the composer: I love the magic of Christmas. I find the whole experience exciting, from the handing out of presents to the movies shown on television. However, it is the music I love the most, from Christmas carols to Christmas number ones, it all adds to the unique atmosphere and sense of joviality associated with this wonderful time of year. A Christmas Finale captures my yuletide emotions and will hopefully provide enjoyment for you too! Merry Christmas.A Christmas Finale was composed at the request of Nicholas Childs and Black Dyke Band and recorded by the same performers on The Black Dyke Christmas Carol (DOYCD220).

    Estimated delivery 5-7 days
  • £64.95

    Sleepless Cities - Paul Lovatt-Cooper

    I have been very fortunate in my life to have visited many wonderful countries and places around the world as a musician, whether it is as a composer, performer, conductor or soloist. From my experiences I wanted to compose a piece of music that showcases cities that never stop and have a constant hubbub of energy.The ‘Sleepless Cities' that have influenced the basis of this work are New York, London, Sydney, Tokyo, Istanbul, Amsterdam, Zurich, Cairo and Dubai. However, when composing this piece I decided it would be impossible to assign a particular musical theme that sums up each city, as they all have such a rich and diverse cultural establishment.Therefore I opted not to compose this piece in separate movements to identify each city. Instead, I composed a piece where each city blends into one another, almost as if you were taking a speedy cab ride through each bustling metropolis without a break and without the constraints of time or distance. With each metaphoric turn round a street corner you arrive in a different city and before the listener can get used to the surroundings the cab turns again into another conurbation.Sleepless Cities is composed using melodic lines that follow in the traditional western classical style. However, as some of these places are so culturally diverse, you will also hear other cultural musical influences; for example the opening uses elements of an Indian Raga and the euphonium cadenza at bar 126 is based on the Middle Eastern Islamic call to prayer. You will also hear examples of gamelan music and the use of consecutive 4th and 5th intervals including the pentatonic scale which is a trade mark of Chinese, Japanese and Indonesian traditional music. There are also a number of occasions where both the western and eastern musical styles amalgamate highlighting the natural harmony that the differing genres share in one place.Paul Lovatt-Cooper 2009

    Estimated delivery 5-7 days
  • £49.95

    The Dark Side of the Moon - Paul Lovatt-Cooper

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premi?re performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated delivery 5-7 days
  • £49.95

    The Haunted Halls - Paul Lovatt-Cooper

    This work was commissioned by Philip Biggs and Dr. Nicholas Childs for the National Children's Brass Band of Great Britain summer course 2006.The idea behind the piece lies with the magnificent surroundings in which the annual National Children's Brass Band of Great Britain course is held, The Bromsgrove School. The course is held over a week long period at the school. Both staff and students stay on the premises for the duration, making use of the schools boarding facilities. The school itself is huge with various buildings on site and steeped in history. On entering the premises you are immediately engulfed in the school's splendid grandeur and tradition as its unique appearance grabs you and whisks you off to a world of old fashioned headmasters, public schoolboys and boarding school antics. As the evening draws to a close there is a dark and eerie side to the building that sends a tingle up your spine. The piece originated from a story I imagined where at night ghouls, ghosts and spirits emerge from inside the building's walls, paintings and surroundings to cause havoc in their desperate attempt to free themselves from the purgatory that is the spirit world by haunting the living. A group of pupils wake, hearing the commotion and startle the spirits who see this as an opportunity to possess the beings in order to free them from their turmoil. A great chase ensues with the pupils using any means possible to escape from their pursuing spirits.The only weapon against the spirits is the dawning sunshine and so the adventure begins with the pupils having to escape from the chasing spirits and hope that dawn breaks and the sunshine engulfs the supernatural, imploding them back to their world. Paul Lovatt-Cooper (August 2006)

    Estimated delivery 5-7 days
  • £49.95

    Vitae Aeternum - Paul Lovatt-Cooper

    Vitae Aeternum represents the first substantial composition conceived by Paul Lovatt-Cooper in his capacity as 'Composer in Residence' to the world famous Black Dyke Band. Vitae Aeternum (meaning 'Eternal Life') takes its inspiration from songs composed by Ivor Bosanko and Dick Krommenhoek and is in three continuous movements.Vitae Aeternum was commissioned by Gerard Klaucke of GK Graphic Design VOF and received its first performance in the De Lawei Concert Hall, Drachten, Holland on 25th August 2007 played by Black Dyke Band conducted by Dr. Nicholas Childs. Later that year, it formed the finale of Brighouse and Rastrick Band's winning programme at the Brass in Concert Championship and has since been embraced by other leading bands including Cory Band, Leyland Band and The International Staff Band of The Salvation Army.Both Prima Vista Musikk and the composer wish to acknowledge and thank the support and co-operation of Colonel Dick Krommenhoek, Ivor Bosanko and The Salvation Army.

    Estimated delivery 5-7 days
  • £79.95

    Waiting for a Pain Hit!??!!? - Paul McGhee

    Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National Brass Band Championships.The piece originates from sketches for a Brass Quintet which was written whilst I was in my second year of studies at the Royal Welsh College of Music and Drama. The piece, now being much more elaborate both musically and structurally than the original, aims to explore the many various textures available to a large brass ensemble. The aims of the piece, from its earliest stages, were mainly exploration of textures as well as dealing with issues of continuity and whilst the piece certainly contains challenging technical elements, they were not a driving force behind its inception and more organically grew from the primary aims of the piece. I was purposefully looking throughout the writing and editing process to create a piece of music with a seamless, ethereal quality to both the structure and the musical content.There are no 'performance directions' throughout the piece, the reasoning for this is explained below. However, I have spent much time and thought over the tempo markings throughout the piece and the tempos throughout the piece are the desired tempi and care should be taken with these. The tempo markings contained throughout the piece form a vital part of the structure and affect the continuity of the piece. Metronome marks contained within a box show the tempo of the new section in relation to the tempo that precedes it by use of metronome modulations. Any alterations tothe tempo of the section that precedes it will alter the boxed metronome marks.The title of a piece of music, please forgive my generalisation, is to give an insight into 'what a piece is about'. I suppose that this piece is no different, but with the title being slightly abstract I shall resist the temptation to reveal what it means to me. The title, I feel, needs to be open to interpretation along with the music within. That's the way, with this piece especially, I like my music to be. Freedom to find our own meaning and a way to express it from within the score is vital. It is only then that the piece can take on its own identity and grow in ways that even I might not have imagined, revealing different sides to its personality with each performance.Before the music begins I have included some text. Do these words hold the key to the music?! Can they help??!I DON'T KNOW!!!I just like the rhythms, the pulse and the imagery. Hopefully all of this can help to create a picture. But let it be your picture...Paul McGhee, June 2010.

    Estimated delivery 5-7 days
  • £34.95

    Walking With Heroes - Paul Lovatt-Cooper

    The idea behind the title is that as humans we remember great people living and past who have touched our lives and have made a big impact on how we lead our lives; people like our loved ones, family members, friends, religious leaders and celebrities. They have either taught us, helped us to understand or lead their lives by example and, in our eyes, are heroes. We look up to these people and remember them as heroes. Their spirit and influence stays with us wherever we are. Thus, we are 'Walking with Heroes'.This piece was commissioned by Donald Hanson in memory of his father, William. It was first performed by Black Dyke Band on Saturday 18th May 2007 in Bridgewater Hall, Manchester. Walking With Heroes is the title track of Paul Lovatt-Cooper's debut CD, recorded by the Black Dyke Band.

    Estimated delivery 5-7 days