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    Worlds Apart (Cornet Solo) - Andrew Stevenson

    Worlds Apart is a lyrical solo for cornet and piano. The basis of the piece is the use of two contrasting themes, in the form of melodies. These themes symbolise longing and hope. The opening melody is longing and the next melody at letter B is one of hope. The idea behind the piece is that the two themes show the connection of longing or loneliness and hope when faced with being apart from something/someone special. The emotional build-up of the piece should enable performers to bring this idea to life, with extra thought taken on expression and phrasing to show the contrasts.

  • £24.95
  • £58.00

    Garde du Corps - R.B. Hall - Neville Buxton

    Garde du Corps - R.B. Hall - arr. Neville Buxton - 3'00'' - BVT114 One of the most famous marches by American composer Robert Browne Hall, the ‘March King of Maine’. Besides composing he also was a cornet virtuoso and a bandmaster. One of his compositions was played during the funeral procession held for President John F. Kennedy in 1963.

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  • £55.00

    The Commander - R.B. Hall - Neville Buxton

    The Commander - R.B. Hall - arranged by Neville Buxton - 02'20'' - BVT133 American composer Robert Browne Hall, nicknamed the 'March King of Maine', is known for his various handsome marches including 'The Commander'. Besides being a successful composer, he also was a cornet virtuoso and conductor.

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  • £24.95

    Tudor Trumpeters Tune - S.B. Wood

    Cornet Solo with Brass Band

    Estimated delivery 12-14 days
  • £27.50

    Who Wants to Live Forever - May, B - Harper, P

    From Queen's 1986 album A Kind ofMagic this haunting and beautiful songwas used on the soundtrack to the filmHighlander. This arrangement featuresmoving solos for euphonium and cornetand much delicate playing, but the bigclimax is heart-breaking and will leavea lump in the throat.3rd section +

    Estimated delivery 3-5 days

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  • £70.00

    General Series April 2016 - Numbers 2054-2057

    No. 2154 Cornet Solo - The victory cry! (Andrew Blyth)This solo features the popular song by Stuart Townend and Keith Getty entitled 'Power of the Cross', along with an original song by the composer, 'The Cross of hope'. It was originally written at the request of Staff Bandsman Gerry Todd and the Melbourne Staff Band.No.2155 Mission Force (Stephen Bulla)This is programmatic music, portraying the determination and forward vision of the modern church's mission. It includes two well-known hymns, 'Trentham' (T.B.159) and 'Slane' (T.B.831), using their words as metaphors that describe this quest into a spiritual future.No.2156 Prelude on 'Lavenham' (Geoffrey Nobes)An arrangement of a hymn, written by the composer with words by Reverend Nick Fawcett. The three statements of the melody correspond to three verses of the hymn and seek to reflect their meaning.No. 2157 On we march (Kevin Larsson)This piece was written for the Pasadena Tabernacle Band for their 120th anniversary. It includes a number of tunes closely connected with the Corps including 'Everything's coming up roses' from Gypsy, a song closely associated with the Rose Parade, and 'Hooray for Hollywood' as the Corps was previously called Hollywood Tabernacle. Continuing on the Rose Parade theme, 'On we march' (T.B.788) and the well-known hymn tune, 'Rachie' (T.B.190), are also featured.

    Estimated delivery 12-14 days
  • £74.95

    The Torchbearer - Peter Graham

    The Torchbearer was commissioned by Kapitol Promotions and the Federation of Australasian Brass Bands as the test piece for the 2009 National Brass Band Championships of Great Britain and the FABB Open Contest respectively. The commission was initiated by the Federation's Music Advisor, Professor David King, whose support and encouragement for the idea of a piece commemorating the 20th anniversary of Eric Ball's death is greatly appreciated.The variations are based upon the first phrase of the trio from Eric Ball's Salvation Army march, Torchbearers. After opening statements of the theme, variation 1 (an energetic allegro brillante utilising fragment A) commences at bar 35. Cadenza passages for Eb Bass and Euphonium lead to variation 2 (an andante appassionato based upon fragment B) at 104. Variation 3 (142 - a vivace featuring C as an ostinato) is followed at 205 by variation 4, the central andante e sciolto molto for solo cornet (utilising D1 as a counterpoint and D2 as a 2nd phrase).The work culminates at bar 291 in a reprise of the cornet solo, now fully metamorphosised and mirroring in music a concept at the centre of Ball's broader philosophy, that of transformation.I have endeavoured to retain the main compositional characteristics and harmonic flavour of Eric Ball's Salvation Army and contest music. His scoring techniques are a model for any student of the medium and whilst I have aimed for similar colours and clarity of line in texture, concessions have been made in the instrumentation of the 21st century brass band. A slightly more developed percussion section is utilised employing timpani and xylophone in dominant roles.Eric Ball will be remembered as a composer whose classic works for brass shine through with integrity and sincerity. I have been no less sincere in my efforts to pay musical tribute to the 20th century's most influential composer of brass band music.

    Estimated delivery 12-14 days
  • £45.00

    Salsation - Score & Parts - David Shire

    This song was composed for the 1977 John Travolta film Saturday Night Fever, and the 70s disco vibe is never far from the surface of the music. In combination with the scat style of Latin singer Tania Maria, this arrangement features virtuosic solos for tenor horn, trombone and soprano cornet, with all the B? cornets kept thoroughly busy throughout!This piece is on the CD Cory in Concert Volume V.

    Estimated delivery 12-14 days